Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Subalternity • Authorship • Cold War, Cultural Diplomacy, Modern Dance, United • National cinema • Resistance • Chinese art-house cinema • Theatre of power • Radio • Soundscape • Taiwanese identity • Cultural analysis • Marketisation • COVID-19 • Neoliberalism • Feminism • Necrocene • Marginalisation • Taiwan cinema • Sexual assault • Moral panics • Ontological securitisation • Neo-Marxism • Negotiation • Transgender • Extinction studies • Loudspeaker • Sound • Vulnerability • Fragility • Public sympathy • Noise • Statues • Censorship • Literature and Cinema • Political space • Postcolonial studies • Critical theory • Psychopolitics • Historical narrative • China • Decolonization • Meiji Restoration • Precarity • Necropolitics • Imperial taboo • New historicism • Art-house cinema
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.