Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Sexual assault • Imperial taboo • Resistance • Meiji Restoration • Moral panics • Loudspeaker • New historicism • Marketisation • Cold War, Cultural Diplomacy, Modern Dance, United • Negotiation • Taiwan cinema • Noise • Marginalisation • Political space • Chinese art-house cinema • Neo-Marxism • Theatre of power • Feminism • Sound • Critical theory • Ontological securitisation • Transgender • Subalternity • Necrocene • National cinema • Neoliberalism • Statues • Censorship • Decolonization • Literature and Cinema • Art-house cinema • Postcolonial studies • Precarity • Radio • Fragility • Soundscape • Taiwanese identity • China • Vulnerability • Authorship • Extinction studies • Historical narrative • COVID-19 • Psychopolitics • Public sympathy • Necropolitics • Cultural analysis
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.