Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Moral panics • Transgender • Neoliberalism • National cinema • Statues • Fragility • Theatre of power • Political space • China • Marginalisation • Necropolitics • Loudspeaker • Sexual assault • Cultural analysis • Feminism • Subalternity • Authorship • COVID-19 • New historicism • Ontological securitisation • Postcolonial studies • Historical narrative • Necrocene • Radio • Psychopolitics • Critical theory • Precarity • Soundscape • Public sympathy • Censorship • Chinese art-house cinema • Negotiation • Resistance • Decolonization • Extinction studies • Sound • Taiwanese identity • Noise • Vulnerability • Neo-Marxism • Literature and Cinema • Cold War, Cultural Diplomacy, Modern Dance, United • Marketisation • Meiji Restoration • Imperial taboo • Art-house cinema • Taiwan cinema
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.