Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Vulnerability • Imperial taboo • Sound • Moral panics • Chinese art-house cinema • Feminism • Soundscape • Precarity • Radio • Noise • Transgender • Taiwan cinema • Literature and Cinema • Meiji Restoration • Neoliberalism • COVID-19 • Historical narrative • Marketisation • Decolonization • Theatre of power • Cultural analysis • Resistance • Neo-Marxism • China • Ontological securitisation • New historicism • Sexual assault • Political space • Censorship • Marginalisation • Postcolonial studies • Extinction studies • Taiwanese identity • Necrocene • Necropolitics • Art-house cinema • Psychopolitics • Statues • Critical theory • Subalternity • Fragility • Public sympathy • Negotiation • National cinema • Cold War, Cultural Diplomacy, Modern Dance, United • Authorship • Loudspeaker
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.