Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Moral panics • Ontological securitisation • Extinction studies • Precarity • Psychopolitics • Marketisation • Transgender • Chinese art-house cinema • Critical theory • Literature and Cinema • Vulnerability • Necrocene • Political space • Historical narrative • Fragility • Noise • COVID-19 • Public sympathy • National cinema • Taiwan cinema • Marginalisation • Sound • Authorship • Cold War, Cultural Diplomacy, Modern Dance, United • Meiji Restoration • China • Negotiation • Neo-Marxism • Loudspeaker • Sexual assault • Theatre of power • Imperial taboo • Necropolitics • Radio • Neoliberalism • Feminism • Taiwanese identity • Resistance • Subalternity • Art-house cinema • New historicism • Statues • Cultural analysis • Soundscape • Censorship • Postcolonial studies • Decolonization
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.