59 | 2023
open access | peer reviewedKeywords Materiality • Political Islam • Chinese literature • Decorated tombs • Venice • Onomasiological approach • Imām Ḥusayn • Fragments d’un discours amoureux • Colonial subject • Ᾱghā khān • Yanagi Miwa • Jesuit • Translation analysis • Art • Ghost narrative • Salim Barakat • A Lover’s Discourse • Armenian church • Kyūshū • Ceremony • Colour as a sign • Ritual • Republican Era literature • Buddhism • Identity • Early new Persian • Nausicaa episode • Ise • Japanese female photography • Appositive compounds • Sociolinguistic variation • Islamicate Manichaeism • Lee Wai Yi • Kyōgen • Toraakirabon • Nasserism • Ernst Haeckel • Asian religions in Italy • Women artists • Boat symbolism • Ossetic • Japanese archaeology • Japanese compounds • Poetics of ‘propensity’ • Donors • Labour • Safavid-Venetian relations • Elena Ferrante in China • Ulysses • Intercultural communication • Mandarin Ducks and butterflies • Korean New Women • Translation strategies • History of photography • Impact assessment • Posthuman existences • Individuality • Compounding • Medieval reuses • Kofun Period • Early modern travel • Gendered language • British colonial rule • Ideology • Hope and despair • Socio-cultural signs • Venice Art Biennale • Kanji • Devotional literature • Safavid envoys • Xiaolu Guo • Lai Hsiang-yin • Spolia • Christianisation processes • Education • Armenian translation • Yi lü ma • Cultural references • Kawakami Hiromi • Manners • Dystopian novel • Egypt • Politics • Memories • Rhyme • Signified • Signifier • Neoliberalism and Consumerism • James Joyce • Cai Wei • Migrant workers’ poetry • Chinese • Gushi Xinbian • Japanese photography • Muslim Brotherhood • Workers’ poetry • Persian poetry • Manichaean alphabet • Contemporary Chinese literature • Elite women in Modern Korea • Lu Xun • Colonial Korea • Ch’oe Yŏngsuk (Choi Young-Sook) • Islamic movements • Urartian inscriptions • Rewriting history • Intertextuality • Binomens • Sinophone literature • Women • Christianity in Chinese literature • Diplomatic history • Protohistoric art • Archaeology • Late Middle Japanese • Gandhara • Sociology of literature • Dictatorship • Ecolinguistics • Persian language • Sixteenth century • Tensho embassy • Indo-European Languages • Syrian novel • Roland Barthes • Window • Zaynab al-Ghazālī al-Ǧabīlī • Neoclassical compounds • Short story “Medicine” • Sima Qian • Marsiya • Eastern Iranian Languages • Portrait • Technology • Ishiuchi Miyako • Environment • Takao Suzuki • Kakari-musubi • Khachkar • Japanese case particles • Religious change • Literary translation • Etymology • Independence movement • Women photographers • Manichaean texts • Ḥurūf-i qāfiya • International student • Adolescents • Buke Kojitsu • Jesus in Chinese literature • Collective sphere • Šams-i Qays • Contemporary Arabic literature • Japan • Conceptual combination • Khojas • Bao Tianxiao • Literature and poetical imagery • Qie ming bo
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, en, fr
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