59 | 2023
open access | peer reviewedKeywords Tensho embassy • Late Middle Japanese • Sima Qian • Chinese literature • Sociology of literature • Materiality • Egypt • Khojas • Manichaean alphabet • Neoclassical compounds • Translation analysis • Urartian inscriptions • Chinese • Jesuit • Rewriting history • Individuality • Eastern Iranian Languages • Ᾱghā khān • Syrian novel • Women photographers • Šams-i Qays • Short story “Medicine” • Christianity in Chinese literature • Bao Tianxiao • Kofun Period • Socio-cultural signs • Venice • A Lover’s Discourse • Japanese archaeology • Takao Suzuki • Posthuman existences • Gushi Xinbian • Venice Art Biennale • Ideology • Ernst Haeckel • Korean New Women • Safavid-Venetian relations • Mandarin Ducks and butterflies • Yanagi Miwa • Japan • Literary translation • Politics • Ishiuchi Miyako • Japanese photography • Labour • Independence movement • Ceremony • Impact assessment • Lee Wai Yi • Decorated tombs • Translation strategies • Ise • Adolescents • Marsiya • Khachkar • Muslim Brotherhood • Ulysses • Conceptual combination • Republican Era literature • Memories • Signifier • Kyōgen • Binomens • Armenian church • Asian religions in Italy • Portrait • British colonial rule • Contemporary Arabic literature • Environment • Imām Ḥusayn • Medieval reuses • Compounding • Appositive compounds • Lu Xun • Buddhism • Islamicate Manichaeism • Poetics of ‘propensity’ • Etymology • Jesus in Chinese literature • Neoliberalism and Consumerism • Intertextuality • Elite women in Modern Korea • Colour as a sign • Onomasiological approach • Diplomatic history • Japanese compounds • Archaeology • Education • Ḥurūf-i qāfiya • Ritual • Roland Barthes • Yi lü ma • Xiaolu Guo • Literature and poetical imagery • Window • Christianisation processes • Colonial Korea • Early new Persian • Ossetic • Indo-European Languages • Lai Hsiang-yin • Rhyme • Nausicaa episode • Workers’ poetry • Ch’oe Yŏngsuk (Choi Young-Sook) • Persian language • Elena Ferrante in China • Manners • Boat symbolism • Donors • Migrant workers’ poetry • Women artists • Colonial subject • Japanese case particles • Kyūshū • Nasserism • Kanji • Contemporary Chinese literature • Hope and despair • Armenian translation • Art • Persian poetry • James Joyce • Kawakami Hiromi • Sociolinguistic variation • Salim Barakat • Identity • Spolia • Early modern travel • Signified • Buke Kojitsu • Fragments d’un discours amoureux • Ecolinguistics • Dictatorship • Protohistoric art • Dystopian novel • Gendered language • Islamic movements • Religious change • Toraakirabon • Zaynab al-Ghazālī al-Ǧabīlī • Gandhara • Qie ming bo • Sixteenth century • Devotional literature • Manichaean texts • Political Islam • International student • Kakari-musubi • Japanese female photography • Ghost narrative • Collective sphere • Sinophone literature • Technology • Women • History of photography • Cai Wei • Intercultural communication • Safavid envoys • Cultural references
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.