59 | 2023
open access | peer reviewedKeywords Asian religions in Italy • Early modern travel • Religious change • Japanese compounds • Dystopian novel • Armenian translation • A Lover’s Discourse • Workers’ poetry • Korean New Women • Qie ming bo • Collective sphere • Diplomatic history • Lai Hsiang-yin • Hope and despair • Short story “Medicine” • Cai Wei • Ideology • Appositive compounds • Neoclassical compounds • Ritual • Onomasiological approach • Women photographers • Cultural references • Protohistoric art • Lee Wai Yi • Spolia • Socio-cultural signs • Labour • Ḥurūf-i qāfiya • Political Islam • Ghost narrative • Safavid-Venetian relations • Neoliberalism and Consumerism • Contemporary Chinese literature • International student • Takao Suzuki • Egypt • Adolescents • Armenian church • British colonial rule • Decorated tombs • Environment • Technology • Women artists • Colonial subject • Manners • Identity • Women • Nausicaa episode • Yanagi Miwa • Education • Eastern Iranian Languages • Intertextuality • Islamicate Manichaeism • Ecolinguistics • Zaynab al-Ghazālī al-Ǧabīlī • Rhyme • Sinophone literature • Lu Xun • Etymology • Politics • Elena Ferrante in China • Sociology of literature • Urartian inscriptions • Gandhara • Jesus in Chinese literature • Chinese • Early new Persian • Medieval reuses • Gendered language • Japanese female photography • Imām Ḥusayn • Persian poetry • Rewriting history • Fragments d’un discours amoureux • Venice • Japanese case particles • Art • Syrian novel • Signifier • Posthuman existences • Boat symbolism • Ulysses • James Joyce • Kyūshū • Šams-i Qays • Elite women in Modern Korea • Japanese archaeology • Manichaean alphabet • Mandarin Ducks and butterflies • Gushi Xinbian • Khachkar • Window • Dictatorship • Colonial Korea • Poetics of ‘propensity’ • History of photography • Migrant workers’ poetry • Ᾱghā khān • Japanese photography • Sociolinguistic variation • Ise • Nasserism • Kofun Period • Ossetic • Xiaolu Guo • Safavid envoys • Independence movement • Individuality • Marsiya • Donors • Devotional literature • Conceptual combination • Portrait • Sima Qian • Christianity in Chinese literature • Bao Tianxiao • Kawakami Hiromi • Salim Barakat • Muslim Brotherhood • Kakari-musubi • Kyōgen • Chinese literature • Khojas • Jesuit • Roland Barthes • Ch’oe Yŏngsuk (Choi Young-Sook) • Toraakirabon • Contemporary Arabic literature • Japan • Colour as a sign • Binomens • Buke Kojitsu • Venice Art Biennale • Compounding • Tensho embassy • Literary translation • Ishiuchi Miyako • Ceremony • Impact assessment • Yi lü ma • Materiality • Buddhism • Indo-European Languages • Intercultural communication • Late Middle Japanese • Islamic movements • Ernst Haeckel • Persian language • Sixteenth century • Translation strategies • Kanji • Manichaean texts • Memories • Literature and poetical imagery • Archaeology • Republican Era literature • Christianisation processes • Translation analysis • Signified
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it
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