59 | 2023
open access | peer reviewedKeywords Imām Ḥusayn • Nasserism • Onomasiological approach • Fragments d’un discours amoureux • Republican Era literature • Urartian inscriptions • Archaeology • Rewriting history • Salim Barakat • Korean New Women • Political Islam • Elena Ferrante in China • Sima Qian • Cai Wei • Medieval reuses • Workers’ poetry • Buddhism • Ernst Haeckel • Colour as a sign • Signifier • Kanji • Buke Kojitsu • Contemporary Chinese literature • Colonial subject • Asian religions in Italy • Women • Chinese • Xiaolu Guo • Ulysses • Materiality • Ḥurūf-i qāfiya • Appositive compounds • Khachkar • Yanagi Miwa • Contemporary Arabic literature • Ossetic • Dictatorship • Japanese female photography • Intercultural communication • Ishiuchi Miyako • Sociolinguistic variation • Colonial Korea • Roland Barthes • Jesuit • Indo-European Languages • Translation strategies • Hope and despair • Christianisation processes • Devotional literature • Cultural references • Impact assessment • Ceremony • A Lover’s Discourse • History of photography • Literary translation • Religious change • Technology • Yi lü ma • Decorated tombs • Window • Manichaean texts • Persian language • Ritual • Etymology • Independence movement • Ecolinguistics • Persian poetry • Christianity in Chinese literature • Short story “Medicine” • Literature and poetical imagery • Takao Suzuki • Protohistoric art • Chinese literature • Lai Hsiang-yin • Donors • Ise • Adolescents • Ideology • International student • Kofun Period • Education • Individuality • Kakari-musubi • Toraakirabon • Boat symbolism • Early new Persian • Japanese archaeology • British colonial rule • James Joyce • Neoclassical compounds • Conceptual combination • Armenian translation • Ghost narrative • Venice Art Biennale • Spolia • Gendered language • Neoliberalism and Consumerism • Politics • Syrian novel • Mandarin Ducks and butterflies • Environment • Kawakami Hiromi • Poetics of ‘propensity’ • Migrant workers’ poetry • Muslim Brotherhood • Ᾱghā khān • Armenian church • Collective sphere • Late Middle Japanese • Socio-cultural signs • Islamicate Manichaeism • Compounding • Nausicaa episode • Tensho embassy • Sixteenth century • Japan • Portrait • Binomens • Egypt • Japanese photography • Islamic movements • Women photographers • Art • Gushi Xinbian • Dystopian novel • Memories • Japanese compounds • Rhyme • Manichaean alphabet • Translation analysis • Japanese case particles • Safavid envoys • Early modern travel • Identity • Bao Tianxiao • Šams-i Qays • Ch’oe Yŏngsuk (Choi Young-Sook) • Signified • Venice • Women artists • Safavid-Venetian relations • Lee Wai Yi • Khojas • Sociology of literature • Kyūshū • Kyōgen • Gandhara • Labour • Lu Xun • Manners • Jesus in Chinese literature • Eastern Iranian Languages • Sinophone literature • Diplomatic history • Intertextuality • Zaynab al-Ghazālī al-Ǧabīlī • Posthuman existences • Qie ming bo • Marsiya • Elite women in Modern Korea
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, en, fr
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