59 | 2023
open access | peer reviewedKeywords Etymology • Dictatorship • Impact assessment • Independence movement • Zaynab al-Ghazālī al-Ǧabīlī • Early new Persian • Kyōgen • Sixteenth century • Women photographers • Urartian inscriptions • Devotional literature • Japanese photography • Early modern travel • Kanji • Short story “Medicine” • Jesuit • Intercultural communication • Migrant workers’ poetry • Decorated tombs • Syrian novel • Literature and poetical imagery • Ossetic • Rewriting history • Individuality • Japanese compounds • Chinese literature • Japanese case particles • Religious change • Boat symbolism • Art • Translation analysis • Gendered language • Education • Environment • Diplomatic history • Political Islam • Sociolinguistic variation • Collective sphere • Donors • Christianity in Chinese literature • Ise • Armenian translation • Armenian church • Cultural references • History of photography • Protohistoric art • Dystopian novel • Venice • Signified • Khachkar • Window • Archaeology • Yanagi Miwa • Bao Tianxiao • Manners • Neoliberalism and Consumerism • Hope and despair • Politics • Labour • Ghost narrative • Sinophone literature • Ecolinguistics • Mandarin Ducks and butterflies • Translation strategies • Cai Wei • Šams-i Qays • Roland Barthes • Late Middle Japanese • Persian language • Identity • Japanese female photography • Adolescents • Asian religions in Italy • Nasserism • Korean New Women • Persian poetry • Qie ming bo • Salim Barakat • Women • Ishiuchi Miyako • Technology • Literary translation • Ᾱghā khān • Memories • Signifier • Buke Kojitsu • Kawakami Hiromi • Kakari-musubi • Colonial Korea • Kofun Period • Ceremony • Workers’ poetry • Egypt • British colonial rule • Conceptual combination • Posthuman existences • Islamic movements • Onomasiological approach • Japanese archaeology • Manichaean texts • Indo-European Languages • Intertextuality • Ch’oe Yŏngsuk (Choi Young-Sook) • Poetics of ‘propensity’ • Gandhara • Ideology • Chinese • Japan • Rhyme • Contemporary Arabic literature • Lu Xun • Women artists • Sociology of literature • Lee Wai Yi • Marsiya • Appositive compounds • Muslim Brotherhood • Contemporary Chinese literature • Safavid envoys • Materiality • Eastern Iranian Languages • Ḥurūf-i qāfiya • Yi lü ma • Fragments d’un discours amoureux • Safavid-Venetian relations • Portrait • Ernst Haeckel • Sima Qian • Compounding • Islamicate Manichaeism • Takao Suzuki • International student • Medieval reuses • Colonial subject • Colour as a sign • Khojas • A Lover’s Discourse • Imām Ḥusayn • Buddhism • Manichaean alphabet • Socio-cultural signs • Venice Art Biennale • Gushi Xinbian • Kyūshū • Christianisation processes • Tensho embassy • James Joyce • Jesus in Chinese literature • Neoclassical compounds • Elena Ferrante in China • Ritual • Spolia • Binomens • Xiaolu Guo • Elite women in Modern Korea • Republican Era literature • Lai Hsiang-yin • Nausicaa episode • Toraakirabon • Ulysses
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, it, en
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