59 | 2023
open access | peer reviewedKeywords Portrait • Poetics of ‘propensity’ • Devotional literature • Elite women in Modern Korea • Impact assessment • Safavid envoys • Indo-European Languages • Chinese • Tensho embassy • Ishiuchi Miyako • Kanji • Ḥurūf-i qāfiya • Women artists • Egypt • Diplomatic history • Ecolinguistics • Ulysses • British colonial rule • Kakari-musubi • Cai Wei • Compounding • A Lover’s Discourse • Protohistoric art • Dictatorship • Intercultural communication • Window • Kyōgen • Khojas • Lee Wai Yi • Japanese case particles • Women photographers • Contemporary Chinese literature • Early new Persian • Japanese photography • Art • Mandarin Ducks and butterflies • Workers’ poetry • Islamic movements • Ch’oe Yŏngsuk (Choi Young-Sook) • Collective sphere • Yanagi Miwa • Urartian inscriptions • Korean New Women • Xiaolu Guo • Armenian translation • Yi lü ma • Etymology • Contemporary Arabic literature • Literary translation • History of photography • Chinese literature • Buke Kojitsu • Decorated tombs • Gushi Xinbian • Medieval reuses • Ghost narrative • Salim Barakat • Lai Hsiang-yin • Islamicate Manichaeism • Colour as a sign • James Joyce • Imām Ḥusayn • Sima Qian • Persian language • Colonial subject • Kofun Period • Bao Tianxiao • Signifier • Late Middle Japanese • Christianisation processes • Individuality • Ritual • Ceremony • Identity • Signified • Nausicaa episode • International student • Toraakirabon • Literature and poetical imagery • Independence movement • Ideology • Manichaean texts • Translation analysis • Religious change • Intertextuality • Eastern Iranian Languages • Khachkar • Memories • Armenian church • Socio-cultural signs • Manichaean alphabet • Sociolinguistic variation • Buddhism • Binomens • Jesuit • Migrant workers’ poetry • Elena Ferrante in China • Rhyme • Jesus in Chinese literature • Translation strategies • Boat symbolism • Fragments d’un discours amoureux • Syrian novel • Sinophone literature • Japanese archaeology • Archaeology • Japanese female photography • Kyūshū • Lu Xun • Dystopian novel • Donors • Adolescents • Short story “Medicine” • Šams-i Qays • Labour • Ernst Haeckel • Japanese compounds • Manners • Women • Asian religions in Italy • Conceptual combination • Cultural references • Early modern travel • Republican Era literature • Venice • Politics • Nasserism • Qie ming bo • Gandhara • Technology • Ossetic • Ᾱghā khān • Japan • Appositive compounds • Zaynab al-Ghazālī al-Ǧabīlī • Safavid-Venetian relations • Takao Suzuki • Persian poetry • Rewriting history • Environment • Sixteenth century • Neoliberalism and Consumerism • Christianity in Chinese literature • Hope and despair • Kawakami Hiromi • Venice Art Biennale • Colonial Korea • Education • Onomasiological approach • Ise • Gendered language • Neoclassical compounds • Spolia • Marsiya • Political Islam • Materiality • Muslim Brotherhood • Roland Barthes • Sociology of literature • Posthuman existences
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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