59 | 2023
open access | peer reviewedKeywords Materiality • Political Islam • Chinese literature • Decorated tombs • Venice • Onomasiological approach • Imām Ḥusayn • Fragments d’un discours amoureux • Colonial subject • Ᾱghā khān • Yanagi Miwa • Jesuit • Translation analysis • Art • Ghost narrative • Salim Barakat • A Lover’s Discourse • Armenian church • Kyūshū • Ceremony • Colour as a sign • Ritual • Republican Era literature • Buddhism • Identity • Early new Persian • Nausicaa episode • Ise • Japanese female photography • Appositive compounds • Sociolinguistic variation • Islamicate Manichaeism • Lee Wai Yi • Kyōgen • Toraakirabon • Nasserism • Ernst Haeckel • Asian religions in Italy • Women artists • Boat symbolism • Ossetic • Japanese archaeology • Japanese compounds • Poetics of ‘propensity’ • Donors • Labour • Safavid-Venetian relations • Elena Ferrante in China • Ulysses • Intercultural communication • Mandarin Ducks and butterflies • Korean New Women • Translation strategies • History of photography • Impact assessment • Posthuman existences • Individuality • Compounding • Medieval reuses • Kofun Period • Early modern travel • Gendered language • British colonial rule • Ideology • Hope and despair • Socio-cultural signs • Venice Art Biennale • Kanji • Devotional literature • Safavid envoys • Xiaolu Guo • Lai Hsiang-yin • Spolia • Christianisation processes • Education • Armenian translation • Yi lü ma • Cultural references • Kawakami Hiromi • Manners • Dystopian novel • Egypt • Politics • Memories • Rhyme • Signified • Signifier • Neoliberalism and Consumerism • James Joyce • Cai Wei • Migrant workers’ poetry • Chinese • Gushi Xinbian • Japanese photography • Muslim Brotherhood • Workers’ poetry • Persian poetry • Manichaean alphabet • Contemporary Chinese literature • Elite women in Modern Korea • Lu Xun • Colonial Korea • Ch’oe Yŏngsuk (Choi Young-Sook) • Islamic movements • Urartian inscriptions • Rewriting history • Intertextuality • Binomens • Sinophone literature • Women • Christianity in Chinese literature • Diplomatic history • Protohistoric art • Archaeology • Late Middle Japanese • Gandhara • Sociology of literature • Dictatorship • Ecolinguistics • Persian language • Sixteenth century • Tensho embassy • Indo-European Languages • Syrian novel • Roland Barthes • Window • Zaynab al-Ghazālī al-Ǧabīlī • Neoclassical compounds • Short story “Medicine” • Sima Qian • Marsiya • Eastern Iranian Languages • Portrait • Technology • Ishiuchi Miyako • Environment • Takao Suzuki • Kakari-musubi • Khachkar • Japanese case particles • Religious change • Literary translation • Etymology • Independence movement • Women photographers • Manichaean texts • Ḥurūf-i qāfiya • International student • Adolescents • Buke Kojitsu • Jesus in Chinese literature • Collective sphere • Šams-i Qays • Contemporary Arabic literature • Japan • Conceptual combination • Khojas • Bao Tianxiao • Literature and poetical imagery • Qie ming bo
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, en, fr
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.