59 | 2023
open access | peer reviewedKeywords Sima Qian • Asian religions in Italy • Yi lü ma • Decorated tombs • Labour • Neoliberalism and Consumerism • Khachkar • Manners • Toraakirabon • Islamicate Manichaeism • Ᾱghā khān • Ishiuchi Miyako • Ecolinguistics • Diplomatic history • Gendered language • Gandhara • Imām Ḥusayn • Roland Barthes • Dystopian novel • Sociolinguistic variation • Identity • Spolia • Armenian church • Women artists • Signifier • Kyūshū • Independence movement • Salim Barakat • Conceptual combination • Workers’ poetry • Poetics of ‘propensity’ • Ossetic • Venice Art Biennale • Cultural references • James Joyce • Kanji • Short story “Medicine” • Manichaean alphabet • Japanese archaeology • Cai Wei • Sociology of literature • Intertextuality • Binomens • Literature and poetical imagery • Technology • Šams-i Qays • Ḥurūf-i qāfiya • Gushi Xinbian • Elite women in Modern Korea • Lai Hsiang-yin • Buddhism • Kawakami Hiromi • Rewriting history • Kakari-musubi • Tensho embassy • Literary translation • Zaynab al-Ghazālī al-Ǧabīlī • Persian poetry • Kofun Period • Japanese case particles • Kyōgen • Onomasiological approach • Socio-cultural signs • Art • Muslim Brotherhood • Japanese compounds • Chinese literature • Ernst Haeckel • Eastern Iranian Languages • Persian language • Urartian inscriptions • Syrian novel • Memories • Ideology • Politics • Christianisation processes • Signified • A Lover’s Discourse • Devotional literature • Lu Xun • Donors • Religious change • Contemporary Chinese literature • Window • Armenian translation • Jesuit • Colonial Korea • Late Middle Japanese • Neoclassical compounds • Sixteenth century • Adolescents • Korean New Women • Ulysses • Jesus in Chinese literature • Environment • Dictatorship • Colonial subject • Intercultural communication • Indo-European Languages • Individuality • Compounding • Women photographers • Khojas • Sinophone literature • Contemporary Arabic literature • Collective sphere • Fragments d’un discours amoureux • Ritual • Islamic movements • Venice • Christianity in Chinese literature • Translation strategies • Women • Protohistoric art • Safavid envoys • Lee Wai Yi • Etymology • Japan • Egypt • Impact assessment • Boat symbolism • Xiaolu Guo • History of photography • Marsiya • Bao Tianxiao • Chinese • Political Islam • Early modern travel • International student • Yanagi Miwa • Ise • Colour as a sign • Portrait • Ch’oe Yŏngsuk (Choi Young-Sook) • Education • Qie ming bo • Republican Era literature • Appositive compounds • Elena Ferrante in China • Translation analysis • Ceremony • Posthuman existences • Hope and despair • Buke Kojitsu • Materiality • Safavid-Venetian relations • Manichaean texts • Early new Persian • British colonial rule • Medieval reuses • Nausicaa episode • Japanese female photography • Takao Suzuki • Japanese photography • Migrant workers’ poetry • Nasserism • Rhyme • Archaeology • Mandarin Ducks and butterflies • Ghost narrative
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua en, it, fr
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