59 | 2023
open access | peer reviewedKeywords Eastern Iranian Languages • Roland Barthes • Contemporary Arabic literature • Workers’ poetry • Chinese • Sinophone literature • Window • Japanese compounds • Spolia • Buke Kojitsu • Indo-European Languages • Japanese photography • Khachkar • Persian poetry • Technology • Venice • Poetics of ‘propensity’ • Sociology of literature • Memories • Late Middle Japanese • Appositive compounds • Lee Wai Yi • Šams-i Qays • Donors • Venice Art Biennale • Cultural references • Portrait • Ritual • Signifier • Protohistoric art • Ch’oe Yŏngsuk (Choi Young-Sook) • Conceptual combination • Ossetic • History of photography • Gendered language • Toraakirabon • Yanagi Miwa • Ghost narrative • Dictatorship • Kakari-musubi • Onomasiological approach • Kyūshū • Medieval reuses • Safavid-Venetian relations • Labour • Ecolinguistics • British colonial rule • Translation strategies • Socio-cultural signs • Japanese archaeology • Asian religions in Italy • Tensho embassy • Korean New Women • A Lover’s Discourse • Islamic movements • Buddhism • Ernst Haeckel • Sixteenth century • Khojas • Jesus in Chinese literature • Materiality • Chinese literature • Manichaean alphabet • Nasserism • Impact assessment • Neoliberalism and Consumerism • Christianisation processes • Rewriting history • Cai Wei • Yi lü ma • Fragments d’un discours amoureux • Women • Posthuman existences • Intertextuality • Art • Zaynab al-Ghazālī al-Ǧabīlī • Elena Ferrante in China • Ḥurūf-i qāfiya • Lai Hsiang-yin • Devotional literature • Takao Suzuki • Individuality • Environment • Identity • Short story “Medicine” • Boat symbolism • Rhyme • Kyōgen • Sima Qian • Safavid envoys • Jesuit • Ceremony • Urartian inscriptions • Women photographers • Compounding • Migrant workers’ poetry • Early modern travel • Ise • Hope and despair • Contemporary Chinese literature • Ulysses • Religious change • Bao Tianxiao • Colonial subject • Marsiya • Dystopian novel • Imām Ḥusayn • Lu Xun • Sociolinguistic variation • Gushi Xinbian • Salim Barakat • Ishiuchi Miyako • Kofun Period • Neoclassical compounds • Persian language • Women artists • James Joyce • Mandarin Ducks and butterflies • Political Islam • Qie ming bo • Armenian church • Japanese case particles • Gandhara • Signified • Manners • Education • Literary translation • Japan • Islamicate Manichaeism • Ᾱghā khān • Decorated tombs • Kawakami Hiromi • Christianity in Chinese literature • Archaeology • Nausicaa episode • Ideology • International student • Etymology • Collective sphere • Colour as a sign • Kanji • Adolescents • Binomens • Colonial Korea • Translation analysis • Muslim Brotherhood • Republican Era literature • Early new Persian • Literature and poetical imagery • Elite women in Modern Korea • Manichaean texts • Xiaolu Guo • Intercultural communication • Independence movement • Politics • Diplomatic history • Syrian novel • Egypt • Armenian translation • Japanese female photography
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua en, it, fr
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