59 | 2023
open access | peer reviewedKeywords Etymology • Takao Suzuki • Republican Era literature • Khachkar • Intercultural communication • Persian poetry • Indo-European Languages • Toraakirabon • Colonial Korea • Early modern travel • Politics • Labour • Gendered language • Kyūshū • Sociolinguistic variation • Women artists • International student • Intertextuality • Persian language • Colour as a sign • Cultural references • Sixteenth century • Sociology of literature • Dystopian novel • Eastern Iranian Languages • Environment • Qie ming bo • Translation analysis • Venice Art Biennale • Short story “Medicine” • Signifier • Signified • Rewriting history • Buke Kojitsu • Ishiuchi Miyako • Neoliberalism and Consumerism • Individuality • Socio-cultural signs • Islamicate Manichaeism • Khojas • Japanese female photography • Christianisation processes • Sinophone literature • Ernst Haeckel • Conceptual combination • Identity • Hope and despair • British colonial rule • Roland Barthes • Japan • Onomasiological approach • Archaeology • Diplomatic history • Manichaean alphabet • Marsiya • Contemporary Arabic literature • Religious change • Chinese literature • Posthuman existences • Dictatorship • Elite women in Modern Korea • Late Middle Japanese • Ghost narrative • Devotional literature • Appositive compounds • Lai Hsiang-yin • Nausicaa episode • Materiality • Syrian novel • Christianity in Chinese literature • Literature and poetical imagery • Neoclassical compounds • Women photographers • Memories • Art • Japanese photography • Sima Qian • Armenian translation • Korean New Women • Manichaean texts • Ideology • Elena Ferrante in China • Japanese case particles • Yi lü ma • Political Islam • Ᾱghā khān • Zaynab al-Ghazālī al-Ǧabīlī • Technology • Rhyme • Spolia • Protohistoric art • Lu Xun • Education • Xiaolu Guo • Mandarin Ducks and butterflies • Ceremony • Adolescents • Collective sphere • Compounding • Asian religions in Italy • Kawakami Hiromi • Fragments d’un discours amoureux • Safavid-Venetian relations • Ulysses • Literary translation • Colonial subject • Portrait • Medieval reuses • Migrant workers’ poetry • Gandhara • Poetics of ‘propensity’ • Japanese archaeology • Ch’oe Yŏngsuk (Choi Young-Sook) • Tensho embassy • Buddhism • Japanese compounds • Salim Barakat • History of photography • Bao Tianxiao • Jesuit • Gushi Xinbian • Kanji • Kofun Period • Ḥurūf-i qāfiya • Jesus in Chinese literature • Chinese • Contemporary Chinese literature • Safavid envoys • Lee Wai Yi • Ecolinguistics • Decorated tombs • Donors • Boat symbolism • Imām Ḥusayn • Muslim Brotherhood • Yanagi Miwa • Early new Persian • Urartian inscriptions • Cai Wei • Egypt • Independence movement • Manners • Šams-i Qays • Nasserism • Window • Women • Kyōgen • Workers’ poetry • James Joyce • Ise • Venice • A Lover’s Discourse • Translation strategies • Armenian church • Binomens • Impact assessment • Ossetic • Islamic movements • Kakari-musubi • Ritual
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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