Annali di Ca’ Foscari. Serie orientale

59 | 2023

open access | peer reviewed

Keywords Manners • Elite women in Modern Korea • Individuality • Political Islam • Women photographers • Ceremony • Marsiya • Persian poetry • Chinese literature • Safavid envoys • Japanese female photography • Conceptual combination • Dictatorship • Workers’ poetry • Ernst Haeckel • Diplomatic history • Zaynab al-Ghazālī al-Ǧabīlī • Literary translation • Devotional literature • Dystopian novel • Japanese archaeology • Etymology • James Joyce • Contemporary Arabic literature • Japanese compounds • Ch’oe Yŏngsuk (Choi Young-Sook) • Kofun Period • Portrait • Collective sphere • Egypt • Politics • Literature and poetical imagery • Intercultural communication • Signified • Cai Wei • Donors • Sixteenth century • Ossetic • Rhyme • Boat symbolism • Art • Buke Kojitsu • Tensho embassy • Christianity in Chinese literature • Kakari-musubi • Chinese • Sinophone literature • Urartian inscriptions • Elena Ferrante in China • Ecolinguistics • Socio-cultural signs • Kanji • Japanese photography • Imām Ḥusayn • Education • Compounding • Buddhism • International student • Ulysses • Women • Sima Qian • Japan • Roland Barthes • Migrant workers’ poetry • Decorated tombs • Archaeology • Venice Art Biennale • Takao Suzuki • Materiality • Short story “Medicine” • Persian language • Onomasiological approach • Colour as a sign • Contemporary Chinese literature • History of photography • Nausicaa episode • Environment • Impact assessment • Ideology • Salim Barakat • British colonial rule • Neoliberalism and Consumerism • Ishiuchi Miyako • Muslim Brotherhood • Translation analysis • Venice • Religious change • Kyōgen • Independence movement • Armenian church • Memories • Asian religions in Italy • Identity • Republican Era literature • Poetics of ‘propensity’ • Christianisation processes • Colonial Korea • Gandhara • Adolescents • Lu Xun • Qie ming bo • Protohistoric art • Rewriting history • Ritual • Ᾱghā khān • A Lover’s Discourse • Manichaean alphabet • Ise • Yi lü ma • Bao Tianxiao • Colonial subject • Sociolinguistic variation • Late Middle Japanese • Khojas • Binomens • Spolia • Islamic movements • Neoclassical compounds • Technology • Gendered language • Kawakami Hiromi • Gushi Xinbian • Šams-i Qays • Yanagi Miwa • Early modern travel • Sociology of literature • Women artists • Intertextuality • Jesus in Chinese literature • Armenian translation • Labour • Translation strategies • Korean New Women • Jesuit • Safavid-Venetian relations • Toraakirabon • Window • Appositive compounds • Syrian novel • Mandarin Ducks and butterflies • Ghost narrative • Signifier • Early new Persian • Lee Wai Yi • Khachkar • Nasserism • Xiaolu Guo • Cultural references • Manichaean texts • Posthuman existences • Kyūshū • Fragments d’un discours amoureux • Hope and despair • Indo-European Languages • Ḥurūf-i qāfiya • Lai Hsiang-yin • Medieval reuses • Eastern Iranian Languages • Japanese case particles • Islamicate Manichaeism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, en, fr