60 | 2024

Keywords Urartu • Actorship • Maitreya • The Berenson Collection • Ottoman stations • Dunhuang • Sui dynasty • Old Chinese • Late Islamic Kurdistan • Aging body • Home language • Ethical eating • Image of femininity • Hwarang • Directed motion constructions • Ottoman material culture • L2 Vietnamese • Identity • Bronze bowls • Excavated texts • Anvari • Garden metaphors • Saljuqid literature • Bamboo manuscripts • Family language policy • Farhād va Širin • Mughal Empire • Epistemology • Persian literature • Persian manuscripts • Seventeenth century • Veridicality • Candraprabhākumāra • Tang dynasty • Tadkerẹ • Realism • Korean • Close reading • Persian • Europe • Language maintenance and shift • Vaḥši Bāfqi • Language typology • Karmir-blur • Olfactory aesthetic • Ottoman archaeology • Navya-Nyāya • Plurilingualism • Yueguang Tongzi • Neo-Indo-Aryan literatures • Millenarism • Daoism • Italo-Japanese cultural exchange • Paekche • Indo-Persian literature • Exhibition Studies • Buddhism • Nanyue Huisi • Second language acquisition • Phonological reconstruction • Philology • Japanese archaeology • Asia • Persian poetry • Historical Phonology • Rōjomono • Paleography • Chinese • Cuneiform inscriptions • Religious experience • Iranian Manichaean texts • Silla • Enchi Fumiko • Literary imageries • Khans and routes of the Islamic world • Minua • Cognition • South Asia • Arabic • Environmental sustainability • Vegetarianism • Japanese art

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Published July 25, 2024 | Language en, it

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