Rivista | Archivio d’Annunzio
Fascicolo monografico | 8 | 2021
Articolo | Formule e itinerari del ‘debut-et-la fin’ nella Contemplazione della morte
Formule e itinerari del ‘debut-et-la fin’ nella Contemplazione della morte
Abstract
The essay proposes a selective reading of the beginnings and the endings of the four prose texts of Contemplazione della morte (1912), in their connections, according to the different typologies and functions. Attention is given to the two dedicatees, Pascoli and Bermond, together with natural landscapes and atmospheric notations, as well as to the importance given to silence and to the vitalistic image of the “cagna”, which in the finale imposes itself on that of the drowned man.
Presentato: 27 Marzo 2021 | Accettato: 28 Giugno 2021 | Pubblicato 21 Ottobre 2021 | Lingua: it
Keywords Silence • Pascol • Contemplazione della morte • Incipit • Memory, • Bremond
Copyright © 2021 Angela Fabris. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2021/01/011
