Rivista | Archivio d’Annunzio
Fascicolo monografico | 8 | 2021
Articolo | Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio
Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio
Abstract
The pastoral drama La figlia di Iorio (1904) is a concentrate of musical and linguistic experiments. Incipit and explicit have a very important function in it. In fact, they characterise the ‘stacchi’ or ties that characterise this text with a complex and undulating architecture, similar to a symphony. In this essay, these very important moments in the economy of tragedy are analysed.
Presentato: 28 Febbraio 2021 | Accettato: 25 Aprile 2021 | Pubblicato 21 Ottobre 2021 | Lingua: it
Keywords Melody • Rite • Rhythm • Popular • Cadence
Copyright © 2021 Alfredo Sgroi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2021/01/003
