5 | 2018

open access | peer reviewed

Keywords Affect • Hymns • Gorris • Short story • Gothic stories • Adaptation • Visual poetics • Sewing • Stoicism • Modernism • Embodiment • Moral Sense • Shakespeare • Neuropathology • Women • Sentiment • Politics • Film adaptation effects • Calvinism • Performance • Social shame • Invasion • Fishguard • Alfred Hitchcock • Materiality • Feminism • Worship • Simulacra • Cross-cultural • Neoliberalism • Re-enactment • Gelotophobia • Experience • War • Desire • Feeling • Mrs • Isaac Watts • Dissent • Fear • Emotion • Heteroglossia • Passions • Monoglossia • Coleridge • 1790s • Film adaptation • Singing • Knowing • Uneasiness • Alexander Oldys • Film technology • Handcraft • Auteur adaptation • The heritage film • Frances Greville • Narrative suspense • Theory of laughter • Edgar Allan Poe • Affections • Literature as medium • Propaganda • Restoration prose fiction • Dalloway • Woolf

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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