5 | 2018

open access | peer reviewed

Keywords Film adaptation effects • Film technology • Embodiment • Materiality • Singing • Alfred Hitchcock • Calvinism • Neuropathology • Dissent • Film adaptation • Knowing • Passions • Affections • Social shame • Stoicism • 1790s • Neoliberalism • Theory of laughter • Cross-cultural • Alexander Oldys • Feminism • Gelotophobia • Short story • Narrative suspense • Dalloway • Gorris • Sentiment • Shakespeare • Emotion • Feeling • Modernism • Restoration prose fiction • Visual poetics • Gothic stories • Simulacra • Affect • Monoglossia • Hymns • Edgar Allan Poe • Literature as medium • Mrs • Performance • War • Women • Frances Greville • Invasion • Woolf • Desire • Sewing • Moral Sense • Auteur adaptation • Experience • Isaac Watts • Heteroglossia • Handcraft • Fear • The heritage film • Adaptation • Coleridge • Fishguard • Re-enactment • Uneasiness • Propaganda • Politics • Worship

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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