5 | 2018

open access | peer reviewed

Keywords Social shame • Theory of laughter • Frances Greville • Feeling • Feminism • Desire • Monoglossia • Literature as medium • Moral Sense • Handcraft • Film adaptation effects • Materiality • Women • Experience • Narrative suspense • Neuropathology • Mrs • Passions • Alexander Oldys • Stoicism • 1790s • Propaganda • Film adaptation • Fishguard • Knowing • Simulacra • Neoliberalism • Dissent • Isaac Watts • Heteroglossia • The heritage film • Alfred Hitchcock • Hymns • Adaptation • Restoration prose fiction • Visual poetics • Woolf • Dalloway • Fear • Calvinism • Coleridge • Film technology • Embodiment • Performance • Auteur adaptation • Emotion • Edgar Allan Poe • Affect • Gothic stories • Affections • Modernism • Politics • Shakespeare • Uneasiness • Re-enactment • Invasion • Sewing • Worship • War • Short story • Singing • Cross-cultural • Sentiment • Gorris • Gelotophobia

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.