5 | 2018

open access | peer reviewed

Keywords Film adaptation • The heritage film • Sewing • Singing • Knowing • Theory of laughter • War • Woolf • Passions • Neoliberalism • Simulacra • Auteur adaptation • Affections • Social shame • Sentiment • Feminism • Experience • Women • Propaganda • Politics • Moral Sense • Emotion • Heteroglossia • Affect • Alexander Oldys • Visual poetics • Shakespeare • Stoicism • Materiality • Modernism • Re-enactment • Restoration prose fiction • Frances Greville • Fishguard • Neuropathology • Gothic stories • Fear • Film adaptation effects • Invasion • Gorris • Handcraft • Adaptation • Desire • Embodiment • Cross-cultural • Feeling • Literature as medium • Uneasiness • Dissent • Hymns • Short story • Monoglossia • Film technology • Mrs • Dalloway • Worship • Calvinism • Coleridge • Alfred Hitchcock • Isaac Watts • Gelotophobia • Narrative suspense • 1790s • Edgar Allan Poe • Performance

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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