5 | 2018

open access | peer reviewed

Keywords Short story • Fishguard • Auteur adaptation • Gothic stories • War • Literature as medium • Edgar Allan Poe • Moral Sense • Affect • Propaganda • Feminism • Worship • Knowing • Neoliberalism • Sentiment • Dalloway • 1790s • Alfred Hitchcock • Experience • Re-enactment • Coleridge • Embodiment • Film adaptation effects • Women • Alexander Oldys • Simulacra • Narrative suspense • Stoicism • Frances Greville • Calvinism • Politics • Woolf • Passions • Performance • Emotion • Uneasiness • Restoration prose fiction • Gelotophobia • Film adaptation • Monoglossia • Mrs • Theory of laughter • Desire • Gorris • Film technology • Materiality • Heteroglossia • Cross-cultural • Fear • The heritage film • Social shame • Isaac Watts • Singing • Handcraft • Feeling • Visual poetics • Affections • Invasion • Adaptation • Sewing • Modernism • Dissent • Shakespeare • Neuropathology • Hymns

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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