5 | 2018

open access | peer reviewed

Keywords Politics • Propaganda • Stoicism • Re-enactment • Cross-cultural • Frances Greville • Shakespeare • Film adaptation • Social shame • Simulacra • Edgar Allan Poe • Film adaptation effects • Literature as medium • Narrative suspense • Performance • Singing • Dalloway • Affect • Handcraft • Passions • The heritage film • Gorris • Moral Sense • Visual poetics • Auteur adaptation • Invasion • Isaac Watts • War • Adaptation • Experience • Dissent • Alexander Oldys • Gelotophobia • Neuropathology • Coleridge • Emotion • Embodiment • Monoglossia • Affections • Mrs • Sewing • Knowing • Neoliberalism • Woolf • Film technology • Fishguard • 1790s • Sentiment • Calvinism • Fear • Women • Feminism • Short story • Feeling • Worship • Theory of laughter • Materiality • Restoration prose fiction • Modernism • Alfred Hitchcock • Gothic stories • Heteroglossia • Hymns • Uneasiness • Desire

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua it, en

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