5 | 2018

open access | peer reviewed

Keywords Politics • Moral Sense • Frances Greville • Social shame • The heritage film • Neuropathology • Experience • Hymns • Alfred Hitchcock • Theory of laughter • Calvinism • Simulacra • Embodiment • Affect • Dissent • Auteur adaptation • Literature as medium • Narrative suspense • War • Emotion • Adaptation • Modernism • Dalloway • Monoglossia • Affections • Mrs • Invasion • Desire • Gothic stories • Knowing • Passions • Shakespeare • Handcraft • Women • Coleridge • Gorris • Restoration prose fiction • Re-enactment • Visual poetics • Performance • Fishguard • Feeling • Heteroglossia • Neoliberalism • Singing • Edgar Allan Poe • Sewing • Uneasiness • Short story • Woolf • Propaganda • Film technology • Sentiment • Fear • 1790s • Film adaptation effects • Cross-cultural • Feminism • Gelotophobia • Isaac Watts • Materiality • Worship • Film adaptation • Stoicism • Alexander Oldys

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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