5 | 2018

open access | peer reviewed

Keywords Sewing • Performance • Politics • Re-enactment • Women • Dissent • Dalloway • Frances Greville • Film technology • Affect • Hymns • Alfred Hitchcock • Social shame • Moral Sense • Uneasiness • Visual poetics • Calvinism • Neoliberalism • Feminism • Emotion • Gorris • Coleridge • Theory of laughter • Materiality • Restoration prose fiction • Feeling • Shakespeare • Woolf • Heteroglossia • Propaganda • 1790s • The heritage film • Worship • Simulacra • Adaptation • Alexander Oldys • Singing • Mrs • Experience • Neuropathology • Knowing • Desire • Fear • Literature as medium • Sentiment • Modernism • Affections • Auteur adaptation • Passions • Gothic stories • Short story • Film adaptation effects • Film adaptation • Gelotophobia • Isaac Watts • Narrative suspense • Stoicism • Invasion • Fishguard • Handcraft • Edgar Allan Poe • Monoglossia • Cross-cultural • War • Embodiment

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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