The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    a cura di
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Elizabethan England • Street literature • Uncanny • Ruyard Kipling • Narrative • Transatlantic literature • Victorian Era • Stevenson • Escapism • Monsters • Harriet Beecher Stowe • Joseph Conrad • Gothic novel • Psycho-acoustic ambience • Space • Marvellous • Robert Louis Stevenson • Realism • George Eliot • Deformed pigs • Ann Radcliffe • Virginia Woolf • Doyle • Olalla • Narrative Annexe • The ‘Aesthetic Fantastic’ • Fin de siècle • Mimetic Dimension • Form • The Castle of Otranto • Fantastic • Aesthetics • Henry James • Supernatural Horror • Islands • Gothic • Religious and political propaganda • Supernatural • Gothic Novel • The Mysteries of Udolpho • Spiritualism • Wells • Genre • Foley effects • Mysticism • Romance • Ghost Story • Vampire • Horace Walpole • Late-Victorian Context • Monstrous births • Edmund Burke • Empiricism • Hybridity • Border-crossing • Aesthetic Culture • The Sublime • Geopoetics

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.