The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Border-crossing • Religious and political propaganda • Escapism • Supernatural Horror • Transatlantic literature • Wells • The Sublime • Doyle • Islands • Harriet Beecher Stowe • Monstrous births • Deformed pigs • Gothic • Stevenson • Late-Victorian Context • Genre • Olalla • Ann Radcliffe • Gothic novel • The Castle of Otranto • Aesthetic Culture • Form • The ‘Aesthetic Fantastic’ • Victorian Era • Mimetic Dimension • Virginia Woolf • Henry James • Joseph Conrad • Space • Street literature • Fin de siècle • Horace Walpole • Realism • Supernatural • Mysticism • Romance • Narrative Annexe • Geopoetics • Gothic Novel • Fantastic • Hybridity • Aesthetics • Marvellous • Vampire • Elizabethan England • Ghost Story • Ruyard Kipling • Psycho-acoustic ambience • Edmund Burke • Robert Louis Stevenson • Spiritualism • Foley effects • George Eliot • Narrative • The Mysteries of Udolpho • Empiricism • Uncanny • Monsters

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.