The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Spiritualism • Henry James • Psycho-acoustic ambience • Supernatural • Mysticism • Ghost Story • Space • Vampire • Border-crossing • Edmund Burke • Transatlantic literature • Virginia Woolf • Horace Walpole • Joseph Conrad • The Mysteries of Udolpho • Victorian Era • Narrative Annexe • Marvellous • Elizabethan England • Gothic • Monsters • Islands • Aesthetics • Fantastic • Street literature • Geopoetics • Religious and political propaganda • Aesthetic Culture • Genre • The Castle of Otranto • Harriet Beecher Stowe • The ‘Aesthetic Fantastic’ • Gothic novel • Olalla • Deformed pigs • Supernatural Horror • Robert Louis Stevenson • Late-Victorian Context • Ann Radcliffe • Wells • Form • George Eliot • Gothic Novel • Narrative • Escapism • Mimetic Dimension • Doyle • Foley effects • Fin de siècle • Hybridity • Uncanny • Empiricism • Realism • Romance • Ruyard Kipling • The Sublime • Stevenson • Monstrous births

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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