The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    a cura di
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Islands • Geopoetics • Aesthetics • Border-crossing • Harriet Beecher Stowe • The ‘Aesthetic Fantastic’ • Victorian Era • Supernatural • Doyle • Religious and political propaganda • Horace Walpole • Olalla • The Castle of Otranto • Vampire • Supernatural Horror • Wells • Psycho-acoustic ambience • Mysticism • Genre • Hybridity • Henry James • Joseph Conrad • George Eliot • Monsters • Late-Victorian Context • Realism • Narrative • Gothic Novel • Space • Mimetic Dimension • Narrative Annexe • Romance • Spiritualism • Monstrous births • Ann Radcliffe • Elizabethan England • Stevenson • The Sublime • Robert Louis Stevenson • Fin de siècle • Form • Aesthetic Culture • Street literature • Empiricism • Foley effects • Deformed pigs • Ghost Story • Gothic novel • Ruyard Kipling • Virginia Woolf • Uncanny • Escapism • Gothic • The Mysteries of Udolpho • Marvellous • Fantastic • Edmund Burke • Transatlantic literature

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.