The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords The ‘Aesthetic Fantastic’ • Victorian Era • Foley effects • Spiritualism • Realism • Narrative Annexe • Ruyard Kipling • Olalla • Space • Psycho-acoustic ambience • Romance • Monstrous births • George Eliot • The Sublime • Mimetic Dimension • Robert Louis Stevenson • Joseph Conrad • Border-crossing • Late-Victorian Context • Street literature • The Castle of Otranto • Aesthetic Culture • Genre • Empiricism • The Mysteries of Udolpho • Gothic Novel • Aesthetics • Harriet Beecher Stowe • Escapism • Doyle • Horace Walpole • Narrative • Monsters • Ghost Story • Transatlantic literature • Mysticism • Geopoetics • Henry James • Wells • Fin de siècle • Deformed pigs • Gothic • Religious and political propaganda • Stevenson • Islands • Fantastic • Form • Edmund Burke • Supernatural • Vampire • Supernatural Horror • Gothic novel • Uncanny • Hybridity • Marvellous • Virginia Woolf • Elizabethan England • Ann Radcliffe

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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