The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    edited by
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Aesthetics • The ‘Aesthetic Fantastic’ • Aesthetic Culture • Gothic Novel • Harriet Beecher Stowe • Joseph Conrad • Narrative Annexe • Psycho-acoustic ambience • Ruyard Kipling • Supernatural Horror • Uncanny • Supernatural • Street literature • Henry James • Marvellous • Olalla • Edmund Burke • Victorian Era • Realism • Gothic • Foley effects • Vampire • The Mysteries of Udolpho • Monstrous births • Spiritualism • Fin de siècle • Escapism • Religious and political propaganda • Stevenson • Fantastic • Genre • Geopoetics • Form • Space • George Eliot • Horace Walpole • Hybridity • Late-Victorian Context • The Castle of Otranto • Islands • Mysticism • Robert Louis Stevenson • Mimetic Dimension • Elizabethan England • Transatlantic literature • Empiricism • Narrative • Ann Radcliffe • Border-crossing • Deformed pigs • The Sublime • Monsters • Virginia Woolf • Ghost Story • Wells • Doyle • Gothic novel • Romance

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Published Dec. 21, 2020 | Language en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.