The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    edited by
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Ghost Story • Spiritualism • Realism • Monsters • Elizabethan England • Gothic Novel • Foley effects • Religious and political propaganda • Mysticism • Fantastic • Joseph Conrad • Narrative Annexe • Ann Radcliffe • Mimetic Dimension • The Castle of Otranto • Ruyard Kipling • Victorian Era • The Mysteries of Udolpho • Doyle • Supernatural • Stevenson • The Sublime • George Eliot • Robert Louis Stevenson • Deformed pigs • Olalla • Uncanny • Wells • Hybridity • Marvellous • Monstrous births • Psycho-acoustic ambience • The ‘Aesthetic Fantastic’ • Vampire • Form • Genre • Gothic • Narrative • Escapism • Aesthetic Culture • Transatlantic literature • Harriet Beecher Stowe • Empiricism • Aesthetics • Space • Geopoetics • Virginia Woolf • Supernatural Horror • Horace Walpole • Islands • Fin de siècle • Edmund Burke • Gothic novel • Henry James • Late-Victorian Context • Romance • Street literature • Border-crossing

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Published Dec. 21, 2020 | Language en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.