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English Literature | 9 | 2022

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Vol. 9 | Dicembre 2022

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Lingua: en

Pubblicato: 13 Aprile 2023

permalink http://doi.org/10.30687/EL/2420-823X/2022/01

Copyright: © 2022 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Sommario

British Physico-Theological Poetry and Newtonian Physics
The Use of Principia Mathematica (1687) in Sir Richard Blackmore’s Creation (1712)
Benedetta Burgio   
13 Aprile 2023
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“Strange Sight this Congress!”. Byron’s The Age of Bronze (1823) and the Congress of Verona
James Vigus   
13 Aprile 2023
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Anatole France, Oscar Wilde, and James Joyce
A Queer Genealogy of “The Dead”
Michael F. Davis   
13 Aprile 2023
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“Into the Exquisitely Obscure”: Aestheticism and Fragmentation in Oscar Wilde’s The Picture of Dorian Gray
Claudia Coimbra   
13 Aprile 2023
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Empowering the Virgin. Rethinking the Agency of the Feminine Characters in James Joyce’s Works
Pei-Wen Clio Kao   
13 Aprile 2023
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Clarissa's Party in the House of the Sleeping Beauties
A Study of Memory and Time in Woolf's Mrs. Dalloway and Kawabata's The House of the Sleeping Beauties
Usama Ibrahim   
13 Aprile 2023
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Edwardian Hegemony in Tressell and Sassoon
Paul Melia   
13 Aprile 2023
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The Science of Fiction. Human-Robot Interaction in McEwan's Machines Like Me
Silvana Colella   
13 Aprile 2023
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