9 | 2022

Keywords Natural Theology • A Portrait of the Artist as a Young Man • Anthropomorphism • European Romanticism • ­Newtonian Physics • Education • Social Class • Blessed-virgin Women • Eighteenth-century Poetry • Satire • Byron • Sport • Wilde • Creation • Fiction • Sir Richard Blackmore • Neoperceptionists • Dalloway • Ignored Masses • Human-robot Interaction • “The Dead” • Decadence • Modernism • Death of God • Anatole France • Failed Annunciation • Pastoral Ideal • Virginia Woolf • Artificial Intelligence • <div>Human-robot Interaction • Cultural patriotism • Time • Atavism • beauty • Historical Criticism • Mrs • Memory • Kawabata • evil • Christian Origin Story • Ulysses • Representation of Women • Congress of Verona • House of the Sleeping Beauties • James Joyce • British Romanticism • Ian Mc­Ewan • aestheticism • <div>Social Class • Physico-theology • Conservative Consensus • Recollection

Permalink http://doi.org/10.30687/EL/2420-823X/2022/01 | Published April 13, 2023 | Language en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.