9 | 2022

open access | peer reviewed

Keywords “The Dead” • beauty • <div>Social Class • Decadence • British Romanticism • Physico-theology • Failed Annunciation • Ignored Masses • Natural Theology • Neoperceptionists • aestheticism • Anthropomorphism • Christian Origin Story • Dalloway • Eighteenth-century Poetry • James Joyce • Conservative Consensus • Fiction • Social Class • Congress of Verona • Byron • Atavism • Sport • Time • Pastoral Ideal • <div>Human-robot Interaction • Sir Richard Blackmore • Ulysses • Blessed-virgin Women • Mrs • Ian Mc­Ewan • Memory • Anatole France • Creation • Kawabata • European Romanticism • Cultural patriotism • A Portrait of the Artist as a Young Man • Death of God • ­Newtonian Physics • Human-robot Interaction • Wilde • Satire • evil • Recollection • House of the Sleeping Beauties • Representation of Women • Artificial Intelligence • Modernism • Virginia Woolf • Education • Historical Criticism

Permalink http://doi.org/10.30687/EL/2420-823X/2022/01 | Published April 13, 2023 | Language en