14 | 2025

Keywords Grimani Palace • Cultural identity • Artwork Dispersal • Conservation • Travel diary • Pietro Palmaroli • France • Grimani Collection • Ornament • Art Collecting • Architecture • Mosaic • Venice • Valorization • Circulation • James Irvine • Japan • Kingston Lacy • Classical sculpture • Ukiyo-e • Bijin-ga • Chile • Art market • Collecting • Archaeometry • Museums • Painting conservation and restoration • Academy of Fine Arts • Bronze statuettes • Digital humanities • Japonism • Sacred space • Transculturality • Artworks Dispersal • Neo-Gothic • Dispersions • Nineteenth century • Women artists • Habsburgs

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua it, es, en

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