14 | 2025

Keywords Mosaic • Women artists • Collecting • Painting conservation and restoration • James Irvine • Travel diary • Architecture • Classical sculpture • Conservation • Art Collecting • Bijin-ga • Circulation • Cultural identity • Nineteenth century • Ukiyo-e • Digital humanities • Archaeometry • Grimani Palace • France • Neo-Gothic • Japonism • Valorization • Academy of Fine Arts • Artworks Dispersal • Venice • Chile • Sacred space • Grimani Collection • Pietro Palmaroli • Bronze statuettes • Kingston Lacy • Art market • Ornament • Transculturality • Artwork Dispersal • Dispersions • Japan • Habsburgs • Museums

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Published Dec. 9, 2025 | Language es, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.