14 | 2025

Keywords Ukiyo-e • Kingston Lacy • Bronze statuettes • Travel diary • Artwork Dispersal • Museums • Japan • Neo-Gothic • Archaeometry • Grimani Collection • James Irvine • Circulation • France • Dispersions • Architecture • Mosaic • Classical sculpture • Valorization • Conservation • Ornament • Academy of Fine Arts • Art market • Collecting • Painting conservation and restoration • Habsburgs • Chile • Art Collecting • Sacred space • Grimani Palace • Japonism • Transculturality • Venice • Pietro Palmaroli • Nineteenth century • Bijin-ga • Digital humanities • Cultural identity • Artworks Dispersal • Women artists

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Published Dec. 9, 2025 | Language es, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.