14 | 2025

Keywords Women artists • Ornament • Ukiyo-e • Bijin-ga • Digital humanities • Museums • Conservation • Neo-Gothic • Artworks Dispersal • Collecting • Pietro Palmaroli • Travel diary • Habsburgs • Bronze statuettes • Dispersions • Transculturality • Grimani Palace • Kingston Lacy • Venice • James Irvine • Mosaic • Cultural identity • Art Collecting • Nineteenth century • Chile • Grimani Collection • Japonism • Architecture • Japan • Art market • Sacred space • Artwork Dispersal • Academy of Fine Arts • Classical sculpture • Circulation • France • Valorization • Archaeometry • Painting conservation and restoration

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua it, es, en

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