14 | 2025

Keywords Art market • Sacred space • Mosaic • Japan • Dispersions • Museums • Collecting • James Irvine • Transculturality • Nineteenth century • Academy of Fine Arts • Japonism • Venice • Artwork Dispersal • Pietro Palmaroli • Travel diary • Grimani Collection • Digital humanities • Neo-Gothic • Archaeometry • Ornament • Valorization • Women artists • Circulation • Bronze statuettes • Classical sculpture • Ukiyo-e • Habsburgs • Chile • Kingston Lacy • Architecture • France • Cultural identity • Conservation • Art Collecting • Bijin-ga • Grimani Palace • Artworks Dispersal • Painting conservation and restoration

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua it, en, es

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