14 | 2025

Keywords Bronze statuettes • Venice • Art market • Art Collecting • Academy of Fine Arts • Classical sculpture • Artworks Dispersal • Ornament • Cultural identity • Women artists • Habsburgs • Archaeometry • Neo-Gothic • France • Architecture • Bijin-ga • Circulation • Grimani Palace • Japan • Dispersions • Pietro Palmaroli • Painting conservation and restoration • Transculturality • Japonism • Digital humanities • Museums • Chile • Sacred space • Grimani Collection • Kingston Lacy • Travel diary • Mosaic • Nineteenth century • Collecting • Conservation • James Irvine • Valorization • Ukiyo-e • Artwork Dispersal

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua en, it, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.