Rivista | Rassegna iberistica
Fascicolo | 41 | 110 | 2018
Articolo | Deconstrucción grotesca de las identidades oficiales coloniales y poscoloniales iberoamericanas
Deconstrucción grotesca de las identidades oficiales coloniales y poscoloniales iberoamericanas
Del Tirano Banderas de Valle-Inclán al Cosmopolitismo do pobre de Silviano Santiago
- Pedro Santa María de Abreu - Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Portugal - email
Abstract
This article explores the deconstructive function of grotesque elements in contemporary Spanish and Ibero-American Literature. Starting with Tirano Banderas. Novela de Tierra Caliente (1926), a highlight in Valle-Inclan’s esperpento aesthetics, mocking what authors as Bakhtin or Foucault pointed out as “official truths”, both collective and individual. It is argued that grotesque representation establishes a subversive relation when confronted with epic or tragic modes, as established by aristotelic-horatian and dogmatic poetics. This may shed some light on the relation between grotesque structure and critical deconstruction, from the so-called Baroque era up until modernist and postmodernist essay, such as it is the case of one of the most thoroughly sophisticated contemporary writers in Brasil, Silviano Santiago, whose collection of essays O Cosmopolitismo do Pobre (2004) is the third pillar of our analysis.
Presentato: 08 Febbraio 2018 | Accettato: 01 Aprile 2018 | Pubblicato 11 Dicembre 2018 | Lingua: es
Keywords Modernism • Postcolonial identities • Grotesque esperpento • Classical and contemporary poetics • Deconstruction • Silviano Santiago • Contemporary narrative • Baroque • Valle-Inclán • Iberian and Latin-American Comparative Studies
Copyright © 2018 Pedro Santa María de Abreu. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2018/11/005
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Pubblicazioni ricevute
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1577 |
|
dc.title |
Deconstrucción grotesca de las identidades oficiales coloniales y poscoloniales iberoamericanas. Del Tirano Banderas de Valle-Inclán al Cosmopolitismo do pobre de Silviano Santiago |
|
dc.contributor.author |
Santa María de Abreu Pedro |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Articolo |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2018/110/deconstruccion-grotesca-de-las-identidades-oficial/ |
|
dc.description.abstract |
This article explores the deconstructive function of grotesque elements in contemporary Spanish and Ibero-American Literature. Starting with Tirano Banderas. Novela de Tierra Caliente (1926), a highlight in Valle-Inclan’s esperpento aesthetics, mocking what authors as Bakhtin or Foucault pointed out as “official truths”, both collective and individual. It is argued that grotesque representation establishes a subversive relation when confronted with epic or tragic modes, as established by aristotelic-horatian and dogmatic poetics. This may shed some light on the relation between grotesque structure and critical deconstruction, from the so-called Baroque era up until modernist and postmodernist essay, such as it is the case of one of the most thoroughly sophisticated contemporary writers in Brasil, Silviano Santiago, whose collection of essays O Cosmopolitismo do Pobre (2004) is the third pillar of our analysis. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 41 | Num. 110 | Dicembre 2018 |
|
dc.issued |
2018-12-11 |
|
dc.dateAccepted |
2018-04-01 |
|
dc.dateSubmitted |
2018-02-08 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Ri/2037-6588/2018/11/005 |
|
dc.peer-review |
yes |
|
dc.subject |
Baroque |
|
dc.subject |
Baroque |
|
dc.subject |
Classical and contemporary poetics |
|
dc.subject |
Classical and contemporary poetics |
|
dc.subject |
Contemporary narrative |
|
dc.subject |
Contemporary narrative |
|
dc.subject |
Deconstruction |
|
dc.subject |
Deconstruction |
|
dc.subject |
Grotesque esperpento |
|
dc.subject |
Grotesque esperpento |
|
dc.subject |
Iberian and Latin-American Comparative Studies |
|
dc.subject |
Iberian and Latin-American Comparative Studies |
|
dc.subject |
Modernism |
|
dc.subject |
Modernism |
|
dc.subject |
Postcolonial identities |
|
dc.subject |
Postcolonial identities |
|
dc.subject |
Silviano Santiago |
|
dc.subject |
Silviano Santiago |
|
dc.subject |
Valle-Inclán |
|
dc.subject |
Valle-Inclán |
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