Rivista | JoLMA
Fascicolo monografico | 2 | 1 | 2021
Articolo | The Visual Power of Photography and Its Status as a Representation
The Visual Power of Photography and Its Status as a Representation
Abstract
I shall introduce a hermeneutic perspective and photography analyses from visual theory to the debate concerning the status of photographic representation (together with film, as it is based on the photographic method) which continues within Anglo-Saxon aesthetics and analytical aesthetics. I mostly confront Roger Scruton and Gregory Currie’s thoughts on the photograph and its object (source), representation-by-origin and representation-by-use with Gottfried Boehm’s concept of aesthetic nondifferentiation, and Georges Didi-Huberman’s analyses of photographs. This shall allow me to identify the two aspects of photography (independence of an individual object and visual dynamics of an image) which have a significant impact on the status of photography as a representation and on the potential of cinematographic creation as a story told through images.
Presentato: 16 Marzo 2021 | Pubblicato 30 Giugno 2021 | Lingua: en
Keywords Film frame • Representation • Photography • Aesthetic nondifferentiation
Copyright © 2021 Katarzyna Weichert. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2021/01/011
