Rivista | JoLMA
Fascicolo | 5 | 1 | 2024
Articolo | Mural and Landscape Painting Revisited
Abstract
The elusive dimensionality and ecologically entangled materiality of clouds have always made it hard to map and visually depict them. But while visual artists of the Romantic and Impressionist eras at last managed to relate the ecological entanglement of man-made clouds and their 'natural' counterparts, the 21st century is facing another challenging addition to the almanac of clouds: the cloud of the digital technosphere. In this article, artistic attempts at capturing its dimensional elusiveness and invisible ecological entanglement will be presented which draw both on previous representational strategies and on innovative practices to render visible this quasi-autonomous force of planetary magnitude.
Presentato: 29 Gennaio 2024 | Accettato: 10 Aprile 2024 | Pubblicato 26 Luglio 2024 | Lingua: en
Keywords Hyperobjects • Ecology • Clouds • Digitalisation • Art
Copyright © 2024 Christian Keller. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01/012