The Dark Side of Being: On What There is Not
open access | peer reviewed-
a cura di
- Filippo Casati - Lehigh University - email
- Filippo Costantini - Ca' Foscari University of Venice - email
In contrast to Quine’s (meta-)ontology and his preference for desert landscapes, recent years have seen a renewed interest in ‘non-being’: non-existent entities, mere possibilia, negative properties, negative facts, absences, nothingness, voids, holes, etc. Interest in the category of non-being is not limited to ontology but has also found applications in the philosophy of mind, particularly regarding the role intentionality plays in relation to non-entities and the problem of perceiving absences. Additionally, it has influenced the philosophy of art, especially in discussions about absence art – i.e., art that features absences as aesthetic objects. This issue of JoLMA highlights the richness of the topic by presenting eight fresh papers that range from metaphysics, ontology, and epistemology, to philosophy of language, aesthetics, and philosophy of mind.
Keywords Adorno • Aristotle’s homonymy • Absence • Pictorial abscences • nonidentity • Ostensive definition • Verbs of absence • Lack • Empty string • Metaphysical Grounding • Informalism • Nāgārjuna • Fictional objects • Millares • Non-existent objects • Being • Empty quotation • (Modal) noneism • Reported speech • Metacognitivism • Non-Being • absolute nothingness • Absence Causation • Be missing • Mixed quotation • mixed-media • Kant’s table of nothing • Characterization Principle • absence • Radical perceptualism • Cognitivism • Nothingness • Semantics • Moderate perceptualism • Perception of absences • negative nothingness • Nuclear properties • Eliminativist error theories
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/02 | Pubblicato 11 Dicembre 2024 | Lingua en
Copyright © Filippo Casati, Filippo Costantini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.