Gli intermediari nell’arte contemporanea

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Campo DC	Valore
dc.identifier	ECF_article_641
dc.title	Gli intermediari nell’arte contemporanea. Una mappatura della sociologia pragmatica
dc.contributor.author	Heinich Nathalie
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2016/1/gli-intermediari-nellarte-contemporanea/
dc.description.abstract	The role and number of intermediaries involved in the process of artistic mediation tend to be all the more important as the art world becomes more autonomous, ruled by specific values, words and actions. This is particularly obvious in the case of contemporary visual arts, as this paper demonstrates. The example of a French member of the Nouveaux Réalistes movement helps to map the various categories of persons, institutions, gestures, objects owing to which a piece of scrap may be offered the career of an authentic work of art. The paper eventually provides a historical explanation of the growing role of intermediaries in modern and contemporary art, and an insight on the French present time cultural policy concerning intermediaries in the visual arts.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 25 \| Dicembre 2016
dc.issued	2016-12-20
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2385-2720/VA-25-16-2
dc.peer-review	no
dc.subject	Art
dc.subject	Art
dc.subject	Contemporary art
dc.subject	Contemporary art
dc.subject	Cultural policy
dc.subject	Cultural policy
dc.subject	Intermediaries
dc.subject	Intermediaries
dc.subject	Mediations
dc.subject	Mediations
dc.subject	Pragmatism
dc.subject	Pragmatism
dc.subject	Sociology
dc.subject	Sociology
dc.subject	Visual arts
dc.subject	Visual arts

Articolo
open access

Una mappatura della sociologia pragmatica

Nathalie Heinich École des Hautes Études en Sciences Sociales, Paris, France

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abstract

The role and number of intermediaries involved in the process of artistic mediation tend to be all the more important as the art world becomes more autonomous, ruled by specific values, words and actions. This is particularly obvious in the case of contemporary visual arts, as this paper demonstrates. The example of a French member of the Nouveaux Réalistes movement helps to map the various categories of persons, institutions, gestures, objects owing to which a piece of scrap may be offered the career of an authentic work of art. The paper eventually provides a historical explanation of the growing role of intermediaries in modern and contemporary art, and an insight on the French present time cultural policy concerning intermediaries in the visual arts.

Pubblicato

20 Dicembre 2016

Lingua

Keywords: Contemporary art • Cultural policy • Sociology • Visual arts • Intermediaries • Mediations • Pragmatism • Art

permalink http://doi.org/10.14277/2385-2720/VA-25-16-2

Copyright: © 2016 Nathalie Heinich. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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