Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Armstrong and Mitchell Cran • Entrepreneur • Federico Pendasio • Pragmatism • ‘The Store’ • Industrial heritage • Guardi • Fashion studies • Gatekeepers • Venetian Veduta • Arthur Danto • Jewish cemetery • Caucasus • Consumer culture • Ulisse Aldrovandi • Art market • Border crossing • Fashion • History • Howard Becker • Mediations • Museum • Claes Oldenburg • Pirro Ligorio • Art worlds • Michelangelo Muraro • Objects • Venetian villas • Archival photographs • Contemporary art • Damien Hirst • Early photography • Forgers • Material culture • Nature • Intermediaries • Exhibition • Gabriele Paleotti • Philosophy of art • Restoration • Cultural heritage of Venezia Giulia and Istria • Venice’s Lido • Venice • Realm of art • Cultural policy • Visual arts • Gatekeeper • Giuseppe Mazzotti • History of dress • Academy • Production • Opera • Antonio Morassi • Curator • Douglas Gordon • Sociology • Osthoff • Individual • Philosophical disenfranchisement • Antiquarians • Art field • Gesture • Keeper • Ouverture • Grotesque • Identity formation • Photography • Steve McQueen • Pierre Bourdieu • Art • Arsenale

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.