Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Antiquarians • Jewish cemetery • Steve McQueen • Grotesque • Pragmatism • Guardi • Pierre Bourdieu • Entrepreneur • Forgers • Michelangelo Muraro • Nature • Arsenale • Arthur Danto • Early photography • Cultural policy • Visual arts • Venetian villas • Caucasus • Contemporary art • Photography • Exhibition • Ulisse Aldrovandi • Mediations • Antonio Morassi • Venice’s Lido • Objects • Armstrong and Mitchell Cran • Museum • ‘The Store’ • Giuseppe Mazzotti • Howard Becker • Border crossing • Gabriele Paleotti • Sociology • Identity formation • Archival photographs • Industrial heritage • Opera • Curator • History of dress • Production • Fashion • Venice • Art field • Gatekeeper • Cultural heritage of Venezia Giulia and Istria • Gatekeepers • Consumer culture • Realm of art • Claes Oldenburg • Art market • Federico Pendasio • Damien Hirst • Fashion studies • Gesture • Intermediaries • Keeper • Douglas Gordon • Ouverture • Philosophy of art • Venetian Veduta • Restoration • Osthoff • History • Philosophical disenfranchisement • Pirro Ligorio • Individual • Academy • Art • Material culture • Art worlds

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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