Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Gatekeeper • Academy • Fashion • Opera • Border crossing • ‘The Store’ • Douglas Gordon • Mediations • Objects • Caucasus • Venetian villas • Osthoff • Forgers • Jewish cemetery • Gatekeepers • Keeper • Visual arts • Guardi • History of dress • Pierre Bourdieu • Art market • Cultural policy • Antonio Morassi • Identity formation • Material culture • Realm of art • Armstrong and Mitchell Cran • Intermediaries • Restoration • Art • Steve McQueen • Venetian Veduta • Sociology • Cultural heritage of Venezia Giulia and Istria • Arthur Danto • Art worlds • Exhibition • Photography • Giuseppe Mazzotti • Industrial heritage • Curator • Damien Hirst • Michelangelo Muraro • Nature • Fashion studies • Federico Pendasio • Ouverture • History • Arsenale • Entrepreneur • Art field • Ulisse Aldrovandi • Philosophy of art • Contemporary art • Grotesque • Claes Oldenburg • Production • Venice • Gabriele Paleotti • Howard Becker • Antiquarians • Philosophical disenfranchisement • Pirro Ligorio • Individual • Early photography • Venice’s Lido • Gesture • Archival photographs • Pragmatism • Museum • Consumer culture

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.