Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Cultural heritage of Venezia Giulia and Istria • Individual • Objects • Venetian Veduta • Fashion studies • Art worlds • Philosophical disenfranchisement • Curator • Giuseppe Mazzotti • Museum • Gatekeepers • Intermediaries • Fashion • Sociology • ‘The Store’ • Arsenale • Jewish cemetery • Production • Pirro Ligorio • Federico Pendasio • Arthur Danto • Consumer culture • Antiquarians • Venice • Contemporary art • Gabriele Paleotti • Guardi • Armstrong and Mitchell Cran • Claes Oldenburg • Mediations • Ulisse Aldrovandi • Keeper • Visual arts • Philosophy of art • Damien Hirst • Opera • Steve McQueen • Art • Early photography • Art market • Identity formation • Gesture • Restoration • Osthoff • Gatekeeper • Pierre Bourdieu • Pragmatism • Douglas Gordon • Academy • Forgers • Border crossing • Howard Becker • Art field • Caucasus • Entrepreneur • Photography • Venetian villas • Ouverture • Grotesque • Exhibition • History • Antonio Morassi • Michelangelo Muraro • Material culture • Realm of art • Archival photographs • Cultural policy • Venice’s Lido • Nature • History of dress • Industrial heritage

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.