Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Museum display • Artists’ names • Torre Astura • 1968 • Inscription • Permanence • Volvinus • Epigraphy • Literacy • Medieval Apulia • Parapet • Woodcut • Paggi • Gothic Venetian Painting • Zavattari • Anonymity • Clinic • Byzantine epigraphy • Tiziano • Signature • Byzantine artist • 1972 • Genoa • Galleria La Salita • Illusion • Essay Film • Archive Footage • Woodblocks • Soliani • Art workshops • Happening • Alighiero Boetti • Parma • Self-staging • Samuel Beckett's Film • Bacchanal • Rebus • Cathedral at Monza • Intellectual • Duplication • Golden Altar • Authorship • Pino Pascali • Modern painting • Stories of Theodelinda • Toponym • Imperfect • Morganatic Marriage • Art history • Romanesque (France) • Medieval Artist • Jan van Eyck • Iconology • Devotion • Sanatorium • Contemporary Art • Photography • Andri • Museo Storico Navale • Found Footage • Annunciation • Faciebat • Invention of the Artist • Memorial • Written culture • Edvard Munch • Lorenzo Veneziano • Medieval Epigraphy • Requiescat in Pace Corradinus • Arnolfini • Angilbertus

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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