Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Zavattari • Archive Footage • Permanence • Genoa • Soliani • Medieval Artist • Essay Film • Bacchanal • Paggi • Signature • Andri • Authorship • Contemporary Art • Artists’ names • Annunciation • Photography • Rebus • Memorial • Inscription • Volvinus • Anonymity • Medieval Epigraphy • Self-staging • 1968 • Happening • Written culture • Stories of Theodelinda • Byzantine artist • Medieval Apulia • Cathedral at Monza • Clinic • Literacy • Modern painting • Toponym • Woodblocks • Faciebat • Duplication • Museum display • Parapet • Parma • Samuel Beckett's Film • Jan van Eyck • Torre Astura • Epigraphy • Sanatorium • Morganatic Marriage • Arnolfini • Illusion • Intellectual • Golden Altar • Angilbertus • Woodcut • Lorenzo Veneziano • Devotion • Byzantine epigraphy • Found Footage • Galleria La Salita • 1972 • Gothic Venetian Painting • Requiescat in Pace Corradinus • Tiziano • Museo Storico Navale • Romanesque (France) • Imperfect • Art history • Iconology • Pino Pascali • Alighiero Boetti • Edvard Munch • Invention of the Artist • Art workshops

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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