Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Stories of Theodelinda • Cathedral at Monza • Byzantine epigraphy • Museum display • Alighiero Boetti • Volvinus • Devotion • Artists’ names • Morganatic Marriage • Lorenzo Veneziano • Self-staging • Golden Altar • Art workshops • Woodblocks • Paggi • Photography • Tiziano • Faciebat • Inscription • Parapet • Illusion • Archive Footage • Contemporary Art • Happening • Art history • Bacchanal • Invention of the Artist • Literacy • Modern painting • Toponym • Woodcut • Clinic • Torre Astura • Iconology • Medieval Apulia • Soliani • Pino Pascali • Jan van Eyck • Signature • Imperfect • Epigraphy • Written culture • Andri • Medieval Epigraphy • Romanesque (France) • Samuel Beckett's Film • Annunciation • Byzantine artist • Rebus • Anonymity • Authorship • Gothic Venetian Painting • Permanence • Angilbertus • 1968 • Requiescat in Pace Corradinus • Genoa • Memorial • Museo Storico Navale • 1972 • Arnolfini • Essay Film • Duplication • Galleria La Salita • Edvard Munch • Found Footage • Zavattari • Parma • Intellectual • Sanatorium • Medieval Artist

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

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