Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Art workshops • Golden Altar • Artists’ names • Galleria La Salita • Lorenzo Veneziano • Volvinus • Requiescat in Pace Corradinus • Happening • Invention of the Artist • Woodblocks • Intellectual • Paggi • Pino Pascali • Samuel Beckett's Film • Signature • Art history • Medieval Apulia • Rebus • Woodcut • Illusion • Parapet • Essay Film • Annunciation • Found Footage • Torre Astura • Self-staging • Imperfect • Sanatorium • Cathedral at Monza • Bacchanal • Inscription • Museo Storico Navale • Memorial • Andri • Soliani • Permanence • Faciebat • Epigraphy • Gothic Venetian Painting • Modern painting • Byzantine epigraphy • Clinic • Morganatic Marriage • Edvard Munch • 1972 • Medieval Epigraphy • Archive Footage • Romanesque (France) • Anonymity • Angilbertus • Literacy • Tiziano • Duplication • Byzantine artist • Contemporary Art • Genoa • Jan van Eyck • Iconology • Zavattari • Photography • Arnolfini • Medieval Artist • 1968 • Alighiero Boetti • Devotion • Authorship • Museum display • Toponym • Written culture • Parma • Stories of Theodelinda

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.