Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Lorenzo Veneziano • Galleria La Salita • Jan van Eyck • Anonymity • Art history • Contemporary Art • Inscription • 1968 • Archive Footage • Woodblocks • Intellectual • Torre Astura • Epigraphy • Written culture • Modern painting • Parapet • Illusion • Samuel Beckett's Film • Annunciation • Arnolfini • Sanatorium • Duplication • Soliani • Medieval Apulia • Morganatic Marriage • Toponym • Memorial • Andri • Clinic • Gothic Venetian Painting • Byzantine epigraphy • Iconology • Requiescat in Pace Corradinus • Cathedral at Monza • Tiziano • Authorship • Angilbertus • Essay Film • Parma • 1972 • Golden Altar • Genoa • Medieval Epigraphy • Devotion • Medieval Artist • Rebus • Alighiero Boetti • Romanesque (France) • Stories of Theodelinda • Happening • Paggi • Volvinus • Museo Storico Navale • Imperfect • Photography • Edvard Munch • Permanence • Byzantine artist • Faciebat • Found Footage • Literacy • Woodcut • Invention of the Artist • Museum display • Zavattari • Bacchanal • Artists’ names • Self-staging • Signature • Pino Pascali • Art workshops

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.