Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Modern painting • Edvard Munch • Happening • Jan van Eyck • Romanesque (France) • Torre Astura • Authorship • Parma • Lorenzo Veneziano • Faciebat • Annunciation • Invention of the Artist • Medieval Artist • Toponym • Andri • Museo Storico Navale • Intellectual • Parapet • Bacchanal • Duplication • Alighiero Boetti • Volvinus • Found Footage • Iconology • Art workshops • Arnolfini • Clinic • Genoa • Byzantine epigraphy • Imperfect • Medieval Epigraphy • Morganatic Marriage • Essay Film • Inscription • Golden Altar • Self-staging • Epigraphy • Gothic Venetian Painting • Museum display • Medieval Apulia • Signature • Anonymity • Tiziano • Literacy • Pino Pascali • Angilbertus • Samuel Beckett's Film • Archive Footage • Memorial • Byzantine artist • Art history • Soliani • Illusion • Artists’ names • Photography • 1972 • Woodcut • Paggi • Stories of Theodelinda • Written culture • Cathedral at Monza • 1968 • Requiescat in Pace Corradinus • Zavattari • Galleria La Salita • Contemporary Art • Devotion • Permanence • Rebus • Woodblocks • Sanatorium

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.