Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Museum display • Artists’ names • Torre Astura • 1968 • Inscription • Permanence • Volvinus • Epigraphy • Literacy • Medieval Apulia • Parapet • Woodcut • Paggi • Gothic Venetian Painting • Zavattari • Anonymity • Clinic • Byzantine epigraphy • Tiziano • Signature • Byzantine artist • 1972 • Genoa • Galleria La Salita • Illusion • Essay Film • Archive Footage • Woodblocks • Soliani • Art workshops • Happening • Alighiero Boetti • Parma • Self-staging • Samuel Beckett's Film • Bacchanal • Rebus • Cathedral at Monza • Intellectual • Duplication • Golden Altar • Authorship • Pino Pascali • Modern painting • Stories of Theodelinda • Toponym • Imperfect • Morganatic Marriage • Art history • Romanesque (France) • Medieval Artist • Jan van Eyck • Iconology • Devotion • Sanatorium • Contemporary Art • Photography • Andri • Museo Storico Navale • Found Footage • Annunciation • Faciebat • Invention of the Artist • Memorial • Written culture • Edvard Munch • Lorenzo Veneziano • Medieval Epigraphy • Requiescat in Pace Corradinus • Arnolfini • Angilbertus

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.