Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Pino Pascali • Gothic Venetian Painting • Photography • Cathedral at Monza • Alighiero Boetti • Contemporary Art • Parapet • Morganatic Marriage • Authorship • Intellectual • Happening • Imperfect • Medieval Apulia • Medieval Artist • Volvinus • Woodblocks • Woodcut • Found Footage • Duplication • Tiziano • Arnolfini • Illusion • Art history • Art workshops • Self-staging • Bacchanal • 1968 • 1972 • Inscription • Parma • Iconology • Invention of the Artist • Stories of Theodelinda • Museum display • Zavattari • Andri • Archive Footage • Faciebat • Medieval Epigraphy • Sanatorium • Anonymity • Essay Film • Lorenzo Veneziano • Literacy • Signature • Devotion • Requiescat in Pace Corradinus • Byzantine epigraphy • Romanesque (France) • Genoa • Memorial • Torre Astura • Annunciation • Clinic • Galleria La Salita • Byzantine artist • Modern painting • Written culture • Angilbertus • Edvard Munch • Artists’ names • Toponym • Museo Storico Navale • Jan van Eyck • Samuel Beckett's Film • Epigraphy • Rebus • Soliani • Paggi • Golden Altar • Permanence

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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