Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Medieval Apulia • Tiziano • Arnolfini • Cathedral at Monza • Essay Film • Galleria La Salita • Medieval Artist • Anonymity • Requiescat in Pace Corradinus • Jan van Eyck • Invention of the Artist • Alighiero Boetti • 1968 • 1972 • Signature • Toponym • Romanesque (France) • Contemporary Art • Byzantine epigraphy • Inscription • Zavattari • Angilbertus • Authorship • Samuel Beckett's Film • Art history • Clinic • Duplication • Pino Pascali • Byzantine artist • Devotion • Annunciation • Faciebat • Found Footage • Self-staging • Volvinus • Art workshops • Medieval Epigraphy • Photography • Illusion • Sanatorium • Woodblocks • Paggi • Written culture • Happening • Iconology • Morganatic Marriage • Gothic Venetian Painting • Intellectual • Archive Footage • Rebus • Soliani • Andri • Edvard Munch • Epigraphy • Golden Altar • Memorial • Modern painting • Museum display • Museo Storico Navale • Parapet • Literacy • Artists’ names • Permanence • Torre Astura • Lorenzo Veneziano • Genoa • Imperfect • Parma • Woodcut • Stories of Theodelinda • Bacchanal

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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