Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Lorenzo Veneziano • Galleria La Salita • Jan van Eyck • Anonymity • Art history • Contemporary Art • Inscription • 1968 • Archive Footage • Woodblocks • Intellectual • Torre Astura • Epigraphy • Written culture • Modern painting • Parapet • Illusion • Samuel Beckett's Film • Annunciation • Arnolfini • Sanatorium • Duplication • Soliani • Medieval Apulia • Morganatic Marriage • Toponym • Memorial • Andri • Clinic • Gothic Venetian Painting • Byzantine epigraphy • Iconology • Requiescat in Pace Corradinus • Cathedral at Monza • Tiziano • Authorship • Angilbertus • Essay Film • Parma • 1972 • Golden Altar • Genoa • Medieval Epigraphy • Devotion • Medieval Artist • Rebus • Alighiero Boetti • Romanesque (France) • Stories of Theodelinda • Happening • Paggi • Volvinus • Museo Storico Navale • Imperfect • Photography • Edvard Munch • Permanence • Byzantine artist • Faciebat • Found Footage • Literacy • Woodcut • Invention of the Artist • Museum display • Zavattari • Bacchanal • Artists’ names • Self-staging • Signature • Pino Pascali • Art workshops

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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