Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Angilbertus • Artists’ names • Tiziano • Andri • Arnolfini • Requiescat in Pace Corradinus • Morganatic Marriage • Epigraphy • Lorenzo Veneziano • Art workshops • Written culture • Happening • Medieval Apulia • Rebus • Self-staging • Romanesque (France) • Intellectual • Parapet • Museum display • Devotion • Pino Pascali • Stories of Theodelinda • Art history • 1968 • Bacchanal • Byzantine epigraphy • Memorial • Imperfect • Essay Film • Faciebat • Parma • Toponym • Modern painting • Galleria La Salita • Duplication • Museo Storico Navale • Annunciation • Byzantine artist • Archive Footage • Woodcut • Cathedral at Monza • Zavattari • Paggi • Permanence • Authorship • Samuel Beckett's Film • Gothic Venetian Painting • Edvard Munch • Invention of the Artist • 1972 • Anonymity • Alighiero Boetti • Medieval Epigraphy • Woodblocks • Medieval Artist • Photography • Iconology • Literacy • Inscription • Soliani • Golden Altar • Sanatorium • Torre Astura • Genoa • Illusion • Volvinus • Clinic • Signature • Jan van Eyck • Contemporary Art • Found Footage

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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