Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Intellectual • Lorenzo Veneziano • Soliani • Byzantine artist • Archive Footage • Authorship • Cathedral at Monza • Devotion • Iconology • Art history • Medieval Apulia • Samuel Beckett's Film • Sanatorium • Stories of Theodelinda • Anonymity • Volvinus • Woodcut • Artists’ names • Bacchanal • Illusion • Modern painting • Epigraphy • Literacy • Invention of the Artist • Paggi • Found Footage • Parma • Angilbertus • Golden Altar • Gothic Venetian Painting • Self-staging • Museum display • 1972 • Requiescat in Pace Corradinus • Woodblocks • 1968 • Zavattari • Genoa • Clinic • Alighiero Boetti • Edvard Munch • Inscription • Jan van Eyck • Toponym • Contemporary Art • Andri • Imperfect • Morganatic Marriage • Rebus • Tiziano • Written culture • Signature • Photography • Art workshops • Pino Pascali • Parapet • Medieval Artist • Faciebat • Essay Film • Happening • Galleria La Salita • Permanence • Arnolfini • Byzantine epigraphy • Duplication • Memorial • Museo Storico Navale • Romanesque (France) • Torre Astura • Medieval Epigraphy • Annunciation

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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