Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Art workshops • Golden Altar • Artists’ names • Galleria La Salita • Lorenzo Veneziano • Volvinus • Requiescat in Pace Corradinus • Happening • Invention of the Artist • Woodblocks • Intellectual • Paggi • Pino Pascali • Samuel Beckett's Film • Signature • Art history • Medieval Apulia • Rebus • Woodcut • Illusion • Parapet • Essay Film • Annunciation • Found Footage • Torre Astura • Self-staging • Imperfect • Sanatorium • Cathedral at Monza • Bacchanal • Inscription • Museo Storico Navale • Memorial • Andri • Soliani • Permanence • Faciebat • Epigraphy • Gothic Venetian Painting • Modern painting • Byzantine epigraphy • Clinic • Morganatic Marriage • Edvard Munch • 1972 • Medieval Epigraphy • Archive Footage • Romanesque (France) • Anonymity • Angilbertus • Literacy • Tiziano • Duplication • Byzantine artist • Contemporary Art • Genoa • Jan van Eyck • Iconology • Zavattari • Photography • Arnolfini • Medieval Artist • 1968 • Alighiero Boetti • Devotion • Authorship • Museum display • Toponym • Written culture • Parma • Stories of Theodelinda

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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