Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Signature • Soliani • 1968 • Invention of the Artist • Rebus • Devotion • Volvinus • Paggi • Zavattari • Medieval Apulia • Andri • Illusion • Intellectual • Artists’ names • Gothic Venetian Painting • Iconology • Parma • Sanatorium • Parapet • Anonymity • Medieval Epigraphy • Literacy • Byzantine artist • Angilbertus • Medieval Artist • Contemporary Art • Alighiero Boetti • Museo Storico Navale • Authorship • Stories of Theodelinda • Romanesque (France) • 1972 • Photography • Annunciation • Duplication • Memorial • Permanence • Torre Astura • Faciebat • Clinic • Galleria La Salita • Jan van Eyck • Edvard Munch • Genoa • Woodblocks • Pino Pascali • Inscription • Cathedral at Monza • Tiziano • Golden Altar • Art workshops • Essay Film • Lorenzo Veneziano • Epigraphy • Morganatic Marriage • Requiescat in Pace Corradinus • Woodcut • Art history • Happening • Imperfect • Samuel Beckett's Film • Toponym • Found Footage • Written culture • Self-staging • Arnolfini • Bacchanal • Byzantine epigraphy • Modern painting • Museum display • Archive Footage

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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