Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Romanesque (France) • Written culture • Lorenzo Veneziano • Iconology • Contemporary Art • Essay Film • Artists’ names • Faciebat • Art history • Art workshops • Photography • Volvinus • Intellectual • Byzantine epigraphy • Duplication • Devotion • Jan van Eyck • Imperfect • Parma • Found Footage • Morganatic Marriage • Sanatorium • Golden Altar • Memorial • Arnolfini • Authorship • Medieval Artist • Annunciation • Literacy • Alighiero Boetti • Gothic Venetian Painting • Paggi • Self-staging • Woodcut • Angilbertus • Requiescat in Pace Corradinus • Happening • Museum display • Pino Pascali • Tiziano • Medieval Apulia • Modern painting • Andri • Signature • Rebus • 1968 • Parapet • Museo Storico Navale • Clinic • Permanence • Samuel Beckett's Film • Bacchanal • Archive Footage • Galleria La Salita • Cathedral at Monza • Inscription • Soliani • Torre Astura • Medieval Epigraphy • Byzantine artist • 1972 • Epigraphy • Edvard Munch • Toponym • Zavattari • Illusion • Invention of the Artist • Genoa • Stories of Theodelinda • Woodblocks • Anonymity

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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