Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Gatekeeper • Academy • Fashion • Opera • Border crossing • ‘The Store’ • Douglas Gordon • Mediations • Objects • Caucasus • Venetian villas • Osthoff • Forgers • Jewish cemetery • Gatekeepers • Keeper • Visual arts • Guardi • History of dress • Pierre Bourdieu • Art market • Cultural policy • Antonio Morassi • Identity formation • Material culture • Realm of art • Armstrong and Mitchell Cran • Intermediaries • Restoration • Art • Steve McQueen • Venetian Veduta • Sociology • Cultural heritage of Venezia Giulia and Istria • Arthur Danto • Art worlds • Exhibition • Photography • Giuseppe Mazzotti • Industrial heritage • Curator • Damien Hirst • Michelangelo Muraro • Nature • Fashion studies • Federico Pendasio • Ouverture • History • Arsenale • Entrepreneur • Art field • Ulisse Aldrovandi • Philosophy of art • Contemporary art • Grotesque • Claes Oldenburg • Production • Venice • Gabriele Paleotti • Howard Becker • Antiquarians • Philosophical disenfranchisement • Pirro Ligorio • Individual • Early photography • Venice’s Lido • Gesture • Archival photographs • Pragmatism • Museum • Consumer culture

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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