Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Antiquarians • Gesture • Howard Becker • ‘The Store’ • Giuseppe Mazzotti • Art market • Cultural policy • History of dress • Exhibition • Philosophy of art • Douglas Gordon • Pierre Bourdieu • Claes Oldenburg • Antonio Morassi • Archival photographs • Grotesque • Fashion • Jewish cemetery • Early photography • Entrepreneur • Ouverture • Cultural heritage of Venezia Giulia and Istria • Consumer culture • Intermediaries • Keeper • Philosophical disenfranchisement • Fashion studies • Damien Hirst • Gatekeeper • Osthoff • Realm of art • Visual arts • Academy • Individual • Michelangelo Muraro • Venetian Veduta • Venice’s Lido • Venetian villas • Arsenale • Objects • Curator • Production • Restoration • Ulisse Aldrovandi • Sociology • Art worlds • Contemporary art • Armstrong and Mitchell Cran • Gabriele Paleotti • Forgers • Arthur Danto • Gatekeepers • Guardi • Art • Mediations • Photography • Venice • Steve McQueen • Art field • Pragmatism • Border crossing • Caucasus • Federico Pendasio • Industrial heritage • Nature • History • Pirro Ligorio • Material culture • Identity formation • Opera • Museum

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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