Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Contemporary art • Entrepreneur • Federico Pendasio • Forgers • Venice • Production • Arthur Danto • Art field • Visual arts • Claes Oldenburg • Photography • Consumer culture • Identity formation • History • Mediations • Howard Becker • Venetian villas • Intermediaries • Objects • Antonio Morassi • Grotesque • Opera • Fashion • Philosophy of art • Antiquarians • Early photography • Art • Osthoff • Pragmatism • Michelangelo Muraro • Curator • ‘The Store’ • Industrial heritage • Ouverture • Cultural heritage of Venezia Giulia and Istria • Art worlds • Venetian Veduta • Nature • Academy • Material culture • Gabriele Paleotti • Realm of art • Arsenale • Guardi • Pierre Bourdieu • Art market • Museum • Fashion studies • Venice’s Lido • Philosophical disenfranchisement • Armstrong and Mitchell Cran • Border crossing • Exhibition • Caucasus • Cultural policy • Individual • Restoration • Giuseppe Mazzotti • Keeper • Damien Hirst • Gatekeeper • Jewish cemetery • Archival photographs • Pirro Ligorio • Steve McQueen • Ulisse Aldrovandi • Gatekeepers • Douglas Gordon • History of dress • Gesture • Sociology

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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