Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Jewish cemetery • Douglas Gordon • Fashion studies • Photography • Art worlds • Visual arts • Art market • Michelangelo Muraro • Howard Becker • Ouverture • Archival photographs • Pierre Bourdieu • Restoration • Ulisse Aldrovandi • Venetian Veduta • Mediations • Philosophy of art • Realm of art • Intermediaries • Industrial heritage • Keeper • Steve McQueen • Early photography • Material culture • Sociology • Gatekeeper • Individual • Exhibition • Federico Pendasio • Venice • ‘The Store’ • Contemporary art • Art field • Border crossing • Cultural heritage of Venezia Giulia and Istria • History • Academy • Arsenale • Curator • Entrepreneur • Gabriele Paleotti • Objects • Cultural policy • History of dress • Production • Grotesque • Art • Philosophical disenfranchisement • Venice’s Lido • Antonio Morassi • Nature • Pragmatism • Armstrong and Mitchell Cran • Consumer culture • Gesture • Identity formation • Damien Hirst • Arthur Danto • Guardi • Opera • Osthoff • Pirro Ligorio • Fashion • Gatekeepers • Venetian villas • Giuseppe Mazzotti • Claes Oldenburg • Caucasus • Forgers • Museum • Antiquarians

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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