Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Antonio Morassi • Arsenale • Claes Oldenburg • Art market • Contemporary art • Venice’s Lido • Border crossing • Archival photographs • Museum • Howard Becker • Identity formation • Grotesque • Sociology • ‘The Store’ • Gabriele Paleotti • Venetian villas • Academy • Entrepreneur • Ouverture • Guardi • Philosophy of art • Venice • Pierre Bourdieu • Damien Hirst • Objects • Material culture • Opera • Realm of art • Curator • Caucasus • Early photography • Fashion studies • Production • Antiquarians • Exhibition • Industrial heritage • Michelangelo Muraro • Armstrong and Mitchell Cran • Cultural policy • Jewish cemetery • Arthur Danto • Osthoff • Gesture • Federico Pendasio • Pirro Ligorio • Visual arts • Art field • Gatekeepers • Giuseppe Mazzotti • Forgers • Art worlds • Ulisse Aldrovandi • Art • Cultural heritage of Venezia Giulia and Istria • History • Nature • Gatekeeper • Mediations • Photography • History of dress • Douglas Gordon • Pragmatism • Philosophical disenfranchisement • Restoration • Individual • Steve McQueen • Keeper • Venetian Veduta • Consumer culture • Intermediaries • Fashion

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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