Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Gatekeepers • Sociology • Art field • Philosophical disenfranchisement • ‘The Store’ • Damien Hirst • Antiquarians • Armstrong and Mitchell Cran • Academy • History • Philosophy of art • Restoration • Steve McQueen • Material culture • Gesture • Forgers • Venetian Veduta • Fashion studies • Howard Becker • Arsenale • Consumer culture • Pierre Bourdieu • Visual arts • Intermediaries • Michelangelo Muraro • Archival photographs • Early photography • Museum • Border crossing • Keeper • Venice’s Lido • Entrepreneur • Jewish cemetery • Individual • Pirro Ligorio • Pragmatism • Ulisse Aldrovandi • Giuseppe Mazzotti • Production • Gatekeeper • History of dress • Realm of art • Douglas Gordon • Art market • Curator • Contemporary art • Industrial heritage • Mediations • Osthoff • Opera • Exhibition • Ouverture • Photography • Fashion • Caucasus • Grotesque • Cultural policy • Art worlds • Cultural heritage of Venezia Giulia and Istria • Nature • Claes Oldenburg • Venice • Antonio Morassi • Venetian villas • Objects • Art • Arthur Danto • Guardi • Gabriele Paleotti • Federico Pendasio • Identity formation

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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