Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Restoration • Venice • Cultural heritage of Venezia Giulia and Istria • Individual • Arthur Danto • Ulisse Aldrovandi • Realm of art • Fashion • Antonio Morassi • Ouverture • Sociology • Steve McQueen • Academy • History • Border crossing • Federico Pendasio • Pirro Ligorio • Gatekeeper • Venice’s Lido • Art field • Claes Oldenburg • Consumer culture • Opera • Antiquarians • Venetian Veduta • Venetian villas • Gatekeepers • Grotesque • Michelangelo Muraro • Art worlds • Curator • Contemporary art • Armstrong and Mitchell Cran • Caucasus • Cultural policy • Arsenale • Damien Hirst • Douglas Gordon • Exhibition • Gabriele Paleotti • Museum • Pragmatism • Nature • Philosophical disenfranchisement • Pierre Bourdieu • Industrial heritage • Guardi • Philosophy of art • Intermediaries • Keeper • Photography • Archival photographs • Art market • Giuseppe Mazzotti • Identity formation • Material culture • History of dress • Visual arts • Objects • Early photography • Forgers • Gesture • Art • Howard Becker • Fashion studies • Mediations • Osthoff • ‘The Store’ • Jewish cemetery • Production • Entrepreneur

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.