Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Forgers • Pirro Ligorio • Keeper • Ulisse Aldrovandi • Art • Border crossing • Jewish cemetery • Visual arts • Contemporary art • Exhibition • Damien Hirst • Douglas Gordon • Claes Oldenburg • Federico Pendasio • Giuseppe Mazzotti • Howard Becker • Antonio Morassi • Mediations • Nature • Osthoff • Sociology • Venetian villas • Venice’s Lido • Photography • Philosophical disenfranchisement • Ouverture • ‘The Store’ • Arsenale • Pierre Bourdieu • Pragmatism • Individual • Michelangelo Muraro • Venice • Fashion studies • Objects • Early photography • Grotesque • Cultural heritage of Venezia Giulia and Istria • Gabriele Paleotti • Realm of art • Steve McQueen • History • Archival photographs • Consumer culture • Entrepreneur • Gatekeepers • History of dress • Antiquarians • Armstrong and Mitchell Cran • Material culture • Philosophy of art • Gatekeeper • Fashion • Art market • Arthur Danto • Opera • Gesture • Restoration • Intermediaries • Academy • Caucasus • Identity formation • Venetian Veduta • Cultural policy • Curator • Museum • Production • Art field • Industrial heritage • Guardi • Art worlds

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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