Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Armstrong and Mitchell Cran • Entrepreneur • Federico Pendasio • Pragmatism • ‘The Store’ • Industrial heritage • Guardi • Fashion studies • Gatekeepers • Venetian Veduta • Arthur Danto • Jewish cemetery • Caucasus • Consumer culture • Ulisse Aldrovandi • Art market • Border crossing • Fashion • History • Howard Becker • Mediations • Museum • Claes Oldenburg • Pirro Ligorio • Art worlds • Michelangelo Muraro • Objects • Venetian villas • Archival photographs • Contemporary art • Damien Hirst • Early photography • Forgers • Material culture • Nature • Intermediaries • Exhibition • Gabriele Paleotti • Philosophy of art • Restoration • Cultural heritage of Venezia Giulia and Istria • Venice’s Lido • Venice • Realm of art • Cultural policy • Visual arts • Gatekeeper • Giuseppe Mazzotti • History of dress • Academy • Production • Opera • Antonio Morassi • Curator • Douglas Gordon • Sociology • Osthoff • Individual • Philosophical disenfranchisement • Antiquarians • Art field • Gesture • Keeper • Ouverture • Grotesque • Identity formation • Photography • Steve McQueen • Pierre Bourdieu • Art • Arsenale

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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