Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Guardi • Nature • Caucasus • Industrial heritage • Material culture • Philosophical disenfranchisement • Venetian Veduta • Objects • Academy • Douglas Gordon • Antiquarians • Keeper • Philosophy of art • Curator • Identity formation • Grotesque • Gatekeepers • Pierre Bourdieu • Ulisse Aldrovandi • Individual • Pragmatism • Fashion studies • Steve McQueen • Fashion • Realm of art • Damien Hirst • Forgers • History of dress • Jewish cemetery • Venice’s Lido • ‘The Store’ • Art field • Consumer culture • Museum • Exhibition • Gabriele Paleotti • Archival photographs • Contemporary art • Ouverture • Photography • Pirro Ligorio • Entrepreneur • Antonio Morassi • Art worlds • Early photography • Venetian villas • Arsenale • Claes Oldenburg • Mediations • Federico Pendasio • Venice • Cultural policy • Howard Becker • Intermediaries • Cultural heritage of Venezia Giulia and Istria • Michelangelo Muraro • Production • Osthoff • Visual arts • Art • Gesture • Gatekeeper • History • Armstrong and Mitchell Cran • Opera • Restoration • Sociology • Giuseppe Mazzotti • Art market • Arthur Danto • Border crossing

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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