Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Jewish cemetery • Cultural heritage of Venezia Giulia and Istria • Guardi • Osthoff • Cultural policy • Antonio Morassi • Identity formation • Philosophical disenfranchisement • Douglas Gordon • Giuseppe Mazzotti • Material culture • Federico Pendasio • Keeper • ‘The Store’ • Curator • Forgers • Nature • Venetian Veduta • Visual arts • Fashion • Armstrong and Mitchell Cran • Border crossing • Fashion studies • Realm of art • Steve McQueen • Gatekeeper • Damien Hirst • Venice’s Lido • Contemporary art • History of dress • Mediations • Ouverture • Art • Philosophy of art • Ulisse Aldrovandi • Howard Becker • Antiquarians • Grotesque • Gabriele Paleotti • Industrial heritage • Objects • Pirro Ligorio • Venetian villas • Academy • Intermediaries • Exhibition • Michelangelo Muraro • Venice • Art worlds • History • Archival photographs • Art market • Individual • Photography • Art field • Entrepreneur • Arsenale • Caucasus • Claes Oldenburg • Opera • Gatekeepers • Restoration • Gesture • Sociology • Early photography • Pierre Bourdieu • Production • Pragmatism • Museum • Consumer culture • Arthur Danto

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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