Rivista | Venezia Arti
Fascicolo monografico | 26 | 2017
Articolo | Gio. Bapt. Paggius Genuensis F.
Abstract
The Genoese painter Giovanni Battista Paggi (1554-627) is often mentioned by the scholars, not only for his artistic works, but also for his great social commitment in promoting the artist to the status of intellectual. The aim of this article is to put in light the Paggi’s extraordinary conviction that painting must be considered and called nobilissima scienza and for this reason, he signed the great part of his works. Moreover, in the first part of his career, he recorded his compositions and the name of his patrons by drawing. The self-promotion of his activity conducted him to be considered an intellectual and a guide by his contemporaries.
Presentato: 17 Luglio 2017 | Accettato: 27 Settembre 2017 | Pubblicato 20 Dicembre 2017 | Lingua: it
Keywords Intellectual • Genoa • Paggi • Signature
Copyright © 2017 Valentina Frascarolo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2385-2720/VA-26-17-11
Introduzione
Medioevo
Età moderna
Il XX secolo
Miscellanea
DC Field | Value |
---|---|
dc.identifier |
ECF_article_1071 |
dc.title |
Gio. Bapt. Paggius Genuensis F.. La Nobilissima scienza della pittura di Giovanni Battista Paggi |
dc.contributor.author |
Frascarolo Valentina |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2017/1/gio-bapt-paggius-genuensis-f/ |
dc.description.abstract |
The Genoese painter Giovanni Battista Paggi (1554-627) is often mentioned by the scholars, not only for his artistic works, but also for his great social commitment in promoting the artist to the status of intellectual. The aim of this article is to put in light the Paggi’s extraordinary conviction that painting must be considered and called nobilissima scienza and for this reason, he signed the great part of his works. Moreover, in the first part of his career, he recorded his compositions and the name of his patrons by drawing. The self-promotion of his activity conducted him to be considered an intellectual and a guide by his contemporaries. |
dc.relation.ispartof |
Venezia Arti |
dc.relation.ispartof |
Vol. 26 | Dicembre 2017 |
dc.issued |
2017-12-20 |
dc.dateAccepted |
2017-09-27 |
dc.dateSubmitted |
2017-07-17 |
dc.identifier.issn |
|
dc.identifier.eissn |
2385-2720 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2385-2720/VA-26-17-11 |
dc.peer-review |
yes |
dc.subject |
Genoa |
dc.subject |
Genoa |
dc.subject |
Intellectual |
dc.subject |
Intellectual |
dc.subject |
Paggi |
dc.subject |
Paggi |
dc.subject |
Signature |
dc.subject |
Signature |
Download data |
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