Rivista | Venezia Arti
Fascicolo monografico | 29 | 2020
Articolo | Border hacking: una conversione artistica dei confini nazionali nella società delle reti
Border hacking: una conversione artistica dei confini nazionali nella società delle reti
Abstract
Through the category of ‘border hack’ (proposed by Rita Raley) and the analysis of three meaningful artworks (Transborder Immigrant Tool by Electronic Disturbance Theatre 2.0 and b.a.n.g. lab, BorderXing Guide by Heath Bunting and Shadows from Another Place by Paula Levine), the aim of this article is to investigate the aesthetic-political practices around the notion of transnational border. These are works of a performative nature and are linked to the networked environment of the Internet. They exemplify a brand-new season of New Media Art, in which the electromagnetic armamentarium of satellite positioning systems and mobile devices takes on a tactical dimension of confrontation with the equally technological governmental-military strategies of border surveillance and identity control.
Presentato: 20 Luglio 2020 | Accettato: 09 Settembre 2020 | Pubblicato 11 Dicembre 2020 | Lingua: it
Keywords Security • Electronic disobedience • Tactical media • New media art • Hybrid space
Copyright © 2020 Paolo Berti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2020/01/010
