Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Alterity • Mutation • Renaissance • Software • Flemish Sources • Technology • Venice • Anthropocene • Pieter Boel • Ideography • Het Gulden Cabinet • Computer art • Science Treatises • Proportions • Zaccolini • Vitruvius • Optics • Rayonism • Scientific knowledge • Eighteenth century • Hybridisation • Writing • Architectural drawing • Ornament • Print Collecting • Digital image • Tactical media • Busts • Drawing instruments • Electronic disobedience • Neoplatonism • Bologna, gentry (XVI-XVII cent • Art • Italian Art Literature • Mikhail Larionov • Pastel practice • Viral • Manfrin, Girolamo • Paintings • Michelangelo Cerquozzi • Cyborg • Diagram • Pigments • David De Coninck • Grechetto • Mathematics • Portraits • New media art • Infection • Planisphere • Russian Avant-garde • ) • Light and shadow • Neapolitan Collections • Hybrid space • Mario dei Fiori • Poussin • Gesture • Abstraction • Francesco Noletti • Biographical Cameos • Science • Scenography • Medallions • Movement • Theriomorphism • Bologna, accademia dei Gelati • Cornelis De Bie • Recipes • Still Life in Italy • Posthumanism • Linear perspective • Galleria Manfrin • Landscape • Security • Anamorphosis • Dance • Seicento painting • Book Collecting • Cryptography • Ownership marks • Form • Contemporary Art

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua en, it, fr

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