Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Renaissance • Het Gulden Cabinet • Medallions • Rayonism • Seicento painting • Dance • Computer art • Viral • Hybrid space • Pigments • Bologna, gentry (XVI-XVII cent • Alterity • Manfrin, Girolamo • ) • Diagram • Italian Art Literature • Abstraction • Optics • Ornament • Art • Proportions • Landscape • Still Life in Italy • Writing • Cyborg • Michelangelo Cerquozzi • Poussin • Mario dei Fiori • Zaccolini • Francesco Noletti • Bologna, accademia dei Gelati • Biographical Cameos • Mathematics • Neoplatonism • Scenography • Drawing instruments • Movement • Theriomorphism • Electronic disobedience • Grechetto • Paintings • Digital image • Gesture • Planisphere • Hybridisation • Recipes • Tactical media • Busts • Pastel practice • Science • Vitruvius • Anamorphosis • Ownership marks • Cornelis De Bie • Venice • Anthropocene • Russian Avant-garde • Eighteenth century • David De Coninck • Neapolitan Collections • Mutation • Cryptography • Flemish Sources • Book Collecting • Print Collecting • Infection • Contemporary Art • Light and shadow • Security • Architectural drawing • Linear perspective • Technology • Ideography • Scientific knowledge • Posthumanism • Science Treatises • Mikhail Larionov • Portraits • Form • New media art • Pieter Boel • Galleria Manfrin • Software

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua it, en, fr

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