Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Mario dei Fiori • Technology • Italian Art Literature • Digital image • Contemporary Art • Hybrid space • Abstraction • Russian Avant-garde • Vitruvius • Mikhail Larionov • Medallions • Dance • Bologna, accademia dei Gelati • ) • Form • Optics • Software • Science • Computer art • Ideography • Busts • Planisphere • Biographical Cameos • Portraits • Proportions • Tactical media • Pieter Boel • Science Treatises • Scenography • Anthropocene • Venice • Anamorphosis • Electronic disobedience • Theriomorphism • Ownership marks • New media art • Still Life in Italy • Flemish Sources • Zaccolini • Renaissance • Mutation • Manfrin, Girolamo • Seicento painting • Rayonism • Recipes • Het Gulden Cabinet • Movement • Cryptography • Poussin • Scientific knowledge • Neapolitan Collections • Bologna, gentry (XVI-XVII cent • Pigments • Diagram • Galleria Manfrin • Security • Art • Mathematics • Book Collecting • Drawing instruments • Eighteenth century • Paintings • Neoplatonism • Francesco Noletti • Ornament • Viral • Infection • Landscape • Architectural drawing • David De Coninck • Linear perspective • Writing • Michelangelo Cerquozzi • Cyborg • Print Collecting • Pastel practice • Grechetto • Gesture • Posthumanism • Cornelis De Bie • Alterity • Hybridisation • Light and shadow

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua it, en, fr

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