Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Vitruvius • Russian Avant-garde • Cryptography • Renaissance • Abstraction • Scientific knowledge • ) • Poussin • Anthropocene • Drawing instruments • Cornelis De Bie • Ownership marks • Contemporary Art • Art • Mutation • Rayonism • Print Collecting • Italian Art Literature • Computer art • Neapolitan Collections • Diagram • Venice • Bologna, gentry (XVI-XVII cent • Het Gulden Cabinet • Writing • Manfrin, Girolamo • Mario dei Fiori • Zaccolini • Michelangelo Cerquozzi • Dance • Still Life in Italy • Hybridisation • Book Collecting • Flemish Sources • Pastel practice • Electronic disobedience • Biographical Cameos • Viral • Proportions • Form • Light and shadow • Gesture • Cyborg • Optics • David De Coninck • Software • Technology • Planisphere • New media art • Alterity • Pigments • Medallions • Eighteenth century • Hybrid space • Digital image • Science • Bologna, accademia dei Gelati • Landscape • Busts • Linear perspective • Neoplatonism • Mathematics • Architectural drawing • Anamorphosis • Tactical media • Posthumanism • Movement • Paintings • Portraits • Ornament • Mikhail Larionov • Security • Grechetto • Scenography • Theriomorphism • Galleria Manfrin • Ideography • Infection • Francesco Noletti • Pieter Boel • Science Treatises • Seicento painting • Recipes

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua en, fr, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.