Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Contemporary dance • Ottoman Sultans • Punctum/studium • Museum Studies • Portraits • Gradenigo, Pietro • Guardi, Antonio • Re-enactment • Open work • Copy/original • Farsetti, Daniele • Filippo Baldinucci • Painting • Reconstruction • Collective work • ‘Second original’ • Dance • Visual semiotics • Letters • Race • Aura • Copy • Copying • Originals/Copies • Diana and Callisto • Score • Theory of art • Eighteenth century • Farsetti Collection • Photography • Multiples • Collecting • Muletti, Sebastiano • Originality • Medici’s dynasty • Performance • Daniel Arasse • Original • Paintings collecting • Postmodern dance • Ovid’s Metamorphoses • Art copies • Details • Contemporary art • Programmed art • Venice • Alexander Dorner • Ephemerality • Geometric dance • Copyright law • History of collecting • Fake • Theory • Seriality • Weimar Art Theory • Hamburger Faksimile-Streit • Titian • Paolo Giovio • Rubens • Museum • Italian art literature

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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