Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Fake • Programmed art • Eighteenth century • Ephemerality • Hamburger Faksimile-Streit • Performance • Portraits • Alexander Dorner • Farsetti Collection • Muletti, Sebastiano • Museum • Art copies • Paolo Giovio • Titian • Gradenigo, Pietro • Original • Filippo Baldinucci • Reconstruction • Venice • Weimar Art Theory • Open work • Contemporary art • Italian art literature • Postmodern dance • Originals/Copies • Collective work • Originality • Geometric dance • Collecting • Theory • Seriality • History of collecting • Dance • Medici’s dynasty • Ovid’s Metamorphoses • Farsetti, Daniele • Race • Punctum/studium • Details • Museum Studies • Multiples • ‘Second original’ • Rubens • Ottoman Sultans • Painting • Diana and Callisto • Photography • Copying • Daniel Arasse • Guardi, Antonio • Re-enactment • Theory of art • Copy/original • Paintings collecting • Visual semiotics • Contemporary dance • Copyright law • Score • Copy • Letters • Aura

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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