Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Seriality • Collective work • Theory of art • Alexander Dorner • Hamburger Faksimile-Streit • Race • ‘Second original’ • Performance • Visual semiotics • Multiples • Geometric dance • Postmodern dance • Guardi, Antonio • Theory • Art copies • Collecting • Farsetti Collection • Daniel Arasse • Originality • Punctum/studium • Venice • Ovid’s Metamorphoses • Paintings collecting • Score • Gradenigo, Pietro • Italian art literature • Dance • Portraits • Medici’s dynasty • Museum Studies • Weimar Art Theory • Ephemerality • Contemporary art • Museum • Copy • History of collecting • Original • Copying • Farsetti, Daniele • Filippo Baldinucci • Titian • Paolo Giovio • Aura • Fake • Rubens • Ottoman Sultans • Copy/original • Painting • Letters • Photography • Reconstruction • Programmed art • Copyright law • Contemporary dance • Muletti, Sebastiano • Re-enactment • Details • Eighteenth century • Originals/Copies • Open work • Diana and Callisto

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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