Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Alexander Dorner • Re-enactment • Guardi, Antonio • Diana and Callisto • Italian art literature • Reconstruction • Weimar Art Theory • Original • Ovid’s Metamorphoses • History of collecting • Details • Copy • Performance • Theory • Gradenigo, Pietro • Paolo Giovio • Venice • Art copies • Originality • Muletti, Sebastiano • Open work • Originals/Copies • Painting • Copyright law • Portraits • Ottoman Sultans • Collective work • Visual semiotics • Farsetti, Daniele • Geometric dance • Museum • Theory of art • Letters • Medici’s dynasty • Seriality • Multiples • Eighteenth century • Programmed art • Copying • Dance • Paintings collecting • Postmodern dance • ‘Second original’ • Ephemerality • Photography • Score • Punctum/studium • Contemporary art • Copy/original • Rubens • Contemporary dance • Hamburger Faksimile-Streit • Museum Studies • Fake • Collecting • Titian • Aura • Filippo Baldinucci • Daniel Arasse • Farsetti Collection • Race

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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