Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Titian • Diana and Callisto • Paintings collecting • Seriality • Weimar Art Theory • Ephemerality • Filippo Baldinucci • Multiples • Art copies • Performance • Copy • Dance • Punctum/studium • Geometric dance • ‘Second original’ • Copyright law • Guardi, Antonio • Fake • Gradenigo, Pietro • Originals/Copies • Postmodern dance • Race • Eighteenth century • Rubens • Daniel Arasse • Contemporary dance • Alexander Dorner • Farsetti Collection • Collective work • Italian art literature • Visual semiotics • Collecting • Ottoman Sultans • Copy/original • Contemporary art • Medici’s dynasty • Ovid’s Metamorphoses • Portraits • Muletti, Sebastiano • Programmed art • Theory of art • Details • History of collecting • Originality • Museum Studies • Painting • Original • Photography • Venice • Re-enactment • Score • Theory • Farsetti, Daniele • Reconstruction • Aura • Paolo Giovio • Hamburger Faksimile-Streit • Open work • Letters • Copying • Museum

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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