Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Collecting • Originals/Copies • Ottoman Sultans • Art copies • Painting • Weimar Art Theory • Ovid’s Metamorphoses • Copyright law • Farsetti, Daniele • Geometric dance • Contemporary art • Alexander Dorner • Aura • Collective work • Portraits • Theory of art • Visual semiotics • Copy/original • Programmed art • Photography • Muletti, Sebastiano • Paintings collecting • Hamburger Faksimile-Streit • Diana and Callisto • Museum Studies • Performance • Filippo Baldinucci • Multiples • Dance • Daniel Arasse • Contemporary dance • Fake • Venice • Punctum/studium • Seriality • Medici’s dynasty • Italian art literature • Race • Details • Open work • ‘Second original’ • Eighteenth century • History of collecting • Reconstruction • Copy • Postmodern dance • Score • Paolo Giovio • Copying • Museum • Ephemerality • Gradenigo, Pietro • Re-enactment • Theory • Titian • Farsetti Collection • Rubens • Letters • Guardi, Antonio • Original • Originality

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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