Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Collective work • Weimar Art Theory • Contemporary art • Eighteenth century • Aura • Museum • Copying • Details • Italian art literature • Ovid’s Metamorphoses • Ephemerality • Open work • Originality • Performance • Museum Studies • Postmodern dance • Venice • Multiples • Ottoman Sultans • Reconstruction • Visual semiotics • Score • Programmed art • Punctum/studium • Filippo Baldinucci • Farsetti, Daniele • Paintings collecting • Portraits • Original • Alexander Dorner • Letters • Dance • Re-enactment • Medici’s dynasty • Theory of art • Contemporary dance • Geometric dance • Rubens • Painting • Fake • Titian • History of collecting • Diana and Callisto • Seriality • Theory • Guardi, Antonio • Muletti, Sebastiano • Art copies • Collecting • Gradenigo, Pietro • Farsetti Collection • Photography • Copyright law • Copy/original • Paolo Giovio • Race • Originals/Copies • Daniel Arasse • Copy • Hamburger Faksimile-Streit • ‘Second original’

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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