Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Letters • Programmed art • Theory of art • Eighteenth century • Punctum/studium • Race • Paolo Giovio • Multiples • Weimar Art Theory • Theory • Muletti, Sebastiano • Reconstruction • Aura • Diana and Callisto • Art copies • Contemporary art • Photography • Farsetti Collection • Open work • Portraits • Collective work • Copy/original • Seriality • Filippo Baldinucci • Museum • ‘Second original’ • Original • Copyright law • Ovid’s Metamorphoses • Medici’s dynasty • Copy • Ottoman Sultans • Score • Venice • Titian • Contemporary dance • Copying • Postmodern dance • Re-enactment • History of collecting • Daniel Arasse • Gradenigo, Pietro • Italian art literature • Painting • Dance • Guardi, Antonio • Alexander Dorner • Fake • Details • Farsetti, Daniele • Hamburger Faksimile-Streit • Originality • Rubens • Ephemerality • Visual semiotics • Geometric dance • Paintings collecting • Originals/Copies • Performance • Museum Studies • Collecting

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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