Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Copy • Gradenigo, Pietro • Multiples • Farsetti, Daniele • Originals/Copies • Postmodern dance • Dance • Open work • Aura • Ottoman Sultans • Programmed art • Reconstruction • Contemporary dance • Score • Punctum/studium • Geometric dance • Paolo Giovio • Theory of art • Copy/original • Art copies • Ovid’s Metamorphoses • Portraits • Medici’s dynasty • Theory • Alexander Dorner • Contemporary art • Diana and Callisto • Italian art literature • Originality • Paintings collecting • Titian • Fake • Filippo Baldinucci • Guardi, Antonio • Venice • Weimar Art Theory • Collecting • Hamburger Faksimile-Streit • Eighteenth century • Ephemerality • Letters • Rubens • Re-enactment • Farsetti Collection • History of collecting • Race • Seriality • Visual semiotics • Muletti, Sebastiano • Performance • Daniel Arasse • Museum Studies • Painting • ‘Second original’ • Copyright law • Original • Details • Copying • Museum • Photography • Collective work

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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