Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Venice • Fake • Programmed art • Theory of art • Collective work • Performance • Re-enactment • Eighteenth century • Copy/original • Originality • Diana and Callisto • Museum Studies • Farsetti, Daniele • Filippo Baldinucci • History of collecting • Rubens • ‘Second original’ • Daniel Arasse • Race • Details • Letters • Multiples • Painting • Aura • Contemporary dance • Theory • Contemporary art • Art copies • Museum • Visual semiotics • Ephemerality • Open work • Dance • Geometric dance • Hamburger Faksimile-Streit • Paolo Giovio • Farsetti Collection • Score • Gradenigo, Pietro • Guardi, Antonio • Italian art literature • Weimar Art Theory • Copyright law • Collecting • Photography • Medici’s dynasty • Ovid’s Metamorphoses • Postmodern dance • Titian • Ottoman Sultans • Alexander Dorner • Copy • Paintings collecting • Seriality • Copying • Muletti, Sebastiano • Original • Portraits • Punctum/studium • Reconstruction • Originals/Copies

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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