Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Copy • Museum Studies • Paintings collecting • Re-enactment • Score • Weimar Art Theory • Art copies • Filippo Baldinucci • Programmed art • Dance • Letters • Originals/Copies • Ephemerality • Alexander Dorner • Museum • Original • Portraits • Eighteenth century • Farsetti, Daniele • Daniel Arasse • Fake • Copy/original • Farsetti Collection • Open work • Collecting • Rubens • Contemporary art • Theory • Punctum/studium • Gradenigo, Pietro • ‘Second original’ • Multiples • Paolo Giovio • Medici’s dynasty • Photography • Performance • Reconstruction • Race • Ottoman Sultans • Geometric dance • Theory of art • Venice • Painting • Guardi, Antonio • Copying • Italian art literature • Copyright law • Hamburger Faksimile-Streit • Titian • Originality • Postmodern dance • Seriality • Ovid’s Metamorphoses • Aura • Details • Collective work • Contemporary dance • Diana and Callisto • Muletti, Sebastiano • History of collecting • Visual semiotics

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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