Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Daniel Arasse • Painting • Italian art literature • Ovid’s Metamorphoses • Alexander Dorner • Theory of art • Guardi, Antonio • Rubens • Punctum/studium • Copying • Geometric dance • Weimar Art Theory • Open work • Muletti, Sebastiano • Re-enactment • History of collecting • Gradenigo, Pietro • Race • Visual semiotics • Copy/original • Eighteenth century • Multiples • Originals/Copies • Venice • Medici’s dynasty • Photography • ‘Second original’ • Score • Postmodern dance • Ottoman Sultans • Paolo Giovio • Museum • Contemporary art • Collective work • Theory • Reconstruction • Aura • Dance • Diana and Callisto • Filippo Baldinucci • Ephemerality • Hamburger Faksimile-Streit • Portraits • Titian • Museum Studies • Collecting • Details • Paintings collecting • Performance • Originality • Original • Farsetti Collection • Fake • Copy • Programmed art • Letters • Seriality • Contemporary dance • Farsetti, Daniele • Art copies • Copyright law

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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