Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Collective work • Guardi, Antonio • Open work • Visual semiotics • ‘Second original’ • Museum Studies • Originality • Ovid’s Metamorphoses • Letters • History of collecting • Filippo Baldinucci • Copying • Fake • Reconstruction • Copyright law • Weimar Art Theory • Alexander Dorner • Hamburger Faksimile-Streit • Paintings collecting • Score • Postmodern dance • Punctum/studium • Theory of art • Multiples • Geometric dance • Details • Titian • Italian art literature • Originals/Copies • Rubens • Ephemerality • Painting • Medici’s dynasty • Gradenigo, Pietro • Daniel Arasse • Theory • Diana and Callisto • Aura • Farsetti, Daniele • Museum • Ottoman Sultans • Copy • Eighteenth century • Muletti, Sebastiano • Dance • Farsetti Collection • Performance • Race • Contemporary art • Contemporary dance • Copy/original • Seriality • Photography • Re-enactment • Portraits • Venice • Programmed art • Paolo Giovio • Art copies • Collecting • Original

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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