Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Farsetti, Daniele • Photography • Theory of art • Original • Alexander Dorner • Aura • Dance • Medici’s dynasty • Muletti, Sebastiano • Collecting • Ovid’s Metamorphoses • Paolo Giovio • Ottoman Sultans • Filippo Baldinucci • Copyright law • Contemporary dance • Gradenigo, Pietro • Originals/Copies • Venice • Painting • Copy/original • Programmed art • Eighteenth century • Contemporary art • Details • Copying • Multiples • Theory • Diana and Callisto • Weimar Art Theory • Letters • Copy • Art copies • Visual semiotics • Fake • Ephemerality • Hamburger Faksimile-Streit • Daniel Arasse • Portraits • Open work • Rubens • History of collecting • Guardi, Antonio • Originality • Race • Geometric dance • Performance • Score • Italian art literature • Re-enactment • Museum Studies • Seriality • ‘Second original’ • Postmodern dance • Reconstruction • Collective work • Paintings collecting • Punctum/studium • Titian • Museum • Farsetti Collection

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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