Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Farsetti, Daniele • Gradenigo, Pietro • Art copies • Copyright law • Weimar Art Theory • Daniel Arasse • Diana and Callisto • Reconstruction • Ovid’s Metamorphoses • Hamburger Faksimile-Streit • Seriality • Collecting • Copy/original • Score • Re-enactment • Geometric dance • Contemporary dance • Ephemerality • Farsetti Collection • Multiples • Painting • Museum • Originality • Visual semiotics • Muletti, Sebastiano • Contemporary art • Details • Originals/Copies • Race • History of collecting • Postmodern dance • Rubens • Titian • Aura • Venice • Dance • ‘Second original’ • Ottoman Sultans • Paintings collecting • Copy • Open work • Fake • Alexander Dorner • Performance • Theory of art • Copying • Italian art literature • Museum Studies • Eighteenth century • Punctum/studium • Theory • Collective work • Filippo Baldinucci • Portraits • Letters • Paolo Giovio • Photography • Original • Programmed art • Medici’s dynasty • Guardi, Antonio

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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