Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Originals/Copies • Contemporary art • Alexander Dorner • Collecting • Guardi, Antonio • Venice • Race • Photography • Rubens • Punctum/studium • Copy/original • History of collecting • Museum Studies • Open work • Re-enactment • Theory • Eighteenth century • Ephemerality • Performance • Paintings collecting • Fake • Copying • Daniel Arasse • Programmed art • Theory of art • Aura • Geometric dance • Postmodern dance • Reconstruction • Copyright law • Filippo Baldinucci • Contemporary dance • Diana and Callisto • Letters • Museum • Ovid’s Metamorphoses • Farsetti, Daniele • Ottoman Sultans • Weimar Art Theory • Hamburger Faksimile-Streit • Painting • Score • Paolo Giovio • Visual semiotics • ‘Second original’ • Italian art literature • Medici’s dynasty • Portraits • Gradenigo, Pietro • Originality • Seriality • Collective work • Art copies • Muletti, Sebastiano • Copy • Dance • Multiples • Original • Details • Titian • Farsetti Collection

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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