Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Theriomorphism • Zaccolini • Mathematics • Flemish Sources • Recipes • Drawing instruments • Italian Art Literature • Viral • Neapolitan Collections • Pastel practice • Paintings • Vitruvius • Infection • Eighteenth century • Seicento painting • Cornelis De Bie • Ownership marks • Form • New media art • Contemporary Art • Medallions • Bologna, accademia dei Gelati • Print Collecting • Landscape • Technology • Ideography • ) • Michelangelo Cerquozzi • Hybridisation • Dance • Het Gulden Cabinet • Still Life in Italy • David De Coninck • Ornament • Science • Alterity • Mutation • Abstraction • Mario dei Fiori • Architectural drawing • Science Treatises • Scenography • Venice • Linear perspective • Computer art • Art • Russian Avant-garde • Portraits • Tactical media • Grechetto • Poussin • Anthropocene • Security • Gesture • Bologna, gentry (XVI-XVII cent • Biographical Cameos • Pieter Boel • Busts • Light and shadow • Manfrin, Girolamo • Francesco Noletti • Neoplatonism • Planisphere • Writing • Hybrid space • Diagram • Digital image • Scientific knowledge • Electronic disobedience • Anamorphosis • Renaissance • Cryptography • Cyborg • Galleria Manfrin • Software • Pigments • Posthumanism • Optics • Movement • Book Collecting • Rayonism • Mikhail Larionov • Proportions

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

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