Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Cyborg • Ideography • Venice • Movement • Bologna, accademia dei Gelati • Galleria Manfrin • Linear perspective • Anthropocene • Computer art • Software • Art • Anamorphosis • Grechetto • Electronic disobedience • Proportions • Diagram • Flemish Sources • Optics • Dance • Rayonism • Bologna, gentry (XVI-XVII cent • Recipes • Ornament • Contemporary Art • Landscape • Paintings • Ownership marks • Pigments • Hybridisation • ) • Cornelis De Bie • Tactical media • Poussin • Michelangelo Cerquozzi • Digital image • Mikhail Larionov • David De Coninck • Mutation • Gesture • Posthumanism • Science Treatises • Pieter Boel • Busts • Renaissance • Science • Still Life in Italy • Form • Mathematics • Neapolitan Collections • Mario dei Fiori • Seicento painting • Biographical Cameos • Security • Scientific knowledge • Light and shadow • Zaccolini • Italian Art Literature • Portraits • Technology • Francesco Noletti • Writing • Vitruvius • Drawing instruments • Book Collecting • Hybrid space • Cryptography • New media art • Russian Avant-garde • Abstraction • Architectural drawing • Eighteenth century • Het Gulden Cabinet • Scenography • Manfrin, Girolamo • Planisphere • Print Collecting • Viral • Neoplatonism • Pastel practice • Alterity • Infection • Medallions • Theriomorphism

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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