Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Cornelis De Bie • Light and shadow • Science Treatises • Neapolitan Collections • Poussin • Portraits • Abstraction • Digital image • Art • Software • Proportions • Mario dei Fiori • Architectural drawing • Planisphere • Italian Art Literature • Contemporary Art • Rayonism • Het Gulden Cabinet • Form • Technology • Infection • Computer art • Electronic disobedience • Russian Avant-garde • Posthumanism • Book Collecting • Vitruvius • Grechetto • Flemish Sources • Bologna, gentry (XVI-XVII cent • Science • Bologna, accademia dei Gelati • Eighteenth century • Scenography • Print Collecting • ) • Alterity • Manfrin, Girolamo • New media art • Recipes • Optics • Scientific knowledge • Hybrid space • Medallions • Ownership marks • Dance • Pastel practice • Pigments • Tactical media • Drawing instruments • Neoplatonism • Landscape • Renaissance • Viral • Ornament • Cryptography • Movement • Ideography • Zaccolini • Mathematics • Writing • Pieter Boel • Venice • Michelangelo Cerquozzi • Linear perspective • Security • Biographical Cameos • Gesture • David De Coninck • Hybridisation • Still Life in Italy • Anamorphosis • Diagram • Mikhail Larionov • Seicento painting • Cyborg • Paintings • Galleria Manfrin • Francesco Noletti • Theriomorphism • Mutation • Busts • Anthropocene

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, en, fr

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