Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Renaissance • Het Gulden Cabinet • Medallions • Rayonism • Seicento painting • Dance • Computer art • Viral • Hybrid space • Pigments • Bologna, gentry (XVI-XVII cent • Alterity • Manfrin, Girolamo • ) • Diagram • Italian Art Literature • Abstraction • Optics • Ornament • Art • Proportions • Landscape • Still Life in Italy • Writing • Cyborg • Michelangelo Cerquozzi • Poussin • Mario dei Fiori • Zaccolini • Francesco Noletti • Bologna, accademia dei Gelati • Biographical Cameos • Mathematics • Neoplatonism • Scenography • Drawing instruments • Movement • Theriomorphism • Electronic disobedience • Grechetto • Paintings • Digital image • Gesture • Planisphere • Hybridisation • Recipes • Tactical media • Busts • Pastel practice • Science • Vitruvius • Anamorphosis • Ownership marks • Cornelis De Bie • Venice • Anthropocene • Russian Avant-garde • Eighteenth century • David De Coninck • Neapolitan Collections • Mutation • Cryptography • Flemish Sources • Book Collecting • Print Collecting • Infection • Contemporary Art • Light and shadow • Security • Architectural drawing • Linear perspective • Technology • Ideography • Scientific knowledge • Posthumanism • Science Treatises • Mikhail Larionov • Portraits • Form • New media art • Pieter Boel • Galleria Manfrin • Software

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, en, fr

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.