Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Software • Hybridisation • Hybrid space • Flemish Sources • Print Collecting • Cornelis De Bie • Tactical media • Abstraction • ) • Seicento painting • Scientific knowledge • Ornament • Mutation • Gesture • Form • Linear perspective • Bologna, accademia dei Gelati • Art • Poussin • Pastel practice • Rayonism • Still Life in Italy • Theriomorphism • Light and shadow • Michelangelo Cerquozzi • Proportions • Ideography • Russian Avant-garde • Computer art • Ownership marks • Vitruvius • Electronic disobedience • Venice • Galleria Manfrin • Grechetto • Architectural drawing • Paintings • Het Gulden Cabinet • Neoplatonism • Optics • New media art • Mario dei Fiori • Recipes • Francesco Noletti • Landscape • Pigments • Cryptography • David De Coninck • Eighteenth century • Technology • Writing • Italian Art Literature • Movement • Portraits • Science Treatises • Scenography • Manfrin, Girolamo • Security • Biographical Cameos • Infection • Renaissance • Bologna, gentry (XVI-XVII cent • Pieter Boel • Book Collecting • Science • Contemporary Art • Neapolitan Collections • Viral • Cyborg • Drawing instruments • Digital image • Anthropocene • Alterity • Zaccolini • Dance • Medallions • Anamorphosis • Posthumanism • Diagram • Mikhail Larionov • Mathematics • Planisphere • Busts

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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