Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Posthumanism • Recipes • Science • Ownership marks • Viral • Cryptography • Scenography • Russian Avant-garde • Flemish Sources • Dance • Abstraction • Ideography • Venice • Digital image • Francesco Noletti • Science Treatises • Busts • Eighteenth century • Mario dei Fiori • Contemporary Art • Light and shadow • Planisphere • Infection • Theriomorphism • Scientific knowledge • Neoplatonism • Hybridisation • Het Gulden Cabinet • Ornament • Linear perspective • Form • Mathematics • Poussin • Paintings • Italian Art Literature • Cornelis De Bie • Writing • ) • Pieter Boel • Michelangelo Cerquozzi • Anamorphosis • Computer art • Security • Grechetto • Hybrid space • Print Collecting • Tactical media • Biographical Cameos • Pastel practice • Movement • Bologna, gentry (XVI-XVII cent • Portraits • Pigments • Medallions • Bologna, accademia dei Gelati • New media art • Cyborg • Art • Drawing instruments • Optics • Mutation • Mikhail Larionov • Electronic disobedience • Architectural drawing • David De Coninck • Galleria Manfrin • Seicento painting • Diagram • Manfrin, Girolamo • Proportions • Rayonism • Still Life in Italy • Alterity • Neapolitan Collections • Book Collecting • Gesture • Anthropocene • Software • Renaissance • Technology • Vitruvius • Zaccolini • Landscape

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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