Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Vitruvius • Russian Avant-garde • Cryptography • Renaissance • Abstraction • Scientific knowledge • ) • Poussin • Anthropocene • Drawing instruments • Cornelis De Bie • Ownership marks • Contemporary Art • Art • Mutation • Rayonism • Print Collecting • Italian Art Literature • Computer art • Neapolitan Collections • Diagram • Venice • Bologna, gentry (XVI-XVII cent • Het Gulden Cabinet • Writing • Manfrin, Girolamo • Mario dei Fiori • Zaccolini • Michelangelo Cerquozzi • Dance • Still Life in Italy • Hybridisation • Book Collecting • Flemish Sources • Pastel practice • Electronic disobedience • Biographical Cameos • Viral • Proportions • Form • Light and shadow • Gesture • Cyborg • Optics • David De Coninck • Software • Technology • Planisphere • New media art • Alterity • Pigments • Medallions • Eighteenth century • Hybrid space • Digital image • Science • Bologna, accademia dei Gelati • Landscape • Busts • Linear perspective • Neoplatonism • Mathematics • Architectural drawing • Anamorphosis • Tactical media • Posthumanism • Movement • Paintings • Portraits • Ornament • Mikhail Larionov • Security • Grechetto • Scenography • Theriomorphism • Galleria Manfrin • Ideography • Infection • Francesco Noletti • Pieter Boel • Science Treatises • Seicento painting • Recipes

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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