Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Optics • Cryptography • Francesco Noletti • Bologna, gentry (XVI-XVII cent • Mikhail Larionov • Ownership marks • Paintings • Eighteenth century • Infection • Architectural drawing • Scenography • Diagram • ) • Electronic disobedience • Science Treatises • Hybrid space • Tactical media • Hybridisation • Mario dei Fiori • Gesture • Art • Neapolitan Collections • Software • Posthumanism • Cyborg • Galleria Manfrin • Renaissance • Ornament • Michelangelo Cerquozzi • Zaccolini • Movement • Digital image • Het Gulden Cabinet • David De Coninck • Alterity • Recipes • Vitruvius • Neoplatonism • Contemporary Art • Biographical Cameos • Grechetto • Linear perspective • Book Collecting • Viral • Italian Art Literature • Science • Busts • Planisphere • Landscape • Russian Avant-garde • Abstraction • Form • Anthropocene • Medallions • Mutation • Dance • Light and shadow • Proportions • Scientific knowledge • New media art • Computer art • Cornelis De Bie • Writing • Portraits • Venice • Bologna, accademia dei Gelati • Rayonism • Flemish Sources • Technology • Pigments • Print Collecting • Still Life in Italy • Anamorphosis • Pastel practice • Security • Manfrin, Girolamo • Theriomorphism • Seicento painting • Pieter Boel • Ideography • Drawing instruments • Poussin • Mathematics

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

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