Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Optics • Bologna, gentry (XVI-XVII cent • New media art • Anamorphosis • Dance • Galleria Manfrin • Book Collecting • Scenography • Recipes • Seicento painting • Science Treatises • Het Gulden Cabinet • Neoplatonism • Ornament • Grechetto • Russian Avant-garde • Movement • Gesture • Tactical media • Electronic disobedience • Security • Anthropocene • Mutation • Neapolitan Collections • Art • Writing • Diagram • Ideography • Mario dei Fiori • Infection • Pigments • Michelangelo Cerquozzi • Cyborg • Bologna, accademia dei Gelati • Eighteenth century • Landscape • Mathematics • Proportions • Still Life in Italy • Cornelis De Bie • Flemish Sources • Portraits • Poussin • Scientific knowledge • ) • Italian Art Literature • Alterity • Linear perspective • Francesco Noletti • Biographical Cameos • Pastel practice • Technology • Manfrin, Girolamo • Venice • Science • Drawing instruments • Posthumanism • Ownership marks • Abstraction • Planisphere • Renaissance • Viral • David De Coninck • Form • Architectural drawing • Computer art • Mikhail Larionov • Pieter Boel • Hybrid space • Contemporary Art • Rayonism • Cryptography • Light and shadow • Vitruvius • Paintings • Software • Theriomorphism • Print Collecting • Medallions • Zaccolini • Hybridisation • Busts • Digital image

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.