Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Printmaking • Prospero Clemente • Costume • Models • Iconology • Body movements • Nijinsky • Ornamentation • Avant-garde • Biopolitic • Aesthetics and politics • Television • Symbolism • Soprano • Drawing • Film • Puer mingens • Revolutionary avant-garde • Devotion • Opera • Galindo • Stage • Louvre • Performance • Theatre • Performance Art • Skin • Emilia, Veneto • Marcantonio Magno • Anna Moffo • Performer • Plague • 1960s radicalism • Vanessa Beecroft • Andrea Mantegna • Abramović • Neo-avant-garde • Dance notations • Theatre and performance • Saint Sebastian • Body • Female • Franciscan saints • Gothic • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Fruition • Casts • Agamben • Nicoletto da Modena • Padua • La Salpêtrière • Illusion • Pordenone • Iconography • Russian ballet • Dance • Device • Cult

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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