Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Gothic • Pordenone • Revolutionary avant-garde • Marcantonio Magno • Avant-garde • Iconography • Emilia, Veneto • Dance • Skin • Body movements • Television • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Abramović • Illusion • Performance Art • Plague • Female • Vanessa Beecroft • Symbolism • Louvre • Casts • Franciscan saints • Cult • Ornamentation • Dance notations • Anna Moffo • Body • Drawing • Iconology • Nicoletto da Modena • Andrea Mantegna • La Salpêtrière • Russian ballet • Prospero Clemente • Stage • Theatre • Devotion • Nijinsky • Performance • Aesthetics and politics • Costume • Agamben • 1960s radicalism • Device • Biopolitic • Models • Opera • Puer mingens • Soprano • Saint Sebastian • Galindo • Film • Performer • Printmaking • Padua • Theatre and performance • Fruition • Neo-avant-garde

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.