Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Plague • Television • Andrea Mantegna • Costume • Performance Art • 1960s radicalism • Performance • Aesthetics and politics • Device • Marcantonio Magno • Russian ballet • Illusion • Film • Opera • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Franciscan saints • La Salpêtrière • Performer • Soprano • Louvre • Cult • Iconography • Agamben • Revolutionary avant-garde • Iconology • Puer mingens • Emilia, Veneto • Neo-avant-garde • Dance • Dance notations • Abramović • Female • Fruition • Anna Moffo • Galindo • Gothic • Models • Printmaking • Body movements • Prospero Clemente • Avant-garde • Nicoletto da Modena • Padua • Devotion • Vanessa Beecroft • Saint Sebastian • Stage • Symbolism • Casts • Biopolitic • Drawing • Pordenone • Theatre and performance • Body • Nijinsky • Theatre • Skin • Ornamentation

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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