Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Skin • Marcantonio Magno • Nicoletto da Modena • Opera • Fruition • Devotion • La Salpêtrière • Soprano • Printmaking • Theatre and performance • Illusion • Franciscan saints • Iconography • Iconology • Television • Revolutionary avant-garde • Theatre • Pordenone • Dance • Neo-avant-garde • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Body • Aesthetics and politics • Louvre • Prospero Clemente • Agamben • Stage • Ornamentation • Female • Saint Sebastian • Avant-garde • Performer • Costume • 1960s radicalism • Nijinsky • Performance • Anna Moffo • Biopolitic • Drawing • Gothic • Device • Casts • Emilia, Veneto • Symbolism • Cult • Galindo • Padua • Models • Performance Art • Andrea Mantegna • Puer mingens • Plague • Vanessa Beecroft • Abramović • Body movements • Russian ballet • Film • Dance notations

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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