Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Drawing • Pordenone • Devotion • 1960s radicalism • Cult • Iconology • Prospero Clemente • Ornamentation • Illusion • Nijinsky • Television • La Salpêtrière • Dance • Abramović • Aesthetics and politics • Dance notations • Performer • Padua • Soprano • Costume • Symbolism • Theatre • Agamben • Louvre • Stage • Revolutionary avant-garde • Galindo • Skin • Neo-avant-garde • Female • Device • Performance Art • Theatre and performance • Nicoletto da Modena • Russian ballet • Vanessa Beecroft • Body • Opera • Avant-garde • Printmaking • Performance • Plague • Body movements • Franciscan saints • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Biopolitic • Saint Sebastian • Casts • Fruition • Puer mingens • Film • Andrea Mantegna • Emilia, Veneto • Gothic • Anna Moffo • Marcantonio Magno • Iconography • Models

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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