Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Anna Moffo • Marcantonio Magno • 1960s radicalism • Symbolism • Saint Sebastian • Nicoletto da Modena • Dance notations • Ornamentation • Skin • Printmaking • Gothic • Prospero Clemente • Stage • Film • Body • Body movements • Performance • Cult • Andrea Mantegna • Dance • Drawing • Franciscan saints • Performer • Soprano • Device • Iconography • Costume • Nijinsky • Biopolitic • Casts • La Salpêtrière • Performance Art • Puer mingens • Theatre • Padua • Models • Russian ballet • Aesthetics and politics • Illusion • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Abramović • Agamben • Devotion • Neo-avant-garde • Galindo • Opera • Revolutionary avant-garde • Vanessa Beecroft • Emilia, Veneto • Louvre • Fruition • Iconology • Avant-garde • Television • Theatre and performance • Female • Plague • Pordenone

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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