Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Film • Neo-avant-garde • Body movements • Saint Sebastian • Vanessa Beecroft • Avant-garde • Female • Aesthetics and politics • Dance • Padua • Symbolism • Biopolitic • Casts • Agamben • Theatre and performance • Russian ballet • Ornamentation • Nicoletto da Modena • Prospero Clemente • Gothic • Abramović • Device • Costume • Devotion • Pordenone • Performer • Models • Franciscan saints • Dance notations • Marcantonio Magno • Drawing • Printmaking • Skin • La Salpêtrière • Television • Emilia, Veneto • Body • Puer mingens • Louvre • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Cult • Revolutionary avant-garde • Andrea Mantegna • Theatre • Anna Moffo • 1960s radicalism • Iconology • Plague • Soprano • Opera • Performance • Stage • Iconography • Galindo • Fruition • Illusion • Nijinsky • Performance Art

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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