Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Models • Casts • Biopolitic • Female • Dance notations • Television • Marcantonio Magno • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Performance • Soprano • Theatre • Nicoletto da Modena • Drawing • Body • Aesthetics and politics • Skin • Gothic • Performance Art • Device • Iconology • Saint Sebastian • Franciscan saints • Film • Pordenone • Puer mingens • Ornamentation • La Salpêtrière • Avant-garde • Opera • Theatre and performance • Dance • Costume • Performer • Galindo • Cult • Agamben • Fruition • Illusion • Louvre • Prospero Clemente • Padua • Anna Moffo • Russian ballet • Iconography • 1960s radicalism • Nijinsky • Neo-avant-garde • Printmaking • Abramović • Revolutionary avant-garde • Plague • Body movements • Devotion • Symbolism • Vanessa Beecroft • Stage • Emilia, Veneto • Andrea Mantegna

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

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