Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Symbolism • Agamben • Performer • La Salpêtrière • Drawing • Vanessa Beecroft • Anna Moffo • Body movements • Performance • Costume • Ornamentation • Soprano • Performance Art • Padua • Illusion • Female • Skin • 1960s radicalism • Andrea Mantegna • Printmaking • Nicoletto da Modena • Opera • Body • Abramović • Cult • Fruition • Neo-avant-garde • Avant-garde • Plague • Russian ballet • Television • Prospero Clemente • Biopolitic • Puer mingens • Louvre • Dance notations • Stage • Dance • Saint Sebastian • Iconography • Iconology • Devotion • Nijinsky • Theatre and performance • Gothic • Models • Franciscan saints • Pordenone • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Revolutionary avant-garde • Emilia, Veneto • Casts • Aesthetics and politics • Galindo • Film • Device • Theatre • Marcantonio Magno

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

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