Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Franciscan saints • Cult • Body • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Female • Costume • Devotion • Models • Printmaking • Prospero Clemente • Agamben • Body movements • Pordenone • Nicoletto da Modena • Emilia, Veneto • Revolutionary avant-garde • Galindo • Illusion • Device • Symbolism • Performer • 1960s radicalism • Iconology • Skin • La Salpêtrière • Dance notations • Film • Anna Moffo • Opera • Performance Art • Casts • Russian ballet • Padua • Avant-garde • Louvre • Dance • Performance • Gothic • Neo-avant-garde • Biopolitic • Marcantonio Magno • Puer mingens • Plague • Stage • Ornamentation • Saint Sebastian • Abramović • Theatre and performance • Vanessa Beecroft • Television • Soprano • Drawing • Fruition • Iconography • Aesthetics and politics • Theatre • Andrea Mantegna • Nijinsky

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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