Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Gothic • Pordenone • Revolutionary avant-garde • Marcantonio Magno • Avant-garde • Iconography • Emilia, Veneto • Dance • Skin • Body movements • Television • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Abramović • Illusion • Performance Art • Plague • Female • Vanessa Beecroft • Symbolism • Louvre • Casts • Franciscan saints • Cult • Ornamentation • Dance notations • Anna Moffo • Body • Drawing • Iconology • Nicoletto da Modena • Andrea Mantegna • La Salpêtrière • Russian ballet • Prospero Clemente • Stage • Theatre • Devotion • Nijinsky • Performance • Aesthetics and politics • Costume • Agamben • 1960s radicalism • Device • Biopolitic • Models • Opera • Puer mingens • Soprano • Saint Sebastian • Galindo • Film • Performer • Printmaking • Padua • Theatre and performance • Fruition • Neo-avant-garde

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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