Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Plague • Television • Andrea Mantegna • Costume • Performance Art • 1960s radicalism • Performance • Aesthetics and politics • Device • Marcantonio Magno • Russian ballet • Illusion • Film • Opera • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Franciscan saints • La Salpêtrière • Performer • Soprano • Louvre • Cult • Iconography • Agamben • Revolutionary avant-garde • Iconology • Puer mingens • Emilia, Veneto • Neo-avant-garde • Dance • Dance notations • Abramović • Female • Fruition • Anna Moffo • Galindo • Gothic • Models • Printmaking • Body movements • Prospero Clemente • Avant-garde • Nicoletto da Modena • Padua • Devotion • Vanessa Beecroft • Saint Sebastian • Stage • Symbolism • Casts • Biopolitic • Drawing • Pordenone • Theatre and performance • Body • Nijinsky • Theatre • Skin • Ornamentation

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.