Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Galindo • Iconography • Marcantonio Magno • Padua • Plague • Body movements • 1960s radicalism • Saint Sebastian • Body • Cult • Television • Models • Nicoletto da Modena • Theatre • Skin • Theatre and performance • Puer mingens • Dance notations • Soprano • Drawing • Aesthetics and politics • Illusion • Performer • Pordenone • Nijinsky • Anna Moffo • Abramović • Device • Gothic • Agamben • Neo-avant-garde • Casts • Andrea Mantegna • Dance • Stage • Female • Franciscan saints • Printmaking • Vanessa Beecroft • Revolutionary avant-garde • Emilia, Veneto • Russian ballet • Performance Art • Opera • Performance • Symbolism • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Costume • Iconology • Avant-garde • Biopolitic • Ornamentation • Prospero Clemente • La Salpêtrière • Film • Louvre • Devotion • Fruition

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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