Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 29 | 2020
Articolo | From Vitruvius to the Science Of Drawing

From Vitruvius to the Science Of Drawing

Daniele Barbaro’s Concept of “Scaenographia”

Abstract

Daniele Barbaro’s treatise on perspective is one of the most authoritative technical-scientific sources of the sixteenth century. Although largely based on the unpublished work of Piero della Francesca, the treatise had the precise and original purpose of filling a gap in the Vitruvian text about the contents of the so-called ‘scaenographia’, a discipline based on optical geometry of which Vitruvius provided only meagre and sibylline words. The subdivision of the treatise, examined here into the individual parts that constitute it, follows a clearly Vitruvian structure, with the first three parts dedicated to ichnographia (perspective drawing of plans), orthographaia (perspective drawing of solid bodies) and scaenographia (perspective drawing of the buildings and their ornaments), and with two other parts specifically dedicated to the measurements of the human body and to the drawing of the planisphere, themes treated by Vitruvius respectively in the third and ninth books of De architectura. In this sense, La pratica della perspettiva, published in 1568, should be considered as an integral text of the most authoritative commentary on Vitruvius’ I Dieci libri dell’architettura, published in 1556 and 1567.


Open access | Peer reviewed

Presentato: 29 Luglio 2020 | Accettato: 07 Ottobre 2020 | Pubblicato 11 Dicembre 2020 | Lingua: en

Keywords PlanisphereLinear perspectiveProportionsScenographyVitruviusArchitectural drawingDrawing instrumentsAnamorphosis


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