Rivista | Venezia Arti
Fascicolo monografico | 29 | 2020
Articolo | Le diagramme en scène
Le diagramme en scène
Mouvement, geste et écriture
Abstract
From the diagram, which inscribes the line (διά-γράφειν), to the choreography (χορεία-γραφία), which inscribes the choir into the written form, we remark but a short step from the scène of the dance to the scène of the writing. The writing of dance, and likewise the writing of the body, makes the invisible visible within the movement. Bridging between notation, as capacity for mobilisation of new intuitions, and diagrammatization of forms and movements to compel the thought of new gestures, the diagram stands out as a scène or ‘picture’ whose axes (points, lines, arrows, circles, volumes…) simultaneously structure mobility in order to grasp the pulsating movement. The twentieth-century artistic avant-gardes will not remain indifferent to this ideography that, through leap and condensation, makes the materialization of the idea, the idea in the writing, possible.
Presentato: 06 Agosto 2020 | Accettato: 30 Agosto 2020 | Pubblicato 11 Dicembre 2020 | Lingua: fr
Keywords Movement • Dance • Writing • Ideography • Gesture • Diagram • Form
Copyright © 2020 Catherine Paoletti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2020/01/011
