Rivista | Venezia Arti
Fascicolo | 30 | 2021
Articolo | Le «copie-opere d’arte» di Antonio Guardi
Le «copie-opere d’arte» di Antonio Guardi
La commissione Gradenigo
Abstract
This article examines the copy of Paris Bordon’s Consegna dell’anello al doge painted by Antonio Guardi for the nobleman Pietro Gradenigo (1695-1776). The painting will be compared with other copies made by Guardi for Giovanni Paolo and Giovanni Benedetto Giovanelli, for Marshall Schulenburg and the Savorgnan family, in order to emphasise Guardi’s ability to translate masterpieces of other artists into his own language. It will also be highlighted how perfectly the Consegna dell’anello al doge fits into the collection of Gradenigo, who gathered in his palace paintings, sculptures and antiquities that documented the history of Venice and his family. This article looks into the possible contacts of Pietro Gradenigo with Antonio Guardi, starting from a newfound study of documents and the relationships of the nobleman with other scholars and Guardi’s patrons.
Presentato: 22 Luglio 2021 | Accettato: 23 Agosto 2021 | Pubblicato 21 Dicembre 2021 | Lingua: it
Keywords Painting • Gradenigo, Pietro • Copying • Guardi, Antonio • Collecting • Venice
Copyright © 2021 Chiara Bombardini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07/004
