Rivista | Venezia Arti
Fascicolo | 30 | 2021
Articolo | The Original – ‘Again’
The Original – ‘Again’
Historical and Contemporary Strategies for Writing and Re/Constructing Dance
Abstract
Writing and dance have been positioned by scholars in a contraposed play throughout the chronological period from the Renaissance to today: dancing begins when writing stops. Scholars have accused dance of ephemerality and have attempted to salvage it through notation. In postmodern and contemporary dance, some choreographers challenge traditional assumptions about the primacy and stability of text and documentation. They ‘write’ with dance in both conceptual and alphabetic ways, some exploring the dimension of race. This study tests theories by Mark Franko and André Lepecki through analysis of dance reenactment strategies and interventions by choreographers Trisha Brown and Christopher-Rasheem McMillan.
Presentato: 29 Giugno 2021 | Accettato: 19 Agosto 2021 | Pubblicato 21 Dicembre 2021 | Lingua: en
Keywords Dance • Performance • Postmodern dance • Re-enactment • Score • Contemporary dance • Copy • Race • Geometric dance • Ephemerality • Reconstruction • Original
Copyright © 2021 Margarita Delcheva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07/008
