L’archivio nomade
Il Disobedience Archive al Castello di Rivoli (2013)
Abstract
This article re-reads the Disobedience Archive through the notion of threshold at curatorial, institutional, and spatio-temporal levels. It posits the archive-as-device, activated differently by each display, and asks whether Rivoli’s parliamentary layout can turn the museum into a deliberative arena without neutralising dissent. By comparing it with, The Zoetrope (Venice Biennale, 2024), the paper examines how the shift to a spiral reshapes perception while preserving the archive’s nomadic, critical vocation and its genealogical, constellation-based logics.
Presentato: 08 Ottobre 2025 | Pubblicato 15 Dicembre 2025 | Lingua: it
Keywords Threshold • Genealogy • Temporality • Disobedience Archive • Moving-image
Copyright © 2025 Miriam Rejas Del Pino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01/008