Soglia | Threshold
open access | peer reviewedKeywords Immagini sacre • Late medieval art • Museums • Disobedience Archive • Frescoes • Renaissance perspective • Intarsia • Portali • Bastiani, Monopoli, Puglia • Religious alterity • Chiese veneziane • hortus conclusus • Split Cathedral • Christological narrative • Urban views • Annunciation • Magiciens de la terre, Global Art, Global Art Hist • Immersive art • Cain and Abel’s offering • Medieval Dalmatia • Threshold • Genealogy • Porta clausa • Chinese collections • Temporality • Missionary Collecting • Emilia-Romagna • Missionary exhibitions • Reenactment • Triumphal arch • Opening Madonna • William Henry Fox Talbot • Visual identity • Iscrizioni • Moving-image • Vierge ouvrante • Threshold symbolism • An-icon • Iconography • Image-making • Marin Sanudo • Choir stalls
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua en, fr, it
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