Soglia | Threshold
open access | peer reviewedKeywords Choir stalls • Reenactment • Chiese veneziane • Cain and Abel’s offering • Vierge ouvrante • Missionary Collecting • Bastiani, Monopoli, Puglia • An-icon • Annunciation • Magiciens de la terre, Global Art, Global Art Hist • Museums • Temporality • Genealogy • Iconography • Immersive art • Urban views • Intarsia • Iscrizioni • Marin Sanudo • Immagini sacre • Moving-image • Porta clausa • Visual identity • Religious alterity • Opening Madonna • Portali • Image-making • Threshold • Threshold symbolism • William Henry Fox Talbot • Disobedience Archive • Christological narrative • hortus conclusus • Emilia-Romagna • Split Cathedral • Chinese collections • Missionary exhibitions • Late medieval art • Medieval Dalmatia • Frescoes • Renaissance perspective • Triumphal arch
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, it, en
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