Soglia | Threshold
open access | peer reviewedKeywords Split Cathedral • Iconography • Genealogy • Intarsia • William Henry Fox Talbot • Chinese collections • Emilia-Romagna • Immersive art • Museums • Choir stalls • Urban views • Renaissance perspective • Reenactment • Cain and Abel’s offering • Late medieval art • Medieval Dalmatia • Annunciation • Porta clausa • Religious alterity • Chiese veneziane • Disobedience Archive • hortus conclusus • Christological narrative • An-icon • Magiciens de la terre, Global Art, Global Art Hist • Vierge ouvrante • Triumphal arch • Image-making • Threshold • Moving-image • Bastiani, Monopoli, Puglia • Immagini sacre • Missionary exhibitions • Opening Madonna • Visual identity • Frescoes • Temporality • Iscrizioni • Threshold symbolism • Marin Sanudo • Missionary Collecting • Portali
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, it, en
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