Soglia | Threshold
open access | peer reviewedKeywords Magiciens de la terre, Global Art, Global Art Hist • Chinese collections • Threshold symbolism • An-icon • Annunciation • Opening Madonna • hortus conclusus • Genealogy • Museums • Reenactment • Threshold • Bastiani, Monopoli, Puglia • Chiese veneziane • Immersive art • Intarsia • Iscrizioni • Vierge ouvrante • Moving-image • Urban views • Late medieval art • Emilia-Romagna • Visual identity • Image-making • Immagini sacre • Triumphal arch • Split Cathedral • Choir stalls • Religious alterity • Marin Sanudo • Temporality • Renaissance perspective • Porta clausa • Disobedience Archive • Iconography • Missionary exhibitions • William Henry Fox Talbot • Portali • Medieval Dalmatia • Cain and Abel’s offering • Missionary Collecting • Christological narrative • Frescoes
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua en, it, fr
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