Soglia | Threshold
open access | peer reviewedKeywords Vierge ouvrante • Image-making • Frescoes • Missionary Collecting • Reenactment • Iconography • Intarsia • Genealogy • Disobedience Archive • Chiese veneziane • Medieval Dalmatia • Museums • hortus conclusus • Choir stalls • Moving-image • Cain and Abel’s offering • Religious alterity • Renaissance perspective • Immagini sacre • Immersive art • Visual identity • Porta clausa • An-icon • Urban views • Temporality • Christological narrative • Missionary exhibitions • Late medieval art • Split Cathedral • Annunciation • Portali • William Henry Fox Talbot • Iscrizioni • Threshold • Emilia-Romagna • Bastiani, Monopoli, Puglia • Magiciens de la terre, Global Art, Global Art Hist • Opening Madonna • Triumphal arch • Threshold symbolism • Chinese collections • Marin Sanudo
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua it, en, fr
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