Soglia | Threshold
open access | peer reviewedKeywords Intarsia • Medieval Dalmatia • Visual identity • Immersive art • Missionary exhibitions • Missionary Collecting • Museums • Late medieval art • Split Cathedral • Opening Madonna • Iconography • Iscrizioni • Vierge ouvrante • Chiese veneziane • Porta clausa • Portali • Threshold symbolism • Reenactment • hortus conclusus • Disobedience Archive • Annunciation • Choir stalls • Genealogy • Immagini sacre • An-icon • Religious alterity • Marin Sanudo • Magiciens de la terre, Global Art, Global Art Hist • Threshold • Temporality • Renaissance perspective • Cain and Abel’s offering • Moving-image • Urban views • Chinese collections • Frescoes • Emilia-Romagna • Bastiani, Monopoli, Puglia • Image-making • William Henry Fox Talbot • Triumphal arch • Christological narrative
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
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