Soglia | Threshold
open access | peer reviewedKeywords Split Cathedral • Iconography • Genealogy • Intarsia • William Henry Fox Talbot • Chinese collections • Emilia-Romagna • Immersive art • Museums • Choir stalls • Urban views • Renaissance perspective • Reenactment • Cain and Abel’s offering • Late medieval art • Medieval Dalmatia • Annunciation • Porta clausa • Religious alterity • Chiese veneziane • Disobedience Archive • hortus conclusus • Christological narrative • An-icon • Magiciens de la terre, Global Art, Global Art Hist • Vierge ouvrante • Triumphal arch • Image-making • Threshold • Moving-image • Bastiani, Monopoli, Puglia • Immagini sacre • Missionary exhibitions • Opening Madonna • Visual identity • Frescoes • Temporality • Iscrizioni • Threshold symbolism • Marin Sanudo • Missionary Collecting • Portali
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.