Soglia | Threshold
open access | peer reviewedKeywords Christological narrative • Opening Madonna • Disobedience Archive • Chinese collections • Chiese veneziane • Visual identity • hortus conclusus • Missionary Collecting • Museums • Threshold symbolism • Medieval Dalmatia • An-icon • Late medieval art • Choir stalls • Bastiani, Monopoli, Puglia • Emilia-Romagna • Immersive art • Portali • Renaissance perspective • Threshold • William Henry Fox Talbot • Reenactment • Moving-image • Missionary exhibitions • Iscrizioni • Religious alterity • Image-making • Intarsia • Immagini sacre • Vierge ouvrante • Marin Sanudo • Cain and Abel’s offering • Triumphal arch • Split Cathedral • Urban views • Frescoes • Temporality • Genealogy • Magiciens de la terre, Global Art, Global Art Hist • Iconography • Annunciation • Porta clausa
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, en, it
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