Soglia | Threshold
open access | peer reviewedKeywords Vierge ouvrante • Cain and Abel’s offering • Portali • Split Cathedral • Bastiani, Monopoli, Puglia • Frescoes • Medieval Dalmatia • Intarsia • Missionary exhibitions • Chinese collections • Triumphal arch • Emilia-Romagna • Marin Sanudo • hortus conclusus • Genealogy • Religious alterity • Chiese veneziane • Renaissance perspective • Immersive art • Iscrizioni • William Henry Fox Talbot • Annunciation • Christological narrative • Missionary Collecting • Moving-image • Opening Madonna • Reenactment • Immagini sacre • Museums • Disobedience Archive • Image-making • Threshold • Porta clausa • Iconography • Threshold symbolism • Temporality • Late medieval art • Magiciens de la terre, Global Art, Global Art Hist • Choir stalls • An-icon • Visual identity • Urban views
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language it, en, fr
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