Soglia | Threshold
open access | peer reviewedKeywords Portali • Renaissance perspective • Triumphal arch • Chiese veneziane • Missionary Collecting • Temporality • Bastiani, Monopoli, Puglia • Moving-image • Frescoes • Disobedience Archive • Opening Madonna • Late medieval art • Intarsia • Threshold symbolism • Museums • Threshold • Iscrizioni • An-icon • Porta clausa • Urban views • Split Cathedral • Annunciation • Marin Sanudo • Chinese collections • Choir stalls • Medieval Dalmatia • Immagini sacre • Emilia-Romagna • Missionary exhibitions • Immersive art • Visual identity • Genealogy • hortus conclusus • Christological narrative • Image-making • Magiciens de la terre, Global Art, Global Art Hist • Reenactment • Vierge ouvrante • William Henry Fox Talbot • Iconography • Religious alterity • Cain and Abel’s offering
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
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