Soglia | Threshold
open access | peer reviewedKeywords Missionary exhibitions • Split Cathedral • Genealogy • Chiese veneziane • Religious alterity • Temporality • Triumphal arch • Medieval Dalmatia • Intarsia • Vierge ouvrante • An-icon • Chinese collections • Emilia-Romagna • Threshold • Missionary Collecting • Magiciens de la terre, Global Art, Global Art Hist • Visual identity • Threshold symbolism • Urban views • Choir stalls • Bastiani, Monopoli, Puglia • Iscrizioni • Renaissance perspective • hortus conclusus • Christological narrative • Late medieval art • Immagini sacre • Frescoes • Porta clausa • Iconography • Portali • William Henry Fox Talbot • Reenactment • Immersive art • Moving-image • Annunciation • Museums • Cain and Abel’s offering • Disobedience Archive • Opening Madonna • Image-making • Marin Sanudo
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, en, it
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