Soglia | Threshold
open access | peer reviewedKeywords Immagini sacre • Late medieval art • Museums • Disobedience Archive • Frescoes • Renaissance perspective • Intarsia • Portali • Bastiani, Monopoli, Puglia • Religious alterity • Chiese veneziane • hortus conclusus • Split Cathedral • Christological narrative • Urban views • Annunciation • Magiciens de la terre, Global Art, Global Art Hist • Immersive art • Cain and Abel’s offering • Medieval Dalmatia • Threshold • Genealogy • Porta clausa • Chinese collections • Temporality • Missionary Collecting • Emilia-Romagna • Missionary exhibitions • Reenactment • Triumphal arch • Opening Madonna • William Henry Fox Talbot • Visual identity • Iscrizioni • Moving-image • Vierge ouvrante • Threshold symbolism • An-icon • Iconography • Image-making • Marin Sanudo • Choir stalls
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.