Journal | JoLMA
Monographic journal issue | 3 | 2 | 2022
Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium
open access | peer reviewed-
edited by
- Gian Luigi Paltrinieri - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Francesco Camera - Università di Genova, Italia - email
- Alessandro Cavazzana - Università Ca’ Foscari Venezia, Italia - email
Keywords Translation’s theory • Untranslatable • Aesthetics • Paul Ricoeur • Gadamer • History of aesthetics • Kripke • Messianism • Margolis • German Romanticism • Cultural emergence • Definite Descriptions • Translation • Philosophy of art • Source language • Truth • Translation’s practice • Objectivity • Hermeneutics • Historicism • Beiträge • Type-token • Relativism • Anfang • Knowledge • Walter Benjamin • Luigi Pareyson • Ambiguity • Difference • Ontology of art • Compromise • Intentionality • Recognition • Explicatures • Pragmatism • Interpretation • Joseph Margolis • Pluralism • Lexical Pragmatics • Hegel • Heidegger • Implicatures • Mediation • Time-Space • Language • Definition of art • Dewey • Hybridisation • Linguistic Hospitality • Pragmatic objectivity • Philosophy • Plurality • Target language
Permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02 | Published Dec. 20, 2022 | Language en
Copyright © Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
