Collana |
Biblioteca di Rassegna iberistica
Volume 1 | Miscellanea | Geométrica explosión
Geométrica explosión
Estudios de lengua y literatura en homenaje a René Lenarduzzi
open access-
a cura di
- Ignacio Arroyo Hernández - Università degli Studi Roma 3, Italia - email orcid profile
- Eugenia Sainz Gonzalez - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Inmaculada Solís García - Università degli Studi di Firenze, Italia - email
- Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
Geométrica explosión, primer número de la Biblioteca de Rassegna iberistica, nace como expresión de admiración, respeto y gratitud hacia René Lenarduzzi con motivo de su jubilación como profesor titular de Lengua española en el Departamento di Studi Linguistici e Culturali de la Universidad Ca’ Foscari de Venecia. El volumen reúne 28 artículos ordenados en 7 secciones: sintaxis, léxico y semántica, discurso, didáctica, literatura, cultura y traducción.
Keywords La chica del Sur • Information structure • Argentinian literature • Miguel de Unamuno • Ser / Estar • Agreement • E-learning • Metaliterature • Noun phrase • Palinody • Costantino Garzoni • Orality • Syntax • Affirmative response operators • Creative writing • Grammars • Opinion verbs • (A)gramaticality • Theatre • Translation • Vocabulary • Written competence • Migration linguistics • Sin embargo • Spanish as foreign language • Carmen Martín Gaite • Discourse analysis • Dyslexia • Spanish novel • Gaucho literature • Metaoperational grammar • Writing • Interlanguage • Miguel de Cervantes • Narrowing • Spanish as foreing language • Giovanni Pacini • Painting • Verisimilitude • Infinitive • Interaction • Anche / también • Pragmatics • Lexical reduplication • Unos • Spanish varieties • Viceversa • Bilingualism • Prosody • Ethics • Henry James • Estanislao del Campo • Pinocchio • Grammatical operators • Evidenciality • Antonio Tiepolo • Conditional verb forms • Argumentation • Aspectuality • Republic of Venice • Discourse markers • Jimena Néspolo • Cinema • Future verb forms • Argentina • Lexical availability • Children’s literature • Es probable
Permalink http://doi.org/10.14277/978-88-6969-068-6 | e-ISBN 978-88-6969-068-6 | ISBN (PRINT) 978-88-6969-080-8 | Pubblicato 01 Aprile 2016 | Lingua it
Copyright © 2016 Ignacio Arroyo Hernández, Eugenia Sainz Gonzalez, Inmaculada Solís García, Florencio del Barrio de la Rosa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Traducción
- Dos traducciones españolas de le Avventure di Pinocchio: Calleja, 1925 y 1941
- María Begoña Arburu Barturen
Cultura
- La Spagna e il Portogallo in un diario del XVI secolo
- Donatella Ferro
-
De Argentina a Corea y vuelta.
Versiones cinematográficas del Sur - Enric Bou
Literatura
-
Come non si fa un romanzo
Note su metalessi, antiromanzo e metaromanzo, da Henry James all’ultimo Unamuno - Alessandro Scarsella
- Las escrituras de Jimena Néspolo
- Susanna Regazzoni
- El engaño a los ojos y la teatralidad cervantina
- María del Valle Ojeda Calvo
- Las dos noches de Anastasio
- Aníbal Enrique Cetrangolo
Didáctica
-
ELE y dislexia a nivel universitario
Algunas consideraciones desde un punto de vista ético - Carlos Alberto Melero Rodríguez
- Cómo construimos las relaciones en la interacción: preposiciones, conjunciones, marcadores.
- Francisco Matte Bon
- Sobres los valores modales del futuro y del condicional y su didáctica en ELE
- María Martínez-Atienza
- Reflexión gramatical, uso lingüístico y enseñanza de la gramática en entornos colaborativos
- Maria Lozano Zahonero
- Escritura creativa en el aula de ELE
- Francisco de Borja Gómez
Discurso
- Uso contrastivo de operadores de afirmación en español argentino y peninsular
- Inmaculada Solís García, Magdalena León Gómez
- En la interfaz entre sintaxis, semántica y estructura informativa: tópicos y focos contrastivos con ‘viceversa’
- Eugenia Sainz Gonzalez
- Corte prosódico al principio del enunciado: la ‘salida nula’
- Carlota Nicolás
- Partículas discursivas y cognición: ‘sin embargo’ y la conexión contrargumentativa
- Óscar Loureda Lamas, Laura Nadal, Inés Recio
- Appunti metodologici sull’uso della traduzione nello studio dei marcatori del discorso spagnoli ed italiani
- Elena Landone
- La alternancia ‘anche’ / ‘también’ en el español hablado por inmigrantes hispanoamericanos en Italia
- Maria Vittoria Calvi
Léxico y semántica
- Algunas observaciones sobre la disponibilidad léxica en estudiantes italófonos de español
- Florencio del Barrio de la Rosa
- La reduplicación léxica como mecanismo de estrechamiento de conceptos
- Ignacio Arroyo Hernández
Sintaxis
-
Usos ‘desviados’ de la pareja aspectual eslava
Re-análisis desde una perspectiva enunciativa con especial atención al checo - Ariel Laurencio
- Sobre la agramaticalidad de *Es probable + infinitivo
- Gonzalo Jiménez Pascual
- ‘Estar joven’ a los dos lados del atlántico
- María Victoria Escasndell, Manuel Leonetti
- La concordancia en las primeras gramáticas del español para italianos
- Carmen Castillo Peña
- ‘Unos’ SN: una propuesta de análisis alternativa
- Laura Brugè
- Los verbos de opinión con infinitivo en la lengua oral
- Felisa Bermejo Calleja
Introducción
- Introducción
- Eugenia Sainz Gonzalez, Inmaculada Solís García, Florencio del Barrio de la Rosa, Ignacio Arroyo Hernández
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_book_57 |
|
dc.creator |
Arroyo Hernández Ignacio |
|
dc.creator |
Sainz Gonzalez Eugenia |
|
dc.creator |
Solís García Inmaculada |
|
dc.creator |
del Barrio de la Rosa Florencio |
|
dc.title |
Geométrica explosión. Estudios de lengua y literatura en homenaje a René Lenarduzzi |
|
dc.type |
Miscellanea |
|
dc.language.iso |
it |
|
dc.description.abstract |
Geométrica explosión, primer número de la Biblioteca de Rassegna iberistica, nace como expresión de admiración, respeto y gratitud hacia René Lenarduzzi con motivo de su jubilación como profesor titular de Lengua española en el Departamento di Studi Linguistici e Culturali de la Universidad Ca’ Foscari de Venecia. El volumen reúne 28 artículos ordenados en 7 secciones: sintaxis, léxico y semántica, discurso, didáctica, literatura, cultura y traducción. |
|
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
|
dc.identifier.doi |
10.14277/978-88-6969-068-6 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2016-04-01 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-080-8/ |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-080-8 |
|
dc.identifier.eisbn |
978-88-6969-068-6 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
(A)gramaticality |
|
dc.subject |
(A)gramaticality |
|
dc.subject |
Affirmative response operators |
|
dc.subject |
Affirmative response operators |
|
dc.subject |
Agreement |
|
dc.subject |
Agreement |
|
dc.subject |
Anche / también |
|
dc.subject |
Anche / también |
|
dc.subject |
Antonio Tiepolo |
|
dc.subject |
Antonio Tiepolo |
|
dc.subject |
Argentina |
|
dc.subject |
Argentina |
|
dc.subject |
Argentinian literature |
|
dc.subject |
Argentinian literature |
|
dc.subject |
Argumentation |
|
dc.subject |
Argumentation |
|
dc.subject |
Aspectuality |
|
dc.subject |
Aspectuality |
|
dc.subject |
Bilingualism |
|
dc.subject |
Bilingualism |
|
dc.subject |
Carmen Martín Gaite |
|
dc.subject |
Carmen Martín Gaite |
|
dc.subject |
Children’s literature |
|
dc.subject |
Children’s literature |
|
dc.subject |
Cinema |
|
dc.subject |
Cinema |
|
dc.subject |
Conditional verb forms |
|
dc.subject |
Conditional verb forms |
|
dc.subject |
Costantino Garzoni |
|
dc.subject |
Costantino Garzoni |
|
dc.subject |
Creative writing |
|
dc.subject |
Creative writing |
|
dc.subject |
Discourse analysis |
|
dc.subject |
Discourse analysis |
|
dc.subject |
Discourse analysis |
|
dc.subject |
Discourse analysis |
|
dc.subject |
Discourse markers |
|
dc.subject |
Discourse markers |
|
dc.subject |
Discourse markers |
|
dc.subject |
Discourse markers |
|
dc.subject |
Discourse markers |
|
dc.subject |
Discourse markers |
|
dc.subject |
Dyslexia |
|
dc.subject |
Dyslexia |
|
dc.subject |
E-learning |
|
dc.subject |
E-learning |
|
dc.subject |
Es probable |
|
dc.subject |
Es probable |
|
dc.subject |
Estanislao del Campo |
|
dc.subject |
Estanislao del Campo |
|
dc.subject |
Ethics |
|
dc.subject |
Ethics |
|
dc.subject |
Evidenciality |
|
dc.subject |
Evidenciality |
|
dc.subject |
Future verb forms |
|
dc.subject |
Future verb forms |
|
dc.subject |
Gaucho literature |
|
dc.subject |
Gaucho literature |
|
dc.subject |
Giovanni Pacini |
|
dc.subject |
Giovanni Pacini |
|
dc.subject |
Grammars |
|
dc.subject |
Grammars |
|
dc.subject |
Grammatical operators |
|
dc.subject |
Grammatical operators |
|
dc.subject |
Henry James |
|
dc.subject |
Henry James |
|
dc.subject |
Infinitive |
|
dc.subject |
Infinitive |
|
dc.subject |
Infinitive |
|
dc.subject |
Infinitive |
|
dc.subject |
Information structure |
|
dc.subject |
Information structure |
|
dc.subject |
Interaction |
|
dc.subject |
Interaction |
|
dc.subject |
Interlanguage |
|
dc.subject |
Interlanguage |
|
dc.subject |
Jimena Néspolo |
|
dc.subject |
Jimena Néspolo |
|
dc.subject |
La chica del Sur |
|
dc.subject |
La chica del Sur |
|
dc.subject |
Lexical availability |
|
dc.subject |
Lexical availability |
|
dc.subject |
Lexical reduplication |
|
dc.subject |
Lexical reduplication |
|
dc.subject |
Metaliterature |
|
dc.subject |
Metaliterature |
|
dc.subject |
Metaoperational grammar |
|
dc.subject |
Metaoperational grammar |
|
dc.subject |
Metaoperational grammar |
|
dc.subject |
Metaoperational grammar |
|
dc.subject |
Metaoperational grammar |
|
dc.subject |
Metaoperational grammar |
|
dc.subject |
Migration linguistics |
|
dc.subject |
Migration linguistics |
|
dc.subject |
Miguel de Cervantes |
|
dc.subject |
Miguel de Cervantes |
|
dc.subject |
Miguel de Unamuno |
|
dc.subject |
Miguel de Unamuno |
|
dc.subject |
Narrowing |
|
dc.subject |
Narrowing |
|
dc.subject |
Noun phrase |
|
dc.subject |
Noun phrase |
|
dc.subject |
Opinion verbs |
|
dc.subject |
Opinion verbs |
|
dc.subject |
Orality |
|
dc.subject |
Orality |
|
dc.subject |
Orality |
|
dc.subject |
Orality |
|
dc.subject |
Painting |
|
dc.subject |
Painting |
|
dc.subject |
Palinody |
|
dc.subject |
Palinody |
|
dc.subject |
Pinocchio |
|
dc.subject |
Pinocchio |
|
dc.subject |
Pragmatics |
|
dc.subject |
Pragmatics |
|
dc.subject |
Prosody |
|
dc.subject |
Prosody |
|
dc.subject |
Republic of Venice |
|
dc.subject |
Republic of Venice |
|
dc.subject |
Ser / Estar |
|
dc.subject |
Ser / Estar |
|
dc.subject |
Sin embargo |
|
dc.subject |
Sin embargo |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreign language |
|
dc.subject |
Spanish as foreing language |
|
dc.subject |
Spanish as foreing language |
|
dc.subject |
Spanish novel |
|
dc.subject |
Spanish novel |
|
dc.subject |
Spanish varieties |
|
dc.subject |
Spanish varieties |
|
dc.subject |
Spanish varieties |
|
dc.subject |
Spanish varieties |
|
dc.subject |
Syntax |
|
dc.subject |
Syntax |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Unos |
|
dc.subject |
Unos |
|
dc.subject |
Verisimilitude |
|
dc.subject |
Verisimilitude |
|
dc.subject |
Viceversa |
|
dc.subject |
Viceversa |
|
dc.subject |
Vocabulary |
|
dc.subject |
Vocabulary |
|
dc.subject |
Writing |
|
dc.subject |
Writing |
|
dc.subject |
Written competence |
|
dc.subject |
Written competence |
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