Идентичность иранцев в архитектуре X-XII вв
abstract
The political environment in Khurasan with the arrival of the Samanid dynasty contributed to an increase in the national identity of Iranians on the one hand and mutual enrichment of cultures in the cosmopolitan climate on the other. The formation of style in the architecture is associated with the visual-spatial memory of Iranians themselves in a direction determined by Muslim religion. Hardly had the Iranian artists appealed to their traditional forms when they transformed them in according to the new Islamic discourse. The study also revealed that there is some evidence to suggest that Iranian art in the first centuries of Islam had its independent development course based on the flexibility of culture and awareness of its own identity.
Keywords: Seljuk architecture • Identity of Iranians • The Samanids • Iranian architecture • Narrative Identity