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Behind the Image, Beyond the Image

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The Production of Modest Musorgsky’s Opera Khovanshchina at La Scala (1933) as an Attempt to Reconstruct the Authentic Image of an Artwork

Vasilisa Aleksandrova    State Institute for Art Studies, Moscow, Russia    

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abstract

The 1933 production of Khovanshchina at La Scala Theatre, conducted by Vittorio Gui (1885-1975), was the second time this opera was performed on the Italian opera stage. In studying the Italian productions of Khovanshchina, the 1933 stage version is usually overshadowed by the Italian premiere of this opera, which took place in 1926. However, Vittorio Gui made his own stage version of Khovanshchina, changing the structure, orchestration and tonal plan of the full score of this opera in Nikolay Rimsky-Korsakov’s edition in order to get closer to Musorgsky’s authorial text. The paper uses archival materials from the Russian State Archive of Literature and Art, the Russian National Museum of Music, the Archive of the Museo Teatrale alla Scala, and articles from Italian periodicals of the 1920s-1940s.

Pubblicato
13 Maggio 2022
Presentato
19 Ottobre 2021
Lingua
EN
ISBN (EBOOK)
978-88-6969-588-9

Keywords: Nikolay Rimsky-Korsakov • Vittorio Gui • Mary Tibaldi Chiesa • Russian opera in Italy • Boris Asafyev • Boris Godunov • Khovanshchina • Modest Musorgsky • Russian opera • La Scala • Pavel Lamm

permalink: http://doi.org/10.30687/978-88-6969-588-9/004

Copyright: © 2022 Vasilisa Aleksandrova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.