Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017
Articolo | Dalla visionarietà didascalica dannunziana alla scena
Dalla visionarietà didascalica dannunziana alla scena
Abstract
D’Annunzio wrote ékphrasis and stage directions with a strong literary connotation. His descriptions of paintings as well as opening scenes stress in particular the details, giving a poetic aura to the vision, at the same time hyper-realistic and elusive. The linguistic vividness of d’Annunzio is examined in these two forms of speech, the ékphrasis and the stage directions, to bring out the characteristics of a ‘pictorial’ theatre. The centre of this analysis is the tension between word and image, between the contents communicated by the first and the contents expressed or evoked by the latter. The article proposes the analysis of some theoretical writings and theatrical texts. At the end we suggest a contemporary feature of d’Annunzio’s theatre in term of “denarrativisation” of the theatrical scenes in a visual way.
Presentato: 12 Aprile 2017 | Accettato: 15 Maggio 2017 | Pubblicato 05 Ottobre 2017 | Lingua: it
Keywords Denarrativisation • D’Annunzio • Stage directions • Ekphrasis • Theatre
Copyright © 2017 Silvia De Min. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-4-17-9
