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open access peer reviewed

Vol. 5 | Dicembre 2018

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Lingua: it, en

Pubblicato: 17 Dicembre 2018

Keywords

Dalloway • Neoliberalism • Gorris • Film technology • Invasion • Propaganda • 1790s • Adaptation • Isaac Watts • Emotion • Calvinism • Singing • Edgar Allan Poe • Affect • Neuropathology • Fishguard • Modernism • Monoglossia • Film adaptation • Coleridge • Knowing • Shakespeare • Sentiment • Heteroglossia • Gelotophobia • Passions • Sewing • Alexander Oldys • Alfred Hitchcock • Woolf • Short story • Worship • Feeling • Performance • Auteur adaptation • Materiality • Moral Sense • Simulacra • Cross-cultural • Dissent • The heritage film • Visual poetics • Women • Embodiment • Experience • Film adaptation effects • Narrative suspense • Politics • Stoicism • Theory of laughter • Literature as medium • Affections • Gothic stories • Hymns • Uneasiness • Desire • Re-enactment • War • Social shame • Mrs • Fear • Handcraft • Feminism • Restoration prose fiction • Frances Greville

permalink http://doi.org/10.30687/EL/2420-823X/2018/01

Copyright: © 2018 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.