14 | 2025

Keywords Artwork Dispersal • Archaeometry • Japan • Transculturality • Artworks Dispersal • Nineteenth century • Pietro Palmaroli • Academy of Fine Arts • Collecting • Conservation • Grimani Palace • Venice • Mosaic • Bronze statuettes • Art market • Valorization • James Irvine • Cultural identity • Painting conservation and restoration • Chile • Circulation • Digital humanities • Travel diary • Bijin-ga • Kingston Lacy • Art Collecting • France • Ukiyo-e • Dispersions • Museums • Classical sculpture • Women artists • Ornament • Neo-Gothic • Habsburgs • Sacred space • Grimani Collection • Japonism • Architecture

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua en, es, it

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