Rivista | Rassegna iberistica
Fascicolo | 40 | 107 | 2017
Articolo | Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos
Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos
Três poetas do desassossego no Novo Cancioneiro
- Carlos Ceia - Universidade Nova de Lisboa, Portugal - email
Abstract
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today.
Presentato: 12 Aprile 2016 | Accettato: 10 Gennaio 2017 | Pubblicato 29 Giugno 2017 | Lingua: pt
Keywords Poetry • Álvaro Feijó • Políbio Gomes dos Santos • Portugal • Sidónio Muralha • Novo Cancioneiro
Copyright © 2017 Carlos Ceia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-6
Articoli
- «Había de ver nacer mandrágoras en los locutorios»: una nota al Buscón, III, 9
- Gáldrick de la Torre
- 29 Giugno 2017
- Don Perlimplín en Venecia: Nono y Maderna
- Andrés Soria Olmedo
- 29 Giugno 2017
- La ritualización del tiempo en La Morte Rouge
- Iacopo Russo
- 29 Giugno 2017
- Antecedentes literarios en la ‘niña mala’ de Mario Vargas Llosa
- Martin Eduardo García Calle
- 29 Giugno 2017
-
Eternal Curse on the Reader of These Pages / Maldición eterna a quien lea estas páginas
Un caso di autotraduzione - Alex Borio
- 29 Giugno 2017
-
Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos
Três poetas do desassossego no Novo Cancioneiro - Carlos Ceia
- 29 Giugno 2017
- Baltasar Porcel en anglès: crònica de la traducció de Cavalls cap a la fosca
- Francesc Borrull
- 29 Giugno 2017
Note
- Poesía y poetas bajo el franquismo
- Serge Buj
- 29 Giugno 2017
- Jorge Luis Borges e l’anacronismo
- Carlo Bordoni
- 29 Giugno 2017
Recensioni
- Prestigiacomo, Carla (a cura di) (2017). Identità, totalitarismi e stampa. Ricodifica linguistica-culturale dei media di regime. Palermo: Palermo University Press, pp. 388
- María Soledad Padilla
- 29 Giugno 2017
- Ruffinatto, Aldo (2015). Dedicato a Cervantes. Madrid: SIAL Ediciones, pp. 261. Prosa Barroca
- Veronica Orazi
- 29 Giugno 2017
- Candeloro, Antonio (2016). Javier Marías y el enigma del tiempo. Murcia: EDITUM, pp. 390
- Valeria Cavazzino
- 29 Giugno 2017
- Carnero, Guillermo (2017). Regiones devastadas. Sevilla: Fundación José Manuel Lara, pp. 88
- Alessandro Mistrorigo
- 29 Giugno 2017
- Bellini, Giuseppe (2016). Gli effimeri regni di questo mondo. La narrativa di Alejo Carpentier. Roma: Bulzoni, pp. 120
- Susanna Regazzoni
- 29 Giugno 2017
- Bartra, Roger (2015). I territori del terrore e dell’alterità. Trad. di Maria Cristina Secci. Milano: Mimesis, pp. 139
- Alice Favaro
- 29 Giugno 2017
- Alfonso, Vitalina (2015). Un país para narrar. La Habana: Letras Cubanas, pp. 108
- Susanna Regazzoni
- 29 Giugno 2017
- de Diego, Josefina (2016). El reino del abuelo. Presentación de Eliseo Alberto. La Habana: colección Sur Editores, pp. 76
- Fabiola Cecere
- 29 Giugno 2017
- Venturini, Santiago (2016). En la colonia agrícola. Rosario: Iván Rosado Ediciones, pp. 63
- René Julio Lenarduzzi
- 29 Giugno 2017
- Silva Carvalho, Armando (2015). A Sombra do Mar. Lisboa: Assírio & Alvim, pp. 99
- Manuel G. Simões
- 29 Giugno 2017
- Grassi, Silvia (2016). Gender and Sexual Dissidence on Catalan and Spanish Television Series. An Intercultural Analysis. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 284
- Enric Bou
- 29 Giugno 2017
- Roig, Silvia (2016). Aurora Bertrana. Innovación literaria y subversión de género. Woodbridge: Tamesis, pp. 357
- Enric Bou
- 29 Giugno 2017
- Stegmann, Tilbert Dídac (2016). El plaer de llegir literatura catalana. Lleida: Pagès Editors, pp. 287
- Lidia Carol Geronès
- 29 Giugno 2017
- Fernàndez, Josep-Anton; Subirana, Jaume (eds.) (2015). Funcions del passat en la cultura catalana contemporània: Institucionalització, representació i identitat. Lleida: Punctum, pp. 310
- Silvia Grassi
- 29 Giugno 2017
Pubblicazioni ricevute
- Pubblicazioni ricevute
- 29 Giugno 2017
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_684 |
|
dc.title |
Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos. Três poetas do desassossego no Novo Cancioneiro |
|
dc.contributor.author |
Ceia Carlos |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Articolo |
|
dc.language.iso |
pt |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2017/107/alvaro-feijo-sidonio-muralha-e-polibio-gomes-dos-s/ |
|
dc.description.abstract |
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Num. 107 | Giugno 2017 |
|
dc.issued |
2017-06-29 |
|
dc.dateAccepted |
2017-01-10 |
|
dc.dateSubmitted |
2016-04-12 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-107-17-6 |
|
dc.peer-review |
yes |
|
dc.subject |
Novo Cancioneiro |
|
dc.subject |
Novo Cancioneiro |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Políbio Gomes dos Santos |
|
dc.subject |
Políbio Gomes dos Santos |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Sidónio Muralha |
|
dc.subject |
Sidónio Muralha |
|
dc.subject |
Álvaro Feijó |
|
dc.subject |
Álvaro Feijó |
| Download data |
-
file_download 7
-
search 296
-
format_quote 0
