Rivista | Rassegna iberistica
Fascicolo | 40 | 107 | 2017
Articolo | Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos
Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos
Três poetas do desassossego no Novo Cancioneiro
- Carlos Ceia - Universidade Nova de Lisboa, Portugal - email
Abstract
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today.
Presentato: 12 Aprile 2016 | Accettato: 10 Gennaio 2017 | Pubblicato 29 Giugno 2017 | Lingua: pt
Keywords Portugal • Sidónio Muralha • Poetry • Álvaro Feijó • Novo Cancioneiro • Políbio Gomes dos Santos
Copyright © 2017 Carlos Ceia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-6
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Recensioni
- Prestigiacomo, Carla (a cura di) (2017). Identità, totalitarismi e stampa. Ricodifica linguistica-culturale dei media di regime. Palermo: Palermo University Press, pp. 388
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- Alfonso, Vitalina (2015). Un país para narrar. La Habana: Letras Cubanas, pp. 108
- Susanna Regazzoni
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- de Diego, Josefina (2016). El reino del abuelo. Presentación de Eliseo Alberto. La Habana: colección Sur Editores, pp. 76
- Fabiola Cecere
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- Venturini, Santiago (2016). En la colonia agrícola. Rosario: Iván Rosado Ediciones, pp. 63
- René Julio Lenarduzzi
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- Silva Carvalho, Armando (2015). A Sombra do Mar. Lisboa: Assírio & Alvim, pp. 99
- Manuel G. Simões
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- Grassi, Silvia (2016). Gender and Sexual Dissidence on Catalan and Spanish Television Series. An Intercultural Analysis. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 284
- Enric Bou
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- Roig, Silvia (2016). Aurora Bertrana. Innovación literaria y subversión de género. Woodbridge: Tamesis, pp. 357
- Enric Bou
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- Stegmann, Tilbert Dídac (2016). El plaer de llegir literatura catalana. Lleida: Pagès Editors, pp. 287
- Lidia Carol Geronès
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- Fernàndez, Josep-Anton; Subirana, Jaume (eds.) (2015). Funcions del passat en la cultura catalana contemporània: Institucionalització, representació i identitat. Lleida: Punctum, pp. 310
- Silvia Grassi
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Pubblicazioni ricevute
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_684 |
|
dc.title |
Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos. Três poetas do desassossego no Novo Cancioneiro |
|
dc.contributor.author |
Ceia Carlos |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Articolo |
|
dc.language.iso |
pt |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2017/107/alvaro-feijo-sidonio-muralha-e-polibio-gomes-dos-s/ |
|
dc.description.abstract |
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Num. 107 | Giugno 2017 |
|
dc.issued |
2017-06-29 |
|
dc.dateAccepted |
2017-01-10 |
|
dc.dateSubmitted |
2016-04-12 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-107-17-6 |
|
dc.peer-review |
yes |
|
dc.subject |
Novo Cancioneiro |
|
dc.subject |
Novo Cancioneiro |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Políbio Gomes dos Santos |
|
dc.subject |
Políbio Gomes dos Santos |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Sidónio Muralha |
|
dc.subject |
Sidónio Muralha |
|
dc.subject |
Álvaro Feijó |
|
dc.subject |
Álvaro Feijó |
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