Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords True Crime • Rhetorical techniques • Mujer • Miguel Ángel Hernández • García Maroto • True crime • Cuban avant-garde • Dibuxos grabados • Italo Calvino • Ideologia • Dialogo letterario • Surrealismo • Caballero Bonald • Critica • Editoria • Inmigrante • Publishing industry • Bernardo Atxaga • Women • Social science • Nonfiction • Romances of Chivalry • Figurativización • | Bernardo Atxaga • | Wilcock • Mitos mapuches • No ficción • Ideology • | Castelao • Sociologia de la llengua • Letteratura ispanoamericana • Narrative perspective • Paralipsis • Criticism • Reticence • Novelas • Einaudi editore • | Italo Calvino • Sociology of language • Textual lacunas • Técnicas retóricas • Nacionalisme • Hispano-American literature • Libri di cavalleria • Social structure • Mapuche myths • Baroque • Cuba vanguardias • Hibridismo cultural • Literature • | Literatura española contemporánea • España • Puesta en perspectiva narrativa • Surrealism • Immigration • Ecología • Nationalism • Essay • Discurso • Estructura social • | Benito Pérez Galdós • Paradosso • Mise en abyme • Barroco • Spanish Republic • Bellezza • Beauty • | Deformación artística • Identity • Wilcock • Ecology • Landscape • | Assaig • Ciència social • | Valerián de Hungría • | Conquista del desierto • Artistic deformation • Castelao • El dolor los demás • Negrismo • Paradox • Misoginia • | Inmigración • Reticencia • Galdós’ novels • Negros • Cinema • Literary dialogues • Aposiopesis • Lagunas textuales • Identidad • Borges • Cultural hybridity • Poetry • Contemporary Spanish literature • Negritud • Poetical discourse • Paisaje • Desert conquest • Literatura • Misogyny • El dolor de los demás • Valerián de Hungría • Poesía • Immigrant

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, ca, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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