Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords Women • Poetical discourse • Nationalism • Cuban avant-garde • Surrealism • Paradox • Textual lacunas • Borges • | Benito Pérez Galdós • Essay • Castelao • Lagunas textuales • Artistic deformation • Social structure • Puesta en perspectiva narrativa • Publishing industry • Contemporary Spanish literature • Mapuche myths • Valerián de Hungría • Estructura social • True crime • Beauty • Baroque • Hispano-American literature • Nonfiction • | Assaig • Caballero Bonald • | Deformación artística • | Literatura española contemporánea • Técnicas retóricas • Mujer • Identity • Miguel Ángel Hernández • Mise en abyme • Cinema • Sociologia de la llengua • Ideologia • No ficción • Surrealismo • Barroco • Wilcock • Nacionalisme • Ecology • Einaudi editore • Literary dialogues • Cultural hybridity • Rhetorical techniques • Bernardo Atxaga • Negrismo • Immigrant • Ciència social • García Maroto • Literatura • Immigration • Narrative perspective • Desert conquest • Cuba vanguardias • | Conquista del desierto • | Bernardo Atxaga • Ecología • Reticence • Dibuxos grabados • | Inmigración • Sociology of language • El dolor los demás • Editoria • Paradosso • Poetry • Letteratura ispanoamericana • | Valerián de Hungría • Dialogo letterario • Bellezza • True Crime • Criticism • Italo Calvino • | Italo Calvino • Negritud • El dolor de los demás • Hibridismo cultural • Reticencia • | Castelao • Aposiopesis • Social science • Poesía • Literature • Paralipsis • Spanish Republic • Negros • España • Inmigrante • Mitos mapuches • Romances of Chivalry • Figurativización • Discurso • Critica • | Wilcock • Paisaje • Misoginia • Misogyny • Identidad • Landscape • Novelas • Ideology • Libri di cavalleria • Galdós’ novels

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, ca, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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