Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords Castelao • Misoginia • Cinema • García Maroto • Surrealismo • | Wilcock • España • Italo Calvino • Ideologia • True crime • Landscape • Nonfiction • Rhetorical techniques • Ecología • Nationalism • Valerián de Hungría • | Valerián de Hungría • | Literatura española contemporánea • Baroque • Einaudi editore • Mujer • Paralipsis • Negritud • | Conquista del desierto • Editoria • Romances of Chivalry • Criticism • Reticence • Literatura • Identidad • Wilcock • Negros • Cuba vanguardias • Spanish Republic • Ideology • Literature • Novelas • Paisaje • Critica • Poetical discourse • | Deformación artística • | Castelao • | Bernardo Atxaga • Galdós’ novels • Miguel Ángel Hernández • Narrative perspective • Reticencia • Hispano-American literature • Puesta en perspectiva narrativa • Técnicas retóricas • Inmigrante • Women • Essay • | Inmigración • Ciència social • Misogyny • Publishing industry • Bernardo Atxaga • | Assaig • Immigration • Desert conquest • Social structure • | Benito Pérez Galdós • | Italo Calvino • Mise en abyme • Hibridismo cultural • Paradox • Estructura social • Dialogo letterario • Surrealism • Mapuche myths • Sociologia de la llengua • Sociology of language • Mitos mapuches • Cultural hybridity • Cuban avant-garde • Textual lacunas • Identity • Ecology • Aposiopesis • Borges • Social science • Beauty • Libri di cavalleria • Poesía • Literary dialogues • El dolor de los demás • Bellezza • Figurativización • Negrismo • Poetry • Nacionalisme • True Crime • Caballero Bonald • Discurso • Artistic deformation • Dibuxos grabados • No ficción • El dolor los demás • Letteratura ispanoamericana • Paradosso • Barroco • Lagunas textuales • Contemporary Spanish literature • Immigrant

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, it, ca

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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