Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords Dibuxos grabados • Reticencia • Identity • Literature • Nacionalisme • Einaudi editore • Cuba vanguardias • Romances of Chivalry • Inmigrante • Surrealismo • Beauty • Surrealism • Immigrant • | Italo Calvino • Mise en abyme • True crime • Literatura • Sociology of language • Mapuche myths • Negrismo • Castelao • Lagunas textuales • No ficción • Social science • Misogyny • Nationalism • Editoria • Mitos mapuches • Bellezza • Borges • Ideology • Aposiopesis • Immigration • Literary dialogues • Ecology • Poetry • Letteratura ispanoamericana • Caballero Bonald • Social structure • Estructura social • Barroco • | Castelao • Novelas • Women • Textual lacunas • Cuban avant-garde • Criticism • Figurativización • Negros • Paradosso • España • Essay • | Valerián de Hungría • Desert conquest • Bernardo Atxaga • Libri di cavalleria • Hibridismo cultural • | Inmigración • Miguel Ángel Hernández • Narrative perspective • Paradox • Hispano-American literature • Reticence • Sociologia de la llengua • | Conquista del desierto • | Deformación artística • Wilcock • Paralipsis • | Assaig • El dolor los demás • Publishing industry • Baroque • Mujer • | Bernardo Atxaga • García Maroto • | Benito Pérez Galdós • Dialogo letterario • Identidad • Nonfiction • Poetical discourse • | Literatura española contemporánea • Paisaje • Rhetorical techniques • Misoginia • Critica • Cinema • Artistic deformation • El dolor de los demás • Valerián de Hungría • Ideologia • Italo Calvino • True Crime • | Wilcock • Discurso • Técnicas retóricas • Ciència social • Contemporary Spanish literature • Ecología • Cultural hybridity • Spanish Republic • Landscape • Negritud • Galdós’ novels • Poesía • Puesta en perspectiva narrativa

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, it, ca

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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