Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords | Inmigración • Sociology of language • Mise en abyme • Reticencia • Sociologia de la llengua • El dolor de los demás • Essay • Baroque • Landscape • Galdós’ novels • | Deformación artística • Técnicas retóricas • Caballero Bonald • Spanish Republic • Desert conquest • | Valerián de Hungría • Cinema • Hibridismo cultural • Negritud • Ecology • Artistic deformation • Literary dialogues • True Crime • Dibuxos grabados • Reticence • Paisaje • Ecología • España • Lagunas textuales • Paradosso • García Maroto • Dialogo letterario • Poetical discourse • Criticism • Inmigrante • Nacionalisme • Miguel Ángel Hernández • Poesía • | Wilcock • Wilcock • Libri di cavalleria • | Bernardo Atxaga • Identity • Nonfiction • Bellezza • Puesta en perspectiva narrativa • Mitos mapuches • Social science • Immigration • Beauty • Critica • Novelas • Figurativización • Bernardo Atxaga • El dolor los demás • Estructura social • Rhetorical techniques • Mujer • Letteratura ispanoamericana • Women • No ficción • | Assaig • Cultural hybridity • Misoginia • Valerián de Hungría • | Italo Calvino • Mapuche myths • Einaudi editore • Barroco • Discurso • Publishing industry • Cuban avant-garde • Ideologia • Nationalism • Hispano-American literature • Misogyny • | Conquista del desierto • Literature • Negrismo • Textual lacunas • Negros • | Literatura española contemporánea • Paradox • Cuba vanguardias • Contemporary Spanish literature • Narrative perspective • Aposiopesis • Ideology • Surrealism • Paralipsis • Poetry • Editoria • | Benito Pérez Galdós • Social structure • Ciència social • | Castelao • Immigrant • Borges • Castelao • Italo Calvino • Surrealismo • Romances of Chivalry • Identidad • True crime • Literatura

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, es, ca

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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