Rivista | JoLMA
Fascicolo monografico | 4 | 1 | 2023
Articolo | Framing the Unframed: Avalanche, an Art Magazine
Abstract
Between the 1960s and 1970s, art practices such as performance, conceptual, and land art challenged the very possibility of framing the artwork and clearly demarcating the boundaries that enclosed it. In this context, art and artists’ magazines assumed a pivotal role as they became the medium and site for the presentation and dissemination of these new art forms. This essay examines Avalanche, a magazine published between 1970 and 1976 in New York, and analyses how this periodical framed new art within its paper boundaries while at the same time expanding this art in time and space and showing the processual nature of the framing processes.
Presentato: 19 Giugno 2023 | Accettato: 07 Agosto 2023 | Pubblicato 25 Settembre 2023 | Lingua: it
Keywords Contemporary art • Framing in art • Art of the 1960s and 1970s • Artists’ magazines • Art magazines • Avalanche magazine
Copyright © 2023 Tancredi Gusman. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2023/01/006